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| | '''Herbert''' Norman '''Howells''' (1892-1983) [[English]] [[composer]], [[organ]]ist and educator, was born and began his musical training - like so many contributors to the musical fabric of early and mid twentieth century culture - in the west country of England. Like [[Ivor Gurney]], only two years his senior and lifelong friend, his first “job” was playing the organ at [[Gloucester]] [[Cathedral]]. | | '''Herbert''' Norman '''Howells''' (1892-1983) [[English]] [[composer]], [[organ]]ist and educator, was born and began his musical training - like so many contributors to the musical fabric of early and mid twentieth century culture - in the west country of England. Like [[Ivor Gurney]], only two years his senior and lifelong friend, his first “job” was playing the organ at [[Gloucester]] [[Cathedral]]. |
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| − | Like Gurney he studied under [[Charles Villiers Stanford|Stanford]] at the Royal College of Music. He spent time as organist at [[Salisbury]] Cathedral, wrote for the ''Athenaeum'' magazine and' in 1920, began teaching at the RCM. In 1937 he succeeded [[Gustav Holst]] as musical director at St. Paul’s school for girls. For much of this time he adjudicated at many of the music competitions that were and are a part of British musical culture. He also marked exam papers. Ill health had prevented him from serving in [[World War I|the Great War]] | + | Like Gurney he studied under [[Charles Villiers Stanford|Stanford]] at the Royal College of Music. He spent time as organist at [[Salisbury]] Cathedral, wrote for the ''Athenaeum'' magazine and' in 1920, began teaching at the RCM. In 1937 he succeeded [[Gustav Holst]] as musical director at St. Paul's school for girls. For much of this time he adjudicated at many of the music competitions that were and are a part of British musical culture. He also marked exam papers. Ill health had prevented him from serving in [[World War I|the Great War]] |
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| | All this held back the composing career he is known for today. He did write but not a lot. A mass, a [[piano]] [[concerto]] and various short pieces. His first real success was the [[oratorio]] ''“Hymnus paradisi"'' [https://www.youtube.com/watch?v=q3gRjth_sdE] in 1950. | | All this held back the composing career he is known for today. He did write but not a lot. A mass, a [[piano]] [[concerto]] and various short pieces. His first real success was the [[oratorio]] ''“Hymnus paradisi"'' [https://www.youtube.com/watch?v=q3gRjth_sdE] in 1950. |
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| | For all this, he rejected the Christian faith. | | For all this, he rejected the Christian faith. |
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| − | His music is well known in America. He was commissioned to write for the Memorial Service for [[John F. Kennedy]]. The motet, ''“Take him earth, for cherishing”'' [https://www.youtube.com/watch?v=KGiA0DuoZCc], a setting of a translation by Helen Waddell of ''“Hymnus circa exsequias defunct”'' by the fourth century Christian [[poet]], Aurelius Prudentius Clemens was performed as part of the Service in Washington Cathedral, the year after Kennedy’s death. | + | His music is well known in America. He was commissioned to write for the Memorial Service for [[John F. Kennedy]]. The motet, ''“Take him earth, for cherishing”'' [https://www.youtube.com/watch?v=KGiA0DuoZCc], a setting of a translation by Helen Waddell of ''“Hymnus circa exsequias defunct”'' by the fourth century Christian [[poet]], Aurelius Prudentius Clemens was performed as part of the Service in Washington Cathedral, the year after Kennedy's death. |
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| | His music is well crafted, delicate yet often [[rhapsody|rhapsodic]] and approachable though firmly rooted in the twentieth century. These days it is well served on CD and his chamber pieces, gentle, pastoral and refined, are beginning to find a wider audience. | | His music is well crafted, delicate yet often [[rhapsody|rhapsodic]] and approachable though firmly rooted in the twentieth century. These days it is well served on CD and his chamber pieces, gentle, pastoral and refined, are beginning to find a wider audience. |