Changes

"Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32)."<ref name="danews">{{cite news|url=http://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}</ref>

"Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32)."<ref name="danews">{{cite news|url=http://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}</ref>

Journalist Mushtaq.A.Khan wrote;

Journalist Mushtaq. A . Khan wrote;

"Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this "Ehtemam".<ref name="times of karachi">{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}</ref>

"Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this "Ehtemam".<ref name="times of karachi">{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}</ref>