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Line 1,264: − |- − |''Atlantis: The Lost Empire'' − |2001 − |PG − |Released during the [[Michael Eisner]] era of [[Disney]], the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. − |$84,056,472 Line 2,022:
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Moving Atlantis to debatable, mostly because there have in fact been some elements in the plot that hint at a promotion of capitalism and the American dream.
|This animated film about wolves promotes disorderly conduct based on the zany antics of an omega wolf named Humphrey. It can be seen as pro-environmentalist as well because some members of the wolf pack try to start eating berries as opposed to caribou, despite wolves being natural carnivores. Alpha wolves are painted in an elitist light for being determined and hard workers. One female wolf named Kate can be described as a modern feminist. Similarly to the other liberal film, ''Open Season'', it spawned multiple unneeded direct-to-video sequels. It is also somewhat comparable to the other liberal film called ''Barnyard: The Original Party Animals'', only in that movie's case, it had a subsequent television series called ''Back at the Barnyard'' as opposed to film sequels.
|This animated film about wolves promotes disorderly conduct based on the zany antics of an omega wolf named Humphrey. It can be seen as pro-environmentalist as well because some members of the wolf pack try to start eating berries as opposed to caribou, despite wolves being natural carnivores. Alpha wolves are painted in an elitist light for being determined and hard workers. One female wolf named Kate can be described as a modern feminist. Similarly to the other liberal film, ''Open Season'', it spawned multiple unneeded direct-to-video sequels. It is also somewhat comparable to the other liberal film called ''Barnyard: The Original Party Animals'', only in that movie's case, it had a subsequent television series called ''Back at the Barnyard'' as opposed to film sequels.
|$25,107,267
|$25,107,267
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|-
|''The Ant Bully''
|''The Ant Bully''
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
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|-
|''Beauty and the Beast''
|''Beauty and the Beast''