Changes

|1972

|1972

|PG

|PG

|This "comedy" fails to be a political satire as it fails to lampoon both sides of the coin and supports [[George McGovern]] at every turn. It was released during the 1972 election year as a smear campaign against [[Richard Nixon]] and his conservative colleagues. Conservative star [[James Stewart]] refused to star in it for that reason.<ref>http://www.imdb.com/title/tt0068334/trivia?ref_=tt_trv_trv</ref>

|This "comedy" fails to be a political satire as it fails to lampoon both sides of the coin and supports [[George McGovern]] at every turn. It was released during the 1972 election year as a smear campaign against [[Richard Nixon]] and his conservative colleagues. Conservative star [[James Stewart]] refused to star in it for that reason.<ref>https://www.imdb.com/title/tt0068334/trivia?ref_=tt_trv_trv</ref>

|  

|  

|-

|-

|1999 (''[[The Matrix]]''); 2003 (''The Matrix Reloaded'' and ''The Matrix Revolutions'')

|1999 (''[[The Matrix]]''); 2003 (''The Matrix Reloaded'' and ''The Matrix Revolutions'')

|R

|R

|A hacker discovers his world is a replica of the world as it was before a cataclysmic future event in which intelligent machines took over humanity, so he joins a resistance to end the machines' reign. Despite this salvation narrative, the whole trilogy glorifies anarchism and [[nihilism]] (even including a brief nod to [[Jean Baudrillard]]'s "On Nihilism" chapter from Simulacra and Simulation), hinting several times towards a pro-Communist, anti-American, [[anti-Christian]] view. The second film's Architect scene tries to give a "devastating critique/twist" to salvation myths, with the Architect as a malevolent allegorical substitute for the Christian [[God]]. In this same scene, a panel of screens implicitly compares [[George W. Bush]] to Hitler during a discussion of evil in the world, and it features wars and conflicts specifically involving America. In fact, far-[[leftist|Left]] [[race-baiting]] scholar Cornel West was hired to play a role in the film specifically because the [[The Wachowskis|Wachowski Brothers]] (as they were known at the time) were influenced by his pro-socialist/Communist and anti-American rhetoric. The first film's throwaway dialogue between the main villain Agent Smith and the treasonous freedom fighter Cipher is a shallow attempt at insulting [[Ronald Reagan]] because Smith implies that Cipher will become the next Ronald Reagan should he succeed in betraying his allies to the agents. The trilogy's overall depiction of religion is closer to Gnosticism, even with Neo, the main protagonist, presented as a savior-figure. The Wachowskis openly admitted in an interview that they deliberately modeled the entire story after Friedrich Nietzche's writings.<ref>http://www.equip.org/article/the-matrix-unloaded-revelations/</ref><ref>Peter Bart, “Cracking the Wachowski’s Code,” Variety.com, May 25, 2003.</ref> The trilogy has been cited as the cause for various murders, ultimately leading to a variant of the [[insanity defense]] known as the Matrix Defense<ref>http://www.cnn.com/2003/LAW/05/21/ctv.matrix.insanity/</ref>, and it shares similar themes to the [[Worst Liberal Video Games|Worst Liberal Video Game]] ''Metal Gear Solid 2: Sons of Liberty'' because Hideo Kojima confessed that he intended to use the same themes for the game.<ref>https://web.archive.org/web/20130328062143/http://www.gamespot.com/news/hideo-kojima-speaks-about-the-matrix-2448486</ref>

