| | None of the characters is profoundly changed by the war, except for Scarlett O'Hara. She moves from the frivolous lover of leisure to a Yankee-like shred, hard-driving business leader. It takes a very hard-headed Scarlett to whip the underperforming traditionalistic menfolk into shape to deal with the modern postwar economy.<ref>Scarlett's transformation is exactly what they Yankees had planned for the Southern white men during Reconstruction. See C. Vann Woodward, "The Southern Ethic in a Puritan World," ''William and Mary Quarterly,'' Vol. 25, No. 3 (Jul., 1968), pp. 344-370 [http://www.jstor.org/stable/1921772 in JSTOR]</ref> Rhett, although Southern-born is a war profiteer who is hated by the men because he resembles a mercenary money-grubbing Yankee. Only prostitutes like him. At first Scarlett finds the war merely tiresome as the foolish young men rush out to get killed, spoiling her parties. Scarlett only loves Ashley; she can't have him so she marries a series of men for the money to save Tara, her home. That motivation marks her transformation. As the first female capitalist of the New South, she resists Rhett's overtures even after marriage showing her choice of money and power over sex and romantic love. In Shakespearian terms, she is a shrew who will not be tamed. | | None of the characters is profoundly changed by the war, except for Scarlett O'Hara. She moves from the frivolous lover of leisure to a Yankee-like shred, hard-driving business leader. It takes a very hard-headed Scarlett to whip the underperforming traditionalistic menfolk into shape to deal with the modern postwar economy.<ref>Scarlett's transformation is exactly what they Yankees had planned for the Southern white men during Reconstruction. See C. Vann Woodward, "The Southern Ethic in a Puritan World," ''William and Mary Quarterly,'' Vol. 25, No. 3 (Jul., 1968), pp. 344-370 [http://www.jstor.org/stable/1921772 in JSTOR]</ref> Rhett, although Southern-born is a war profiteer who is hated by the men because he resembles a mercenary money-grubbing Yankee. Only prostitutes like him. At first Scarlett finds the war merely tiresome as the foolish young men rush out to get killed, spoiling her parties. Scarlett only loves Ashley; she can't have him so she marries a series of men for the money to save Tara, her home. That motivation marks her transformation. As the first female capitalist of the New South, she resists Rhett's overtures even after marriage showing her choice of money and power over sex and romantic love. In Shakespearian terms, she is a shrew who will not be tamed. |