Changes

|1996

|1996

|G

|G

|Released during liberal maniac [[Michael Eisner]]'s reign of terror at Disney, the film does everything in its power to persecute Christians. The original source material was not intended for children, yet the Disney film was marketed as such to young audiences. In some cases, the film actually manages to be even more darker than the original book by Victor Hugo: originally, Quasimodo's vicious punishment at the hands of the Parisians during the Feast of Fools ceremony was out of corporal punishment; while in the Disney film, it had been done at the whim of the Parisians just for the sake of it. To make the film even darker, a gypsy genocide plot is introduced, and Paris was also the victim of arson late into the film. This is a stark contrast to most other Disney film adaptations, which have a history of toning down the original works (as in ''The Jungle Book'', in which Disney advised the writers to ignore the book specifically because its contents were unsuitable for children). Some mild language is present, too (namely the word "damnation" and "eternal damnation"). Worst of all, one of the male gargoyles falls in love with Djali, who is explicitly male, which means that liberals will subtly shoehorn the homosexual agenda into anything, even the gargoyles of Notre Dame. There is also a bit of forced diversity in the movie as well, as Esmerelda is altered to be a full Gypsy by birth (in the original book, she was in fact ethnically French, the daughter of a French anchoress, and had been abducted by gypsies and raised by them).

|Released during liberal maniac [[Michael Eisner]]'s reign of terror at Disney, the film does everything in its power to persecute Christians. The original source material was not intended for children, yet the Disney film was marketed as such to young audiences. In some cases, the film actually manages to be even more darker than the original book by Victor Hugo: originally, Quasimodo's vicious punishment at the hands of the Parisians during the Feast of Fools ceremony was out of corporal punishment; while in the Disney film, it had been done at the whim of the Parisians just for the sake of it. To make the film even darker, a gypsy genocide plot is introduced, and Paris was also the victim of arson late into the film. This is a stark contrast to most other Disney film adaptations, which have a history of toning down the original works (as in ''The Jungle Book'', in which Disney advised the writers to ignore the book specifically because its contents were unsuitable for children). Even worse, the DVD commentary for the film boasted that they deliberately had the villain, Judge Claude Frollo, when symbolically falling to hell in "Hellfire", assuming the pose of the crucifix.<ref>DVD Commentary: "Here's some more of our ham-fisted symbolism--Frollo falls down in the shape of a crucifix!"</ref> Some mild language is present, too (namely the word "damnation" and "eternal damnation"). Worst of all, one of the male gargoyles falls in love with Djali, who is explicitly male, which means that liberals will subtly shoehorn the homosexual agenda into anything, even the gargoyles of Notre Dame. There is also a bit of forced diversity in the movie as well, as Esmerelda is altered to be a full Gypsy by birth (in the original book, she was in fact ethnically French, the daughter of a French anchoress, and had been abducted by gypsies and raised by them).

|$100,138,851

|$100,138,851

|-

|-