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|1996
 
|1996
 
|G
 
|G
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|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the central antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
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|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the main villain, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
 
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