Changes

|2016

|2016

|TV-14

|TV-14

|The 2016 HBO film based on the presidency of [[Lyndon B. Johnson]] is a good example of a historical revisionist film, palatable for liberals' regressive dominion of the media. Liberals seized the opportunity with the film to distort history in order to hold Pres. Johnson in high regard and also ignored many of the President's faults, including the War on Poverty and how it created a welfare state which destroyed untold numbers of African American families.

|The 2016 HBO film based on the presidency of Democrat [[Lyndon B. Johnson]] is a good example of a historical revisionist film, palatable for liberals' regressive dominion of the media. Liberals seized the opportunity with the film to distort history in order to hold Johnson in high regard and also ignored many of the President's faults, including his racism, the War on Poverty and how it created a welfare state which, by design, destroyed untold numbers of African American families.

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|2013

|2013

|R

|R

|Uwe Boll (often referred to as the worst director of this generation and known for his furious, vulgar, and spiteful responses to negative reception)<ref>https://www.quora.com/Why-is-Uwe-Boll-considered-one-of-the-worst-film-directors-in-history</ref><ref>https://www.youtube.com/watch?v=-BvLQb2uwW4</ref> makes one of the most historically inaccurate modern films that blames capitalism for the [[Recession of 2008|Great Recession]] and the downfall of the everyday man's life. The film plays out like an angry middle school boy's fan fiction revenge story, in which all the bankers are summary executed (as in the [[Russian Revolution]]). Boll has said how "We need to ****ing kill the rich", which only shows how uneducated he is.<ref>https://www.youtube.com/watch?v=qQJwEAqzFs4</ref>   

|Uwe Boll (often referred to as the worst director of this generation and known for his furious, vulgar, and spiteful responses to negative reception)<ref>https://www.quora.com/Why-is-Uwe-Boll-considered-one-of-the-worst-film-directors-in-history</ref><ref>https://www.youtube.com/watch?v=-BvLQb2uwW4</ref> makes one of the most historically inaccurate modern films that blames capitalism for the [[Recession of 2008|Great Recession]] and the downfall of the everyday man's life. The film plays out like an angry middle school boy's fan fiction revenge story, in which all the bankers are summarily executed (as in the [[Russian Revolution]]). Boll has said how "We need to ****ing kill the rich", which only shows how uneducated he is.<ref>https://www.youtube.com/watch?v=qQJwEAqzFs4</ref>   

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|1925

|1925

|NR

|NR

|This silent communist film heralds the Soviet Revolt on the Tsarist Russian battleship ''Potemkin''. When mutinying, the sailors murder a Christian chaplain aboard, which is shown as an act of "heroism".

|This silent Communist film heralds the Soviet Revolt on the Tsarist Russian battleship ''Potemkin''. When mutinying, the sailors murder a Christian chaplain aboard, which is shown as an act of "heroism".

|N/A

|N/A

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|-

|1915

|1915

|N/A

|N/A

|This infamously racist film, once the longest ever made, begins by documenting the [[American Civil War]], then depicts the [[Ku Klux Klan]] as "heroes" who vanquish people of color, who are black racial stereotypes, from political positions and from their lawful right to vote (the KKK was founded by the Democratic Party, even though the left has repeatedly tried denying the connection between the two). It was the first ever film to be shown at the White House under Democrat President [[Woodrow Wilson]], and it significantly influenced his already-racist core to segregate the White House and various departments.

|This infamously racist film, once the longest ever made, begins by documenting the [[American Civil War]], then depicts the [[Ku Klux Klan]] as "heroes" who vanquish people of color, who are black racial stereotypes, from political positions and from their lawful right to vote (the KKK was founded by the Democrat Party, even though the Left has repeatedly tried denying the connection between the two). It was the first ever film to be shown at the White House under Democrat President [[Woodrow Wilson]], and it significantly influenced his already-racist core to segregate the White House and various departments.

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|1989

|1989

|R

|R

|This radically anti-[[Vietnam War]] biographical film was produced and directed by communist sympathizer Oliver Stone, starring Tom Cruise as paralyzed Vietnam War vet-turned-anti-Vietnam War leftist protester and communist sympathizer [[Ron Kovic]].

|This radically anti-[[Vietnam War]] biographical film was produced and directed by Communist sympathizer Oliver Stone, starring Tom Cruise as paralyzed Vietnam War vet-turned-anti-Vietnam War leftist protester and Communist sympathizer [[Ron Kovic]].

