Marjorie Wardrop remained immersed in Georgian culture until her death, continuing to study and translate its texts and to be involved in its politics. Her cultural and political work for Georgia won her many friends and allies, including a number of women for whom she served as a role model as they campaigned for political rights. Her most complex and important translation was ''The Man in the Panther’s Skin'', from an epic poem written in the 12th century by Shota Rustaveli. She worked on it during her travels, consulting her own personal copy. She underlined a favorite verse: the lion’s cubs are equal, whether male or female. Wardrop refused to publish her translation during her lifetime, insisting it was not fit for publication. After her early death, it was finally published in an edition prepared by her brother, and remains the standard against which other English translations of it are judged. | Marjorie Wardrop remained immersed in Georgian culture until her death, continuing to study and translate its texts and to be involved in its politics. Her cultural and political work for Georgia won her many friends and allies, including a number of women for whom she served as a role model as they campaigned for political rights. Her most complex and important translation was ''The Man in the Panther’s Skin'', from an epic poem written in the 12th century by Shota Rustaveli. She worked on it during her travels, consulting her own personal copy. She underlined a favorite verse: the lion’s cubs are equal, whether male or female. Wardrop refused to publish her translation during her lifetime, insisting it was not fit for publication. After her early death, it was finally published in an edition prepared by her brother, and remains the standard against which other English translations of it are judged. |