Changes

|2016

|2016

|R

|R

|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> who got a good look at the events of the attack and the heroes who acted to defend the compound of their own accord.

|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> which saw an insightful analysis at the events of the attack and the heroes who acted to defend the compound of their own accord.

|$69.40 million

|$69.40 million

|-

|-

|1998

|1998

|

|

|A live action adaptation of Ouida's book, and the fifth iteration to be made, it is pro-Christianity.

|The fifth live action adaptation of Ouida's book contains a number of Christian themes.

|$2,165,637

|$2,165,637

|-

|-

|1963

|1963

|UR

|UR

|Illustrates duty, honor, and the burden of command.

|It illustrates duty, honor, and the burden of command.

|Unknown

|Unknown

|-

|-

|1966

|1966

|UR

|UR

|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. Winner of six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).

|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. It won six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).

|$20,000,000<ref>This figure is a worldwide gross.</ref>  

|$20,000,000<ref>This figure is a worldwide gross.</ref>  

|-

|-

|2012

|2012

|R

|R

|In this film, strong military men are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also notable as being one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in extreme accuracy regarding their missions.

|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also notable as being one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in extreme accuracy regarding their missions.

|$70,012,847

|$70,012,847

|-  

|-  

|2013

|2013

|PG-13

|PG-13

|This film examines the impact [[Christianity]] has had in building the United States. Liberals were shaken when it received an Oscar nomination, proving that there is still a strong, prevalent conservative voice in Hollywood.

|[[Christianity]]'s impact in building the United States is explored in depth. Liberals were shaken when it received an Oscar nomination, proving that there is still a prevalent conservative voice in Hollywood.

|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>

|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>

|-

|-

|2012

|2012

|PG

|PG

|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, with the common objective of stopping the Norse god Thor's adopted evil brother Loki from conquering the world with an extra-terrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses and indirectly references Hitler and Nazi Germany's actions when explaining why he won't. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns Communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel, it should come as no surprise that these conservative subtexts shine through.

|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, with the common objective of stopping the Norse god Thor's adopted evil brother Loki from conquering the world with an extra-terrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses and indirectly references Hitler and Nazi Germany's actions when explaining why he won't. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel, it should come as no surprise that these conservative subtexts shine through.

|$1.519 billion

|$1.519 billion

|-

|-

|2008

|2008

|PG

|PG

|In this pro-family and pro-capitalism film, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.

|In this pro-family and pro-capitalism comedy, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.

|$110,101,975

|$110,101,975

|-

|-

|1959

|1959

|UR

|UR

|This Roman historical drama celebrates honor and duty to family and country with a pro-Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.

|This Roman historical drama celebrates honor and duty to family and country with a Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.

|$17,300,000

|$17,300,000

|-

|-

|1984  

|1984  

|R

|R

|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting a promotion of war on drugs. Two sequels followed in 1987 and 1994.

|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting support for the war on drugs. Two sequels followed in 1987 and 1994.

|$234,760,478

|$234,760,478

|-

|-

|''The Bible: In The Beginning''  

|''The Bible: In The Beginning''  

|1966

|1966

|NR, may now receive PG

|NR, could now receive PG

|Just as the title says, big budget epic of [[Genesis]] first 22 chapters.

|As the title says, it is an expensive but powerful epic of [[Genesis]]' first 22 chapters.

|$34,900,023

|$34,900,023

|-

|-

|2002

|2002

|PG

|PG

|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, the film teaches that "The truth is not overrated," which is also the moral of Jason's story.

|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.

|$48,360,547

|$48,360,547

|-

|-

|1980

|1980

|R

|R

|Despite being based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark on a "mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Even though the film is R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. Had one sequel in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>

|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark on a "mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>

|$57,229,890

|$57,229,890

|-

|-

|1978

|1978

|R

|R

|The dangers of [[cloning]] as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone (who else ?) [[Adolf Hitler]].

|The dangers of [[cloning]] are highlighted as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone [[Adolf Hitler]].

|-

|-

|''[[Braveheart]]''

|''[[Braveheart]]''

|1995

|1995

|R

|R

|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) fights to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.

|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) rallies an army to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.

|$210.4 million

|$210.4 million

|-

|-

|2003

|2003

|PG-13

|PG-13

|Jim Carrey stars in this comedy that, despite having atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.

|Jim Carrey stars in this comedy that, even with atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.

|$242,589,580

|$242,589,580

|-

|-

|2016

|2016

|PG-13

|PG-13

|The United Nations proposes that the superhero team the Avengers be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (the Winter Solider, Falcon, Scarlet Witch, Hawkeye and Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue and, through persistence, prevents the UN from placing the team under globalist control.

|The United Nations proposes that the superhero team the Avengers be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.

|$407,588,905

|$407,588,905

|-

|-