| − | The Hero's Adversaries are musical depictions of how Strauss viewed other composers of his day, namely [[Mahler]] and [[Sibelius]], and various music critics. It begins with "spiky" woodwinds which seem to mimic Sibelius. The anti-Strauss [[Viennese]] music critic Doktor Dehring, a pedantic critic who could not abide breaking the rules of harmony, is outlined in a recurring [[leitmotif]] by tenor and base tuba which seem simultaneously ominous and brain-dead. Doktor Dehring's name is announced using parallel fifths - a deliberate harmonic mistake. By mocking his chief critic, Strauss emulates [[Richard Wagner]], who responded to the persistent music critic Edward Hanslick by writing in the villainous character [[Beckmesser]] in ''[[Die Meistersinger]]''. Together, the woodwinds and brass make a chorus of mean-spirited sniping. Strauss enters on bassoons, bass clarinet, contrabassoon, horns, and low strings, slowly surveying his enemies. Squabbling continues, until Strauss declares a brief victory and his wife enters on solo First violin to begin the next section. | + | The Hero's Adversaries are musical depictions of how Strauss viewed other composers of his day, namely [[Mahler]] and [[Sibelius]], and various music critics. It begins with "spiky" woodwinds which seem to mimic Sibelius. The anti-Strauss [[Viennese]] music critic Doktor Dehring, a pedantic critic who could not abide breaking the rules of harmony, is outlined in a recurring [[leitmotif]] by tenor and base tuba which seem simultaneously ominous and brain-dead. Doktor Dehring's name is announced using parallel fifths - a deliberate harmonic mistake. |
| | + | By mocking his chief critic, Strauss emulates [[Richard Wagner]], who responded to the persistent music critic Edward Hanslick by writing in the villainous character [[Beckmesser]] in ''[[Die Meistersinger]]''. Together, the woodwinds and brass make a chorus of mean-spirited sniping. Strauss enters on bassoons, bass clarinet, contrabassoon, horns, and low strings, slowly surveying his enemies. Squabbling continues, until Strauss declares a brief victory and his wife enters on solo First violin to begin the next section. |