|$70,001,698

|$70,001,698

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|1989

|1989

|R

|R

|This anti-Vietnam war statement film starring Sean Penn involves a gang of American soldiers raping a Vietnamese woman. This paints America soldiers as the bad guys while failing to acknowledge how the Viet Cong, Khmer Rouge, and other communist Insurgents did the same thing to a far larger scale.

|This anti-Vietnam war statement film starring Sean Penn involves a gang of American soldiers raping a Vietnamese woman. This paints America soldiers as the bad guys while failing to acknowledge how the Viet Cong, Khmer Rouge, and other Communist Insurgents did the same thing to a far larger scale.

|$18,671,317

|$18,671,317

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|-

|2008; 2009

|2008; 2009

|NR

|NR

|As implied by the name, the film is a two-part biopic for the Argentine Marxist terrorist and mass murderer [[Che Guevara]], who is treated sympathetically as a "martyr" for communism.

|As implied by the name, the film is a two-part biopic for the Argentine Marxist terrorist and mass murderer [[Che Guevara]], who is treated sympathetically as a "martyr" for Communism.

|US$40.9 million

|US$40.9 million

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|-

|1985

|1985

|R

|R

|Liberal scientists who plan to tame zombies are the heroes, while the common sense conservative soldiers (who's plan is to euthanize them all) are the villains.  

|Liberal scientists who plan to tame zombies are the "heroes", while the common sense conservative soldiers (whose plan is to euthanize them all) are the "villains".  

|$5,000,000

|$5,000,000

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|-   

|2001

|2001

|R

|R

|Promotes the Communistic Spanish Loyalists in the Spanish Civil War as good guys while demonizing [[Francisco Franco]]'s forces. These themes, promoted by Marxist director Guillermo del Toro, were later expanded upon in ''Pan's Labyrinth''.

|Promotes the Communistic Spanish Loyalists in the Spanish Civil War as "good guys" while demonizing [[Francisco Franco]]'s forces. These themes, promoted by Marxist director Guillermo del Toro, were later expanded upon in ''Pan's Labyrinth''.

|US$6.5 million

|US$6.5 million

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|-

|1940

|1940

|NR

|NR

|This antisemitic Nazi propaganda film was made with direct input from Adolf Hitler, who made sure the antisemitism was as blunt and direct as possible. Most audiences were shocked at the crudity of the messages.

|This anti-Semitic Nazi propaganda film was made with direct input from Adolf Hitler, who made sure the anti-Semitism was as blunt and direct as possible. Most audiences were shocked at the crudity of the messages.

|Unknown

|Unknown

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|2010

|2010

|R

|R

|Is extremely anti-War on Terror to such an extent that it comes across as blatantly anti-American, as it repeats the falsehood that Pentagon officials lied about there being WMDs in Iraq simply so they could gin up a war in the Middle East (completely ignoring that various other intelligence agencies, including even France, a country that didn't even want a War with Iraq, acknowledging that Saddam had WMDs), and even had the main villain, who was modeled after Donald Rumsfeld, sending assassination teams against those in the know about the conspiracy. The film even went as far as to portray Iraqi terrorists as the good guys. The film was also notorious as being Universal Studio's biggest box office bomb as a result.<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/3/</ref>

|Is extremely anti-War on Terror to such an extent that it comes across as blatantly anti-American, as it repeats the falsehood that Pentagon officials lied about there being WMDs in Iraq simply so they could gin up a war in the Middle East (completely ignoring that various other intelligence agencies, including even France, a country that didn't even want a War with Iraq, acknowledging that Saddam had WMDs), and even had the main villain, who was modeled after Donald Rumsfeld, sending assassination teams against those in the know about the conspiracy. The film even went as far as to portray Iraqi terrorists as the "good guys". The film was also notorious as being Universal Studios' biggest box office bomb as a result.<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/3/</ref>

|$94.9 million

|$94.9 million

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|-

|1991

|1991

|R

|R

|This historically inaccurate account on John F. Kennedy's assassination serves liberal filmmaker Oliver Stone's insanely fanatic conspiracy theories. For example, the filmmaker pinpoints the blame to the "real murder" of Pres. Kennedy: the conservative politicians, the U.S. Military, and then-Vice President Lyndon B. Johnson, all of whom want America to go to war in Vietnam because Kennedy rejected the American involvement. Stone described the film as a "counter-myth" to the Warren Commission's "fictional myth."

|This historically inaccurate account on President John F. Kennedy's assassination serves liberal filmmaker Oliver Stone's insanely fanatic conspiracy theories. For example, the filmmaker pinpoints the blame to the "real murder" of Kennedy: the conservative politicians, the U.S. Military, and then-Vice President Lyndon B. Johnson, all of whom want America to go to war in Vietnam because Kennedy rejected the American involvement. Stone described the film as a "counter-myth" to the Warren Commission's "fictional myth."