|A hacker discovers his world is a replica of the world as it was before a cataclysmic future event in which intelligent machines took over humanity, so he joins a resistance to end the machines' reign. Despite this salvation narrative, the whole trilogy glorifies anarchism and [[nihilism]] (even including a brief nod to [[Jean Baudrillard]]'s "On Nihilism" chapter from Simulacra and Simulation), hinting several times towards a pro-Communist, anti-American, [[anti-Christian]] view. The second film's Architect scene tries to give a "devastating critique/twist" to salvation myths, with the Architect as a malevolent allegorical substitute for the Christian [[God]]. In this same scene, a panel of screens implicitly compares [[George W. Bush]] to Hitler during a discussion of evil in the world, and it features wars and conflicts specifically involving America. In fact, far-[[leftist|Left]] [[race-baiting]] scholar Cornel West was hired to play a role in the film specifically because the [[The Wachowskis|Wachowski Brothers]] (as they were known at the time) were influenced by his pro-socialist/Communist and anti-American rhetoric. The first film's throwaway dialogue between the main villain Agent Smith and the treasonous freedom fighter Cipher is a shallow attempt at insulting [[Ronald Reagan]] because Smith implies that Cipher will become the next Ronald Reagan should he succeed in betraying his allies to the agents. The trilogy's overall depiction of religion is closer to Gnosticism, even with Neo, the main protagonist, presented as a savior-figure. The Wachowskis openly admitted in an interview that they deliberately modeled the entire story after Friedrich Nietzche's writings.<ref>http://www.equip.org/article/the-matrix-unloaded-revelations/</ref><ref>Peter Bart, “Cracking the Wachowski’s Code,” Variety.com, May 25, 2003.</ref> The trilogy has been cited as the cause for various murders, ultimately leading to a variant of the [[insanity defense]] known as the Matrix Defense<ref>https://www.cnn.com/2003/LAW/05/21/ctv.matrix.insanity/</ref>, and it shares similar themes to the [[Worst Liberal Video Games|Worst Liberal Video Game]] ''Metal Gear Solid 2: Sons of Liberty'' because Hideo Kojima confessed that he intended to use the same themes for the game.<ref>https://web.archive.org/web/20130328062143/http://www.gamespot.com/news/hideo-kojima-speaks-about-the-matrix-2448486</ref>

| $592,370,339 (all together)  

| $592,370,339 (all together)  

|-

|-

|2016

|2016

|PG-13

|PG-13

|This staunchly feminist remake of the conservative horror comedy classic replaces all the original male heroes with women who appear to have only vaguely different personalities, and every male character is either unintelligent or mean-spirited. Racism and sexual innuendoes are present as well.<ref>https://www.youtube.com/watch?v=D7ikR-6uSMYz</ref> Also the remake also replaces the [[EPA]] with [[United States Department of Homeland Security|Homeland Security]] as the bad guys. Luckily, no one other than the world's most biased liberal critics liked it, as its trailer was known for being the most hated of its kind on YouTube.<ref>http://screencrush.com/ghostbusters-trailer-most-disliked-movie-trailer-in-history/</ref> Sony was caught making fake reviews<ref>https://www.youtube.com/watch?v=HXv3w59raZ4</ref> and the film flopped at the box office <ref>http://www.imdb.com/news/ni60138331?fb_comment_id=1146766692061206_1146942958710246&comment_id=1146942958710246</ref> so tremendously that Sony Pictures Entertainment lost over $70 million.

|This staunchly feminist remake of the conservative horror comedy classic replaces all the original male heroes with women who appear to have only vaguely different personalities, and every male character is either unintelligent or mean-spirited. Racism and sexual innuendoes are present as well.<ref>https://www.youtube.com/watch?v=D7ikR-6uSMYz</ref> Also the remake also replaces the [[EPA]] with [[United States Department of Homeland Security|Homeland Security]] as the bad guys. Luckily, no one other than the world's most biased liberal critics liked it, as its trailer was known for being the most hated of its kind on YouTube.<ref>http://screencrush.com/ghostbusters-trailer-most-disliked-movie-trailer-in-history/</ref> Sony was caught making fake reviews<ref>https://www.youtube.com/watch?v=HXv3w59raZ4</ref> and the film flopped at the box office <ref>https://www.imdb.com/news/ni60138331?fb_comment_id=1146766692061206_1146942958710246&comment_id=1146942958710246</ref> so tremendously that Sony Pictures Entertainment lost over $70 million.

