| | |While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical. | | |While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical. |
| | + | |The second film in the Terminator Franchise by Liberal director James Cameron. While it does have anti-war and pro-feminism themes, it is also pro-family. John Connor reconnects with his mother and the Terminator who serves as his protector becomes like a father to him, so much so that John cries when the Terminator chooses to sacrifice himself to ensure that Skynet would never be built. |