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Among his displayed works, none of which are dated in the museum collection, are "When Nights Are Long," "Lazy Day," "Shadows at the Longhorn," "Homeward Bound," "Morning Friskies," "The Get-Away," "Bulldogger," "Holdup at First National Bank,'' and "Driving off Rustlers."​<ref name=exhibit/>
 
Among his displayed works, none of which are dated in the museum collection, are "When Nights Are Long," "Lazy Day," "Shadows at the Longhorn," "Homeward Bound," "Morning Friskies," "The Get-Away," "Bulldogger," "Holdup at First National Bank,'' and "Driving off Rustlers."​<ref name=exhibit/>
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In 1975, Mitchell retired to [[Denver]], where he died two years later and is interred. Mitchell's sister, Ethel "Tot" Erickson (1892–1982), laid the groundwork for opening the museum in his honor, completing the task only a year before her own passing.<ref name=exhibit/>​
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In 1975, Mitchell retired to [[Denver]], where he died two years later and is interred. Mitchell's sister, Ethel "Tot" Erickson (1892–1982), laid the groundwork for opening the museum in his honor, completing the task only a year before her own passing.<ref name=exhibit/>​<ref name=bio/>
    
Mitchell summed up his legacy, accordingly:
 
Mitchell summed up his legacy, accordingly:
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