|$120,049,002  

|$120,049,002  

|-  

|-  

|2014

|2014

|PG

|PG

|Apparently represents the idea of revising the "Sleeping Beauty" story to focus on a lesbian relationship; although Aurora clearly loves Maleficent as a mother figure, Maleficent takes over the role of the prince and is revealed to be the person whose kiss of "true love" (given on the forehead) really saved Aurora. Unabashedly promotes the feminist agenda to the extent that most of the males are either villains or useless, even going so far as to heavily hint at a transgender philosophy; promotes hard-core environmentalism, moral relativism and even Marxism; pretty much ruins the morality tale for ''Sleeping Beauty''. ''The Federalist'' also had a field day with the film stating how it promoted the leftist agenda and citing point by point its agenda.<ref>http://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/</ref> In particular, King Stefan, far from being depicted as a good father who gave up Aurora to the three fairies to protect her from the curse, was shown to not care for Aurora at all and was willing to let her die from the curse.

|Apparently represents the idea of revising the "Sleeping Beauty" story to focus on a lesbian relationship; although Aurora clearly loves Maleficent as a mother figure, Maleficent takes over the role of the prince and is revealed to be the person whose kiss of "true love" (given on the forehead) really saved Aurora. Unabashedly promotes the feminist agenda to the extent that most of the males are either villains or useless, even going so far as to heavily hint at a transgender philosophy; promotes hard-core environmentalism, moral relativism and even Marxism; pretty much ruins the morality tale for ''Sleeping Beauty''. ''The Federalist'' also had a field day with the film stating how it promoted the leftist agenda and citing point by point its agenda.<ref>https://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/</ref> In particular, King Stefan, far from being depicted as a good father who gave up Aurora to the three fairies to protect her from the curse, was shown to not care for Aurora at all and was willing to let her die from the curse.

|$241,410,378

|$241,410,378

|-

|-

|1994

|1994

|R

|R

|Riddled with violence, drug abuse and sexual references, this movie's main characters are brutal serial killers who are viewed as "heroes". Infamously known for influencing Eric Harris and Dylan Klebold for committing the massacre at [[Columbine High School massacre]]<ref>http://www.cbsnews.com/news/the-columbine-shooters/</ref>   

|Riddled with violence, drug abuse and sexual references, this movie's main characters are brutal serial killers who are viewed as "heroes". Infamously known for influencing Eric Harris and Dylan Klebold for committing the massacre at [[Columbine High School massacre]]<ref>https://www.cbsnews.com/news/the-columbine-shooters/</ref>   

|$50,282,766

|$50,282,766

|-

|-

|2009

|2009

|R

|R

|Glorifies the anarchistic and chaotic Woodstock festival in 1969 as well as the Hippie Movement, painting their various lewd actions, including homosexuality, in a positive light. Also has some elements of anti-Semitism due to the main character's parents who acted as Holocaust survivors being portrayed in an unsympathetic light.<ref>http://www.breitbart.com/big-hollywood/2009/08/28/taking-woodstock-mythologizing-the-worst-generation/</ref>

|Glorifies the anarchistic and chaotic Woodstock festival in 1969 as well as the Hippie Movement, painting their various lewd actions, including homosexuality, in a positive light. Also has some elements of anti-Semitism due to the main character's parents who acted as Holocaust survivors being portrayed in an unsympathetic light.<ref>https://www.breitbart.com/big-hollywood/2009/08/28/taking-woodstock-mythologizing-the-worst-generation/</ref>

|$10 million

|$10 million

|-

|-

|2000-2018

|2000-2018

|PG-13 (R for Deadpool & Deadpool 2)

|PG-13 (R for Deadpool & Deadpool 2)