|$70,405,498

|$70,405,498

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|-

|2013

|2013

|PG-13

|PG-13

|This attack on [[capitalist]]s and the [[military]] portrays the former as ruthless, greedy railroad executives and the latter as 'thugs' who support their actions. It distorts the messages of its source material by displaying the [[Lone Ranger]], shown to be a smart intellectual character in the original TV and radio serials, as dumbfounded and unintelligent, instead featuring his sidekick [[Tonto]] (played by [[liberal]] [[marijuana|pot]]-smoker [[Johnny Depp]]) not only as the "star" of the film but as the Lone Ranger's "voice of reason", too.

|This attack on [[capitalist]]s and the [[military]] portrays the former as ruthless, greedy railroad executives and the latter as "thugs" who support their actions. It distorts the messages of its source material by displaying the [[Lone Ranger]], shown to be a smart intellectual character in the original TV and radio serials, as dumbfounded and unintelligent, instead featuring his sidekick [[Tonto]] (played by [[liberal]] [[marijuana|pot]]-smoker [[Johnny Depp]]) not only as the "star" of the film but as the Lone Ranger's "voice of reason", too.

|$89,302,115

|$89,302,115

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|-

|2016

|2016

|PG-13

|PG-13

|This remake of a Western about seven vigilante gunfighters out to save a peaceful Mexican farming village from marauders (itself an adaptation of the Japanese cinematic classic ''Seven Samurai'') suits the left agenda, as capitalists are the villains.<ref>http://missliberty.com/magnificent-seven-remake-is-angry-radical-fantasy/</ref>

|This remake of a Western about seven vigilante gunfighters out to save a peaceful Mexican farming village from marauders (itself an adaptation of the Japanese cinematic classic ''Seven Samurai'') suits the left agenda, as capitalists are the "villains".<ref>http://missliberty.com/magnificent-seven-remake-is-angry-radical-fantasy/</ref>

|$93,145,387

|$93,145,387

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|-

|1999 (''[[The Matrix]]''); 2003 (''The Matrix Reloaded'' and ''The Matrix Revolutions'')

|1999 (''[[The Matrix]]''); 2003 (''The Matrix Reloaded'' and ''The Matrix Revolutions'')

|R

|R

|A hacker discovers his world is a replica of the world as it was before a cataclysmic future event in which intelligent machines took over humanity, so he joins a resistance to end the machines' reign. Despite this salvation narrative, the whole trilogy glorifies anarchism and [[nihilism]] (even including a brief nod to [[Jean Baudrillard]]'s "On Nihilism" chapter from Simulacra and Simulation), hinting several times towards a pro-communist, anti-American, [[anti-Christian]] view. The second film's Architect scene tries to give a "devastating critique/twist" to salvation myths, with the Architect as a malevolent allegorical substitute for the Christian [[God]]. In this same scene, a panel of screens implicitly compares [[George W. Bush]] to Hitler during a discussion of evil in the world, and it features wars and conflicts specifically involving America. In fact, far-[[leftist|Left]] [[race-baiting]] scholar Cornel West was hired to play a role in the film specifically because the [[The Wachowskis|Wachowski Brothers]] (as they were known at the time) were influenced by his pro-socialist/communist and anti-American rhetoric. The first film's throwaway dialogue between the main villain Agent Smith and the treasonous freedom fighter Cipher is a shallow attempt at insulting [[Ronald Reagan]] because Smith implies that Cipher will become the next Ronald Reagan should he succeed in betraying his allies to the agents. The trilogy's overall depiction of religion is closer to Gnosticism, even with Neo, the main protagonist, presented as a savior-figure. The Wachowskis openly admitted in an interview that they deliberately modeled the entire story after Friedrich Nietzche's writings.<ref>http://www.equip.org/article/the-matrix-unloaded-revelations/</ref><ref>Peter Bart, “Cracking the Wachowski’s Code,” Variety.com, May 25, 2003.</ref> The trilogy has been cited as the cause for various murders, ultimately leading to a variant of the [[insanity defense]] known as the Matrix Defense<ref>http://www.cnn.com/2003/LAW/05/21/ctv.matrix.insanity/</ref>, and it shares similar themes to the [[Worst Liberal Video Games|Worst Liberal Video Game]] ''Metal Gear Solid 2: Sons of Liberty'' because Hideo Kojima confessed that he intended to use the same themes for the game.<ref>https://web.archive.org/web/20130328062143/http://www.gamespot.com/news/hideo-kojima-speaks-about-the-matrix-2448486</ref>

