Changes

|''Seekers'' (or ''Seeker Bears'')

|''Seekers'' (or ''Seeker Bears'')

|Erin Hunter

|Erin Hunter

|A companion of the more popular ''Warriors'' series, this book series containing two arcs of six books tells of three North American bears ([[polar bear]] Kallik, [[American black bear]] Lusa, and [[grizzly bear]] Toklo) as they journey with a shapeshifting grizzly bear cub named Ujurak as they try to save the wild from being ruined. The series portrays a more heavy environmental message than ''Warriors'', with heavy emphasis on how humans are causing the animals to suffer. ''The Last Wilderness'' - the fourth book of the first arc - seems to condemn capitalism by portraying the (white) people in favor of drilling oil in the arctic as either evil or stupid, and the sixth book in the same arc - ''Spirits in the Stars'' - also has a moment of [[ecoterrorism]] near the end, the animals attacking an oil drill and portraying it at the right thing to do. The second and final arc is tamer in condemning humans compared to the first arc (such as when Lusa ends up being cared for in a local animal sanctuary), though some of it still comes up.

|A companion of the more popular ''Warriors'' series, this book series containing two arcs of six books tells of three North American bears ([[polar bear]] Kallik, [[American black bear]] Lusa, and [[grizzly bear]] Toklo) as they journey with a shapeshifting grizzly bear cub named Ujurak as they try to save the wild from being ruined. The series portrays a more heavy environmental message than ''Warriors'', with heavy emphasis on how humans are causing the animals to suffer. ''The Last Wilderness'' - the fourth book of the first arc - seems to condemn capitalism by portraying the people in favor of drilling oil in the arctic as either evil or stupid, and the sixth book in the same arc - ''Spirits in the Stars'' - also has a moment of [[ecoterrorism]] near the end, the animals attacking an oil drill and portraying it at the right thing to do. The second and final arc is tamer in condemning humans compared to the first arc (such as when Lusa ends up being cared for in a local animal sanctuary), though some of it still comes up.

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