| | Throughout the 1950s, she suffered from depression brought on by the death of her grandmother and her being uncaringly nurtured at a boarding school, at which point her therapist recommended she write poetry.<ref>http://www.english.illinois.edu/maps/poets/s_z/sexton/sexton_life.htm</ref> She channeled these emotions which had haunted her since childhood into confessional poetry, which was criticized by her mother, which encouraged her development into a feminist without curing her mental issues.<ref>http://www.fembio.org/english/biography.php/woman/biography/anne-sexton/</ref> Afraid, she entered a poetry workshop with John Holmes, where she met her friend Maxine Kumin, and her work was immediately acclaimed. She wrote "The Double Image" in response to Snodgrass's "Heart's Needle," which she felt permitted her to write confessional poetry although it was discouraged by her poet friends.<ref>https://www.poemhunter.com/anne-sexton/biography/</ref> Her works continued after her first volume, ''To Bedlam and Part Way Back'' (1960), a book about her psychiatric struggles, with ''Love Poems'', ''Live or Die'', and a play called ''Mercy Street'' (1969). In her 1972 ''Transformations'', she retells Grimm's Fairy Tales, and ends her works in the ''The Death Notebook'' and several volumes published after her death.<ref>https://www.poetryfoundation.org/poems-and-poets/poets/detail/anne-sexton</ref> On October 4, 1974, she committed suicide in Weston Massachusetts, as a likely result of her severe untreated mental illness.<ref>http://www.biography.com/people/anne-sexton-9479863</ref> | | Throughout the 1950s, she suffered from depression brought on by the death of her grandmother and her being uncaringly nurtured at a boarding school, at which point her therapist recommended she write poetry.<ref>http://www.english.illinois.edu/maps/poets/s_z/sexton/sexton_life.htm</ref> She channeled these emotions which had haunted her since childhood into confessional poetry, which was criticized by her mother, which encouraged her development into a feminist without curing her mental issues.<ref>http://www.fembio.org/english/biography.php/woman/biography/anne-sexton/</ref> Afraid, she entered a poetry workshop with John Holmes, where she met her friend Maxine Kumin, and her work was immediately acclaimed. She wrote "The Double Image" in response to Snodgrass's "Heart's Needle," which she felt permitted her to write confessional poetry although it was discouraged by her poet friends.<ref>https://www.poemhunter.com/anne-sexton/biography/</ref> Her works continued after her first volume, ''To Bedlam and Part Way Back'' (1960), a book about her psychiatric struggles, with ''Love Poems'', ''Live or Die'', and a play called ''Mercy Street'' (1969). In her 1972 ''Transformations'', she retells Grimm's Fairy Tales, and ends her works in the ''The Death Notebook'' and several volumes published after her death.<ref>https://www.poetryfoundation.org/poems-and-poets/poets/detail/anne-sexton</ref> On October 4, 1974, she committed suicide in Weston Massachusetts, as a likely result of her severe untreated mental illness.<ref>http://www.biography.com/people/anne-sexton-9479863</ref> |