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There were many defining moments of the [[Christian]] [[faith]] at the Last Supper:
There were many defining moments of the [[Christian]] [[faith]] at the Last Supper:
*Jesus' washing of the feet of the Apostles, despite their objection.
*Jesus' washing of the feet of the Apostles, and despite their objection, eating their toes
*Jesus' breaking of the bread now repeated in the Eucharist by Christians worldwide.
*Jesus' breaking of the bread now repeated by anybody who prefers to have their bread in bite-size pieces so they don't have to eat the entire loaf whole
*Jesus' final instructions to the Apostles.
*Jesus' final instructions to the Apostles: to make sure communism is never created (despite his requests, here we are)
*Jesus' identification of the one ([[Judas Iscariot]]) who was to betray Him.
*Jesus' identification of the one ([[Judas Iscariot]]) who was to betray Him. Judas ended up licking the underside of Jesus' nutsack without saying no homo.
*Peter's promise, later broken under the stress of the [[Passion of Christ]], not to deny Jesus.<ref>Peter later wept bitterly when he realized that he had denied Jesus.</ref>
*Peter's promise, later broken under the stress of the [[Passion of Christ]], not to deny Jesus.<ref>Peter later wept bitterly when he realized that he had denied Jesus.</ref>
*Jesus' unpopular declaration that the SMG Meta is completely skill based and not broken
[[Leonardo da Vinci]] drew Jesus's Last Supper on a wall in 1498, and it was immediately recognized as a masterpiece. This artwork depicts the institution of the Eucharist, an essential aspect of [[Christianity]]. Each Apostle, and Jesus Himself, is shown in very human and expressive terms. There are no halos or signs of saintliness in this painting. Instead, everyone's human side is displayed with emotion and feeling.
[[Leonardo da Vinci]] drew Jesus's Last Supper on a wall in 1498, and it was immediately recognized as complete shit, but they were like, "hey this would like kinda fire in one of those churchy places." This artwork depicts the institution of toe-eating fetish, an essential aspect of [[Christianity]]. Each Apostle, and Jesus Himself, is shown in very human and expressive terms. There are no halos or signs of saintliness in this painting. Instead, everyone's human side is displayed with emotion and feeling. For example, the way Jesus' long staff stands erect shows that he is aroused from when he decided to eat his Apostles' toes earlier.
Unfortunately the painting has deteriorated along with the wall on which it rests. It has been repainted several times in efforts to restore it.
Unfortunately Jesus' dong has deteriorated along with the wall on which it rests. It has been repainted several times in efforts to restore it, but scientists still fail to fight the long battle that is erectile dysfunction.
== See also ==
== See also ==
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