|A hacker discovers his world is a replica of the world as it was before a cataclysmic future event in which intelligent machines took over humanity, so he joins a resistance to end the machines' reign. Despite this salvation narrative, the whole trilogy glorifies anarchism and [[nihilism]] (even including a brief nod to [[Jean Baudrillard]]'s "On Nihilism" chapter from Simulacra and Simulation), hinting several times towards a pro-Communist, anti-American, [[anti-Christian]] view. The second film's Architect scene tries to give a "devastating critique/twist" to salvation myths, with the Architect as a malevolent allegorical substitute for the Christian [[God]]. In this same scene, a panel of screens implicitly compares [[George W. Bush]] to Hitler during a discussion of evil in the world, and it features wars and conflicts specifically involving America. In fact, far-[[leftist|Left]] [[race-baiting]] scholar Cornel West was hired to play a role in the film specifically because the [[The Wachowskis|Wachowski Brothers]] (as they were known at the time) were influenced by his pro-socialist/Communist and anti-American rhetoric. The first film's throwaway dialogue between the main villain Agent Smith and the treasonous freedom fighter Cipher is a shallow attempt at insulting [[Ronald Reagan]] because Smith implies that Cipher will become the next Ronald Reagan should he succeed in betraying his allies to the agents. The trilogy's overall depiction of religion is closer to Gnosticism, even with Neo, the main protagonist, presented as a savior-figure. The Wachowskis openly admitted in an interview that they deliberately modeled the entire story after Friedrich Nietzche's writings.<ref>http://www.equip.org/article/the-matrix-unloaded-revelations/</ref><ref>Peter Bart, “Cracking the Wachowski’s Code,” Variety.com, May 25, 2003.</ref> The trilogy has been cited as the cause for various murders, ultimately leading to a variant of the [[insanity defense]] known as the Matrix Defense<ref>http://www.cnn.com/2003/LAW/05/21/ctv.matrix.insanity/</ref>, and it shares similar themes to the [[Worst Liberal Video Games|Worst Liberal Video Game]] ''Metal Gear Solid 2: Sons of Liberty'' because Hideo Kojima confessed that he intended to use the same themes for the game.<ref>https://web.archive.org/web/20130328062143/http://www.gamespot.com/news/hideo-kojima-speaks-about-the-matrix-2448486</ref>

| $592,370,339 (all together)  

| $592,370,339 (all together)  

|-

|-

|2011

|2011

|PG-13

|PG-13

|The main character, a liberal author, is open-minded and intellectual. He has an unsuccessful relationship with a woman whose family is Republican and are materialistic, selfish, narrow-minded, and hateful towards any country that is not the United States.

|The main character, a liberal author, is open-minded and intellectual. He has an unsuccessful relationship with a woman whose family is Republican and are depicted as being "materialistic", "selfish", "narrow-minded" and "hateful" towards any country that is not the United States.

|$56,816,662  

|$56,816,662  

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|-

|$86,930,411

|$86,930,411

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|-

|''Night of the Living Dead''

|''[[Night of the Living Dead]]''

|1968

|1968

|R

|R

|This independent horror abomination by George A. Romero vilifies [[nuclear energy]], as nuclear fallout from an exploding space probe in Earth's atmosphere is said to be the cause of the recently deceased becoming reanimated. In addition, it negatively portrays police officers as racist: a group of officers kills Ben, the African American protagonist, when they mistake him for one of the dead, which Romero intentionally chose to have happen to accuse the police of being behind racial lynchings. Had two [[sequel]]s , ''Dawn of the Dead" (1978 Italian) and ''Day of the Dead" (1985).

|This independent horror abomination by George A. Romero vilifies [[nuclear energy]], as nuclear fallout from an exploding space probe in Earth's atmosphere is said to be the cause of the recently deceased becoming reanimated. In addition, it negatively portrays police officers as racist: a group of officers kills Ben, the African American protagonist, when they mistake him for one of the dead, which Romero intentionally chose to have happen to accuse the police of being behind racial lynchings. Had two [[sequel]]s , ''Dawn of the Dead'' (1978 Italian) and ''Day of the Dead'' (1985).

