Changes

Jump to navigation Jump to search
no edit summary
Line 2,122: Line 2,122:  
|1961
 
|1961
 
|G
 
|G
−
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family well in the form of Pongo and Perdita stopping at nothing until they rescue their puppies, and they adopt the other eighty-four puppies Cruella had stolen. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them get home. A live action remake was released in 1996.
+
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family positively in the form of Pongo and Perdita stopping at nothing until they rescue their puppies; they also adopt the other eighty-four puppies Cruella had bought to turn into fur coats, which shows family by adoption in a positive light. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them all get home. A live-action remake was released in 1996.
 
|$215.8 million
 
|$215.8 million
 
|-   
 
|-   
Line 2,455: Line 2,455:  
|2003 (Japan)<br />2004 (USA)
 
|2003 (Japan)<br />2004 (USA)
 
|G
 
|G
−
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon and it ultimately causing problems in the climax.
+
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon to expand the landscape. It ultimately causes problems in the climax, where they end up with an incarnation of pure evil in the form of Groudon.
 
|N/A (America; Direct-to-Video)
 
|N/A (America; Direct-to-Video)
 
|-
 
|-
Line 2,473: Line 2,473:  
|1943
 
|1943
 
|
 
|
−
|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.
+
|A Disney cartoon that explains the happenings of people doing things based on reason and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, the reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that in spite of various leftist claims post-mortem, Walt Disney was never a Nazi supporter.
 
|
 
|
 
|-
 
|-
SkipCaptcha, Automoderated users, edit
525

edits

Navigation menu