|Unlike the comics they're based on (which were about civil rights)<ref>https://www.nuskool.com/learn/lesson/mlk-and-malcolm-x-the-civil-rights-movement-and-the-x-men-origins/</ref> liberals used this movie franchise to further the [[homosexual agenda]]<ref>https://www.youtube.com/watch?v=T543J2L-gXU</ref><ref>http://www.cracked.com/article_20497_5-great-movies-with-mind-blowing-symbolism-you-didnt-notice.html</ref> Bryan Singer director of four of the films (whom is also homosexual) was also cited for sexual assault of a minor.<ref>http://www.nytimes.com/2014/04/18/business/media/in-lawsuit-director-of-new-x-men-film-is-accused-of-sexual-assault.html?rref=homepage&_r=0</ref> And the sexual abuse has continued to this day especially with the various similar scandals that came out in Hollywood starting with Harvey Weinstein.<ref>http://www.breitbart.com/big-hollywood/2017/11/08/usc-taking-student-petition-remove-bryan-singers-name-cinema-school-seriously/</ref> Likewise, it was noted that Singer during filming for the first movie did not allow for the comics to be on the set, despite the film being based on them.<ref>http://fourcolormedmon.blogspot.com/2017/11/3-filmmakers-working-on-comics-projects.html</ref> It was also anti-Military, especially in the second film and to some extent X-Men Origins: Wolverine, as the main villain, William Stryker, was the head of a para-military group and depicted as very genocidal against mutants, and was also implied to be a Vietnam War veteran. This had been added in by screenwriter David Hayter, due to his experiences with the ''[[Metal Gear Solid]]'' series.

|Unlike the comics they're based on (which were about civil rights)<ref>https://www.nuskool.com/learn/lesson/mlk-and-malcolm-x-the-civil-rights-movement-and-the-x-men-origins/</ref> liberals used this movie franchise to further the [[homosexual agenda]]<ref>https://www.youtube.com/watch?v=T543J2L-gXU</ref><ref>http://www.cracked.com/article_20497_5-great-movies-with-mind-blowing-symbolism-you-didnt-notice.html</ref> Bryan Singer director of four of the films (whom is also homosexual) was also cited for sexual assault of a minor.<ref>https://www.nytimes.com/2014/04/18/business/media/in-lawsuit-director-of-new-x-men-film-is-accused-of-sexual-assault.html?rref=homepage&_r=0</ref> And the sexual abuse has continued to this day especially with the various similar scandals that came out in Hollywood starting with Harvey Weinstein.<ref>https://www.breitbart.com/big-hollywood/2017/11/08/usc-taking-student-petition-remove-bryan-singers-name-cinema-school-seriously/</ref> Likewise, it was noted that Singer during filming for the first movie did not allow for the comics to be on the set, despite the film being based on them.<ref>http://fourcolormedmon.blogspot.com/2017/11/3-filmmakers-working-on-comics-projects.html</ref> It was also anti-Military, especially in the second film and to some extent X-Men Origins: Wolverine, as the main villain, William Stryker, was the head of a para-military group and depicted as very genocidal against mutants, and was also implied to be a Vietnam War veteran. This had been added in by screenwriter David Hayter, due to his experiences with the ''[[Metal Gear Solid]]'' series.

|$1,817,894,919 (all together)   

|$1,817,894,919 (all together)   

|-

|-

|1998

|1998

|G

|G

|This revisionist take on Arthurian legend throws everything that makes the source material great (Christianity, heroism, bravery, etc.) out the window for the sake of advocating feminism and wanting to be a Disney animated musical film, only to be panned by critics in the end. Even though it's suppose to a G-rated family comedy, an incest joke appears as well.<ref>http://www.imdb.com/character/ch0100869/quotes</ref>

|This revisionist take on Arthurian legend throws everything that makes the source material great (Christianity, heroism, bravery, etc.) out the window for the sake of advocating feminism and wanting to be a Disney animated musical film, only to be panned by critics in the end. Even though it's suppose to a G-rated family comedy, an incest joke appears as well.<ref>https://www.imdb.com/character/ch0100869/quotes</ref>

|$22,510,798

|$22,510,798

|-

|-

|1982

|1982

|R

|R

|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>http://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.

|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.

