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American Impressionism (view source)
Revision as of 13:16, September 26, 2018
, 13:16, September 26, 2018HTTP --> HTTPS [#1], replaced: http://www.nytimes.com → https://www.nytimes.com, http://www.findagrave.com → https://www.findagrave.com
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In 1897, Twachtman became a founding member of the Ten American Painters (or "The Ten"), a group of artists who seceded from the Society of American Artists and exhibited together for the next twenty years; [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=11532686] the organizing members of this New York and Boston based group were Frederic Child Hassam (1859-1935), Julian Alden Weir (1852-1919), and John Henry Twachtman (1853-1902). They were soon joined by Thomas Dewing (1851-1938), Edward Simmons (1852-1931), Joseph Rodefer De Camp (1858-1923), Willard Metcalf (1858-1925), Frank Benson (1862-1951), Robert Reid (1862-1929), Edmund Tarbell (1862-1938), and upon Twachtman's death, William Merritt Chase (1849-1916) and later by [[Winslow Homer]] (1836-1910). [http://www.antiquesandfineart.com/articles/article.cfm?request=844]
In 1897, Twachtman became a founding member of the Ten American Painters (or "The Ten"), a group of artists who seceded from the Society of American Artists and exhibited together for the next twenty years; [https://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=11532686] the organizing members of this New York and Boston based group were Frederic Child Hassam (1859-1935), Julian Alden Weir (1852-1919), and John Henry Twachtman (1853-1902). They were soon joined by Thomas Dewing (1851-1938), Edward Simmons (1852-1931), Joseph Rodefer De Camp (1858-1923), Willard Metcalf (1858-1925), Frank Benson (1862-1951), Robert Reid (1862-1929), Edmund Tarbell (1862-1938), and upon Twachtman's death, William Merritt Chase (1849-1916) and later by [[Winslow Homer]] (1836-1910). [http://www.antiquesandfineart.com/articles/article.cfm?request=844]
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Of all the admiring Americans who frequented Giverny, the Normandy village where Monet (1840-1926) lived and worked, Robinson (1852-96) was perhaps the most worshipful. [http://www.nytimes.com/2005/08/05/arts/design/an-american-trying-to-capture-monets-magic.html]
Of all the admiring Americans who frequented Giverny, the Normandy village where Monet (1840-1926) lived and worked, Robinson (1852-96) was perhaps the most worshipful. [https://www.nytimes.com/2005/08/05/arts/design/an-american-trying-to-capture-monets-magic.html]
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