Changes

Jump to navigation Jump to search
1 byte added ,  20:27, April 9, 2019
m
→‎Wagner and Philosophy: HTTP --> HTTPS #3, replaced: http://www.amazon.com → https://www.amazon.com
Line 61: Line 61:  
===Wagner and Philosophy===
 
===Wagner and Philosophy===
 
*Goehr, Lydia. ''The quest for voice: On music, politics and the limits of philosophy''. Berkeley: University of California Press, 1998. (Discusses the relationship between philosophy and Wagner's music, and the tangled relationship his music has had with German history.)
 
*Goehr, Lydia. ''The quest for voice: On music, politics and the limits of philosophy''. Berkeley: University of California Press, 1998. (Discusses the relationship between philosophy and Wagner's music, and the tangled relationship his music has had with German history.)
−
*[http://www.amazon.com/Tristan-Chord-Wagner-Philosophy/dp/080507189X/ref=sr_1_1?ie=UTF8&s=books&qid=1264948034&sr=8-1-spell Magee, Bryan. ''The Tristan Chord: Wagner and Philosophy''], New York: Metropolitan Books, 2001. (The most in-depth English resource about Wagner's knowledge of philosophy, and the philosophy inspired by Wagner, written in a straightforward style accessible to non-musicians. The appendix, entitled "Wagner's Anti-Semitism," is also an excellent and even-handed discussion of this issue.)
+
*[https://www.amazon.com/Tristan-Chord-Wagner-Philosophy/dp/080507189X/ref=sr_1_1?ie=UTF8&s=books&qid=1264948034&sr=8-1-spell Magee, Bryan. ''The Tristan Chord: Wagner and Philosophy''], New York: Metropolitan Books, 2001. (The most in-depth English resource about Wagner's knowledge of philosophy, and the philosophy inspired by Wagner, written in a straightforward style accessible to non-musicians. The appendix, entitled "Wagner's Anti-Semitism," is also an excellent and even-handed discussion of this issue.)
 
*Steiger, Karsten. "Liebe, Tod, Erlösung: Richard Wagners Tristan und der Einfluß Schopenhauers" in ''Schopenhauer-Jahrbuch'' 76 (1995), pp. 103–132. (Discusses how Wagner's philosophy diverges from Schopenhauer's.)  
 
*Steiger, Karsten. "Liebe, Tod, Erlösung: Richard Wagners Tristan und der Einfluß Schopenhauers" in ''Schopenhauer-Jahrbuch'' 76 (1995), pp. 103–132. (Discusses how Wagner's philosophy diverges from Schopenhauer's.)  
 
*Weismüller, Christoph. ''Musik, Traum und Medien: Philosophie des musikdramatischen Gesamtkunstwerks--Ein medienphilosophischer Beitrag zu Richard Wagners öffentlicher Traumarbeit'' (''Music, dream, and the media: The philosophy of the musical and dramatic Gesamtkunstwerk--An essay from a philosopher of the media on Richard Wagner’s public processing of his dreams''). Würzburg: Königshausen und Neumann, 2001. (Places Wagner's "Gesamtkunstwerk" in the context of the long history of "multimedia," stretching from the Ancient Greeks to present day multimedia conceptions.)
 
*Weismüller, Christoph. ''Musik, Traum und Medien: Philosophie des musikdramatischen Gesamtkunstwerks--Ein medienphilosophischer Beitrag zu Richard Wagners öffentlicher Traumarbeit'' (''Music, dream, and the media: The philosophy of the musical and dramatic Gesamtkunstwerk--An essay from a philosopher of the media on Richard Wagner’s public processing of his dreams''). Würzburg: Königshausen und Neumann, 2001. (Places Wagner's "Gesamtkunstwerk" in the context of the long history of "multimedia," stretching from the Ancient Greeks to present day multimedia conceptions.)
Block, SkipCaptcha, apieditor, Automoderated users, Bots, edit, ratelimit-exempt
58,827

edits

Navigation menu