|$14,400,000

|$14,400,000

|-

|-

The prequel trilogy also had some implied pot-shots at then-president George W. Bush and his War on Terror, and there was also an implied promotion of moral relativity in ''Revenge of the Sith'' (where Obi-Wan, when confronting Anakin Skywalker/Darth Vader in the climax, stated in reply to Anakin's declaration that Obi-Wan is his enemy if he's not with him that "only a Sith deals in absolutes."). A similar promotion of moral relativity and postmodernism was shown in ''Return of the Jedi'' where Obi-Wan admitted that his claim that Vader killed Anakin Skywalker was "true from a certain point of view," as well as further elaborating his claim by stating that "[[Subjectivism|a great many of the truths we cling to depend greatly on our point of view.]]" In addition, the Trade Federation and its motives in ''The Phantom Menace'' was crafted by George Lucas to be a negative response to the Republican Revolution of 1994, and in particular Newt Gingrich's Contract with America (with Gingrich himself being a partial namesake of the main villain, Viceroy Nute Gunray). ''Attack of the Clones'' and to a lesser extent ''Revenge of the Sith'' also had very blatant anti-war themes and a very negative portrayal of the military, as a large part of the plot involved creating a military for the republic (and in the case of ''Revenge of the Sith'', the near end of the Clone Wars), with the narrative strongly implying that even forming a military at all was somehow a threat to freedom. To a lesser extent, the Prequel trilogy also has a negative depiction of family values, since it's implied that even holding attachments to family or trying to start a family leads directly to turning to the Dark Side, with Yoda even stating that such acted as "the shadow of greed." Lucas, in an interview with Time Magazine, also made similar jabs on family when explaining Anakin's character arc and his eventually becoming Darth Vader, where he said "Because he [Anakin Skywalker] gets attached to things...He can't let go of his mother...his girlfriend...things. It makes you greedy. And when you're greedy, you are on the path to the dark side because you fear that you're going to lose things. You fear you're not going to have the power you need."<ref>https://web.archive.org/web/20020923140712/http://cgi.theforce.net/theforce/tfn.cgi?storyID=15712</ref>

The prequel trilogy also had some implied pot-shots at then-president George W. Bush and his War on Terror, and there was also an implied promotion of moral relativity in ''Revenge of the Sith'' (where Obi-Wan, when confronting Anakin Skywalker/Darth Vader in the climax, stated in reply to Anakin's declaration that Obi-Wan is his enemy if he's not with him that "only a Sith deals in absolutes."). A similar promotion of moral relativity and postmodernism was shown in ''Return of the Jedi'' where Obi-Wan admitted that his claim that Vader killed Anakin Skywalker was "true from a certain point of view," as well as further elaborating his claim by stating that "[[Subjectivism|a great many of the truths we cling to depend greatly on our point of view.]]" In addition, the Trade Federation and its motives in ''The Phantom Menace'' was crafted by George Lucas to be a negative response to the Republican Revolution of 1994, and in particular Newt Gingrich's Contract with America (with Gingrich himself being a partial namesake of the main villain, Viceroy Nute Gunray). ''Attack of the Clones'' and to a lesser extent ''Revenge of the Sith'' also had very blatant anti-war themes and a very negative portrayal of the military, as a large part of the plot involved creating a military for the republic (and in the case of ''Revenge of the Sith'', the near end of the Clone Wars), with the narrative strongly implying that even forming a military at all was somehow a threat to freedom. To a lesser extent, the Prequel trilogy also has a negative depiction of family values, since it's implied that even holding attachments to family or trying to start a family leads directly to turning to the Dark Side, with Yoda even stating that such acted as "the shadow of greed." Lucas, in an interview with Time Magazine, also made similar jabs on family when explaining Anakin's character arc and his eventually becoming Darth Vader, where he said "Because he [Anakin Skywalker] gets attached to things...He can't let go of his mother...his girlfriend...things. It makes you greedy. And when you're greedy, you are on the path to the dark side because you fear that you're going to lose things. You fear you're not going to have the power you need."<ref>https://web.archive.org/web/20020923140712/http://cgi.theforce.net/theforce/tfn.cgi?storyID=15712</ref>