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|

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|1985

|1985

|R

|R

|In another stand-alone sequel to ''Night of the Living Dead'', the military is supposedly responsible for the release of a toxin that turns people into zombies. The military is also shown to be inconstant, as they "fix" this by nuking the city of zombies. An anti-[[Ronald Reagan|Reagan]] statement some may say (the left feared that Reagan would create nuclear holocaust, which is present in this film).  

|In another stand-alone sequel to ''Night of the Living Dead'', the military is supposedly responsible for the release of a toxin that turns people into zombies. The military is also shown to be inconstant, as they "fix" this by nuking the city of zombies. An anti-[[Ronald Reagan|Reagan]] statement some may say (the Left feared that Reagan would create nuclear holocaust, which is present in this film).  

|$14,237,880

|$14,237,880

|-

|-

|2007

|2007

|R

|R

|An anti-second amendment film, the so-called hero is a [[nihilist]] and the villains are trying to defend gun rights and the Second Amendment.

|An anti-second amendment film, the so-called "hero" is a [[nihilist]] and the "villains" are trying to defend gun rights and the Second Amendment.

|$12,807,139

|$12,807,139

|-

|-

|2007

|2007

|PG-13

|PG-13

|Another Michael Moore film which spread many falsehoods about American [[healthcare]] while unduly glorifying the so-called benefits of [[socialized medicine]] such as now found in [[Obamacare]]. Memorably referred to [[Cuba]]n healthcare as being better than American healthcare.  

|Another Michael Moore film which spread many falsehoods about American [[healthcare]] while unduly glorifying the so-called benefits of [[socialized medicine]] such as now found in [[Obamacare]]. Memorably referred to [[Cuba]]n healthcare as being "better" than American healthcare.  

|$24,540,079

|$24,540,079

|-

|-

|1998

|1998

|R

|R

|Don't be fooled by the fact that Bruce Willis is in it. Willis plays the antagonist, an Army general who institutes martial law in New York City after a wave of terrorist attacks. Portrays Muslims as the victims while demonizing the military.

|Don't be fooled by the fact that Bruce Willis is in it. Willis plays the antagonist, an Army general who institutes martial law in New York City after a wave of terrorist attacks. Portrays Muslims as the "victims" while demonizing the military.

|$40,932,372

|$40,932,372

|-

|-

|1968

|1968

|R

|R

|Supports the idea that capitalism causes crime.

|Supports the claim that capitalism causes crime.

| $14 million

| $14 million

|-

|-

|1972  

|1972  

|NR

|NR

|[[Jane Fonda]] "art film" directed by [[Jean-Luc Godard]], whose notoriously anti-American and idolizes [[Karl Marx]], is nothing more than a propaganda film for Communism, as it sympathizes with the youths who partook in the [[May 1968 riots|May 1968 Communist uprisings]] in [[France]] and features blunt anti-American imagery.

|[[Jane Fonda]] "art film" directed by [[Jean-Luc Godard]], who was notoriously anti-American and idolized [[Karl Marx]], is nothing more than a propaganda film for Communism, as it sympathizes with the youths who partook in the [[May 1968 riots|May 1968 Communist uprisings]] in [[France]] and features blunt anti-American imagery.

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|

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|1935

|1935

|N/A

|N/A

|The world's most infamous Nazi propaganda film (even though the left denies it, the Nazis were in truth left wing national socialists).

|The world's most infamous Nazi propaganda film (even though the Left denies it, the Nazis were in truth left wing National Socialists).

|

|

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|2015

|2015

|R

|R

|Dalton Trumbo, one of the Hollywood Ten who was jailed for his Communist beliefs, is portrayed as a free-speech martyr, and a champion of the First Amendment. All of his controversial beliefs are whitewashed, including his support of Lenin, Hitler (until the Nazi-Soviet Pact fell), Kim Il-Sung, and, of course, Stalin. Conversely, anti-Communists such as John Wayne, Hedda Hopper, Robert Taylor, Roy Brewer, the House Un-American Activities Committee (HUAC), and the Motion Picture Alliance for the Preservation of American Ideals (MPA) are falsely portrayed as "hateful", "oppressive", and anti-free-speech.

|Dalton Trumbo, one of the Hollywood Ten who was jailed for his Communist beliefs, is portrayed as a free-speech martyr, and a "champion" of the First Amendment. All of his controversial beliefs are whitewashed, including his support of Lenin, Hitler (until the Nazi-Soviet Pact fell), Kim Il-Sung, and, of course, Stalin. Conversely, anti-Communists such as John Wayne, Hedda Hopper, Robert Taylor, Roy Brewer, the House Un-American Activities Committee (HUAC), and the Motion Picture Alliance for the Preservation of American Ideals (MPA) are falsely portrayed as "hateful", "oppressive", and anti-free-speech.

|$7,857,741

|$7,857,741

|-

|-

|2005

|2005

|R

|R

|Blatantly glorifies [[anarchism]], [[socialism]], [[communism]] and [[homosexuality]].

|Blatantly glorifies [[anarchism]], [[socialism]], [[Communism]] and [[homosexuality]].

|$70,511,035

|$70,511,035

|-

|-