Changes

|On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feministic (It doesn’t help that one of the working titles for the show was the more profane ''Whoop*** Girls''). Moreover, innuendoes may be peppered throughout (and are more apparent in the 2016 reboot series, much to the chagrin of even the most devoted fans).

|On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feministic (It doesn’t help that one of the working titles for the show was the more profane ''Whoop*** Girls''). Moreover, innuendoes may be peppered throughout (and are more apparent in the 2016 reboot series, much to the chagrin of even the most devoted fans).

On the other hand, as the girls were created by a scientist to be the “perfect little girls,” they could be more femin''ine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist moral contradictions.

On the other hand, as the girls were created by a scientist to be the “perfect little girls,” they could be more femin''ine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy.

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|''SpongeBob SquarePants''

|''SpongeBob SquarePants''