Changes

|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.

|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.

|$48,360,547

|$48,360,547

|-

|-

|''Black Hawk Down''

|''Black Hawk Down''

|2004

|2004

|PG

|PG

|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the important of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.  

|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the importance of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.  

|$64,445,708

|$64,445,708

|-

|-

|2002

|2002

|PG-13

|PG-13

|Shows the liberal-run mainstream media in a negative light, and also has a promotion of small town values and capitalism.

|Shows the liberal-run mainstream media in a negative light and also has a promotion of small-town values and capitalism.

|$171.3 million

|$171.3 million

|-

|-

|2012

|2012

|PG

|PG

|Two parents raise their kids in a liberal way, and as a result the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.

|Two parents raise their kids in a liberal way, and as a result, the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.

|$119,772,232

|$119,772,232

|-

|-

|2009

|2009

|PG

|PG

|Mall security guard Paul Blart is silly, but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.  

|Mall security guard Paul Blart is silly but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.  

|$146,336,178

|$146,336,178

|-

|-

|2015

|2015

|PG-13

|PG-13

|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.

|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in a negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.

|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>

|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>

|-

|-

|2013

|2013

|R

|R

|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that it's main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.  

|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that its main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.  

|$122,126,687

|$122,126,687

|-  

|-  

|1973

|1973

|PG

|PG

|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictitorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.

|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictatorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.

|

|

|-

|-

|2016

|2016

|PG-13

|PG-13

|Various super villains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.  

|Various supervillains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.  

Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.

Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.

|$325,100,054

|$325,100,054

|2016

|2016

|PG-13

|PG-13

|Directed by non other than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.

|Directed by nonother than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.

|$124,643,039

|$124,643,039

|-

|-

|2012

|2012

|PG

|PG

|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes family as well.

|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes the family as well.

|$44,338,224

|$44,338,224

|-

|-

|1982

|1982

|PG

|PG

|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in negative light.

|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in the negative light.

|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>

|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>

|-

|-

|2019

|2019

|R

|R

|Major pro-life movie showing Abby Johnson's shift rom an abortion clinic director to a pro-life activist.

|Major pro-life movie showing Abby Johnson's shift from an abortion clinic director to a pro-life activist.

|-

|-

|''Voiceless''

|''Voiceless''

|2015

|2015

|PG

|PG

|Pro-Christian film where a woman turns to Christ to help fix her marriage. Film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>

|Pro-Christian film where a woman turns to Christ to help fix her marriage. The film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>

|$67,790,117  

|$67,790,117  

|-

|-

|2017

|2017

|PG

|PG

|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor and singer of his great-grandmother Coco's generation, despite music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.

|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor, and singer of his great-grandmother Coco's generation, despite all music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.

|$591.4 million

|$591.4 million

|-

|-

|2018

|2018

|PG

|PG

|Like the animated special and live action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.

|Like the animated special and live-action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.

|

|

|-

|-

|2000

|2000

|G

|G

|A self-centered emperor named Kuzco gets turned into a llama, and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. Villain is also a feminist, with it being heavily implied that her methods of raising Kuzco is the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

|A self-centered emperor named Kuzco gets turned into a llama and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. The villain is also a feminist, with it being heavily implied that her methods of raising Kuzco are the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.

|1955

|1955

|G

|G

|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that this is a rarity in Disney Animation to have Christmas depicited in the film and shown in positive light.

|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentalist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that, this is a rarity in Disney Animation to have Christmas depicted in the film and shown in a positive light.

|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>

|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>

|-

|-

|1989

|1989

|G

|G

|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme, and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.  

|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.  

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterwards to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.  

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.  

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.  

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.  

|1943

|1943

|

|

|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.

|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.

|

|

|-

|-

|1982

|1982

|G

|G

|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent, are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.

|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.

|$14.7 million

|$14.7 million

|-

|-

|2005

|2005

|G

|G

|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.

|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well-done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.

|N/A

|N/A

|-

|-

|Altogether, the three films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

|Altogether, the three films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy".  This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost cancelled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy".  This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost canceled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts like a brutal dictator over the daycare toys.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys.

|

|

|-

|-

|1994

|1994

|NR

|NR

|This documentary examines various crimes conducted by then-president Bill Clinton, in particular those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.

|This documentary examines various crimes conducted by then-president Bill Clinton, in particular, those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.

|N/A

|N/A

|-

|-

|2018

|2018

|PG-13

|PG-13

|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].

|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension, the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].

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|

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