In addition, the director for ''Episode VII: The Force Awakens'', [[J.J. Abrams]], admitted in a press release that he deliberately made Finn black in order to ensure diversity among the characters, hinting at it pushing the leftist [[diversity]] agenda.<ref>http://www.cnet.com/news/director-j-j-abrams-weighs-in-on-diversity-in-the-star-wars-universe/?_escaped_fragment_=#!<br />Two audience members jointly asked Abrams whether -- given his track record of helping build a diverse cast as director of the "Star Trek" reboot films -- he could confirm if there will be more Asian characters in the Star Wars universe. Asian characters are few and far between in the Star Wars franchise -- one appears in the original trilogy's last film, ''Return of the Jedi'', but for only four seconds before dying in a fiery explosion. Abrams said that while he won't be casting future films in the franchise, because he's directing only ''Episode VII'', he did include Asian characters in ''The Force Awakens'', which opened December 18. "I think it's important people see themselves represented in film," Abrams said. "I think it's not a small thing."</ref> Also, the film also hints at a militant [[feminist]] agenda by having Leia act as general and Rey not allowing anyone to save her, something that conservative commentator John Nolte mentioned was a detraction for the film.<ref>http://www.breitbart.com/big-hollywood/2015/12/17/star-wars-the-force-awakens-review-j-j-abrams-repents-for-the-sins-of-george-lucas/</ref> In addition, the ending award ceremony in ''A New Hope'' was deliberately modeled after the stadium scene from the infamous Nazi movie propaganda ''The Triumph of the Will''. Ian McDiarmid, the actor who played the saga's main villain [[Emperor Palpatine]], had also implied in an interview with ''The Guardian'' around the time ''Revenge of the Sith'' was released that George Lucas had deliberately made the films for primarily eight-year olds specifically to indoctrinate them into Lucas' leftist view of the world.<ref>https://www.theguardian.com/stage/2005/nov/07/theatre1<br />He [McDiarmid] also bristles at the notion that the Star Wars films are totally hollow entertainments. "I remember when I sat there in the Evil Emperor's swivel chair and George [Lucas] said things like 'does it remind you of the Oval office?' And I realised that at that time Richard Nixon was in his mind.<br />

In addition, the director for ''Episode VII: The Force Awakens'', [[J.J. Abrams]], admitted in a press release that he deliberately made Finn black in order to ensure diversity among the characters, hinting at it pushing the leftist [[diversity]] agenda.<ref>http://www.cnet.com/news/director-j-j-abrams-weighs-in-on-diversity-in-the-star-wars-universe/?_escaped_fragment_=#!<br />Two audience members jointly asked Abrams whether -- given his track record of helping build a diverse cast as director of the "Star Trek" reboot films -- he could confirm if there will be more Asian characters in the Star Wars universe. Asian characters are few and far between in the Star Wars franchise -- one appears in the original trilogy's last film, ''Return of the Jedi'', but for only four seconds before dying in a fiery explosion. Abrams said that while he won't be casting future films in the franchise, because he's directing only ''Episode VII'', he did include Asian characters in ''The Force Awakens'', which opened December 18. "I think it's important people see themselves represented in film," Abrams said. "I think it's not a small thing."</ref> Also, the film also hints at a militant [[feminist]] agenda by having Leia act as general and Rey not allowing anyone to save her, something that conservative commentator John Nolte mentioned was a detraction for the film.<ref>https://www.breitbart.com/big-hollywood/2015/12/17/star-wars-the-force-awakens-review-j-j-abrams-repents-for-the-sins-of-george-lucas/</ref> In addition, the ending award ceremony in ''A New Hope'' was deliberately modeled after the stadium scene from the infamous Nazi movie propaganda ''The Triumph of the Will''. Ian McDiarmid, the actor who played the saga's main villain [[Emperor Palpatine]], had also implied in an interview with ''The Guardian'' around the time ''Revenge of the Sith'' was released that George Lucas had deliberately made the films for primarily eight-year olds specifically to indoctrinate them into Lucas' leftist view of the world.<ref>https://www.theguardian.com/stage/2005/nov/07/theatre1<br />He [McDiarmid] also bristles at the notion that the Star Wars films are totally hollow entertainments. "I remember when I sat there in the Evil Emperor's swivel chair and George [Lucas] said things like 'does it remind you of the Oval office?' And I realised that at that time Richard Nixon was in his mind.<br />

"And I see that in the Guardian's review of the DVD - not favourable, of course - mention is made of the fact that there are lines that sound really contemporary. But the reviewer decided that was by chance: no, no, no, no. Entirely by design.<br />

"And I see that in the Guardian's review of the DVD - not favourable, of course - mention is made of the fact that there are lines that sound really contemporary. But the reviewer decided that was by chance: no, no, no, no. Entirely by design.<br />