Changes

==Early life==

==Early life==

Born Robert Zimmerman in [[Duluth]], [[Minnesota]], Dylan grew up in Hibbing and left to attend the [[University of Minnesota]] in [[Minneapolis]].  It was there that he developed a deep interest in [[folk music]], listening to the recordings of artists such as Odetta and [[Woody Guthrie]].<ref>Bob Dylan's roots are in American folk music, with people like [[Pete Seeger]] and Woody Guthrie. [http://www.faqs.org/faqs/music/american-pie/]</ref>

Born Robert Zimmerman in [[Duluth]], [[Minnesota]], Dylan grew up in Hibbing, where by chance he was discovered to have musical abilities at a very early age.  When later in life he wanted to acknowledge his musical influences, he made a point to mention Christmas music while he was growing up.  Dylan also found emotional connection with the music of the rock and roll performers of that era.  [[Buddy Holly] was the first broadly successful rock and roll singer whose public image wasn't managed to seem like a movie star, which gave Dylan and the Beatles likewise hope of success in forming their own bands.  While in high school he formed a series rock and roll bands that would break up each time when the lead singer would be recruited away to a musical act of their own.  During that time he attended a [[Buddy Holly]] concert where the singer's attention was drawn for a moment to the young man watching and learning from him near the stage.  Before leaving for college, Dylan had befriended a black disk jockey who shared his interest in rock and roll and from whom he was given access to the radio station's records.

 

Dylan left to attend the [[University of Minnesota]] in [[Minneapolis]].  It was there that he developed a deep interest in [[folk music]], listening to the recordings of artists such as Odetta and [[Woody Guthrie]].<ref>Bob Dylan's roots are in American folk music, with people like [[Pete Seeger]] and Woody Guthrie. [http://www.faqs.org/faqs/music/american-pie/]</ref>

In 1961, he dropped out of college and headed to [[New York City]], where he became part of the burgeoning folk music scene in [[Greenwich Village]] and eventually landed a contract with [[Columbia Records]], for whom he still records today.

In 1961, he dropped out of college and headed to [[New York City]], where he became part of the burgeoning folk music scene in [[Greenwich Village]] and eventually landed a contract with [[Columbia Records]], for whom he still records today.

His first four studio albums<ref>''Bob Dylan'' (1962); ''The Freewheelin' Bob Dylan'' (1963); ''The Times They Are a-Changin''' (1964); and ''Another Side of Bob Dylan'' (1964)</ref> established Dylan as a major voice within the developing protest counterculture of the early Sixties. It was ''Bringing It All Back Home'' (1965), however, that propelled him to international fame and stardom. To howls of protest from his devoted "folkie" fans, Dylan "plugged in" for the first time and the album's glorious fusion of electric guitars, driving rock rhythms and his unique lyrical style<ref>By turns surreal, poetic, visionary and political.</ref> set a benchmark to which all other artists aspired. He arguably never scaled these heights again, especially in terms of producing an album of such consistent quality and musical completeness. His next three albums<ref>''Highway 61 Revisited'' (1965); ''Blonde on Blonde'' (1966); and ''John Wesley Harding'' (1967)</ref> are rightly highly regarded, but after these his output became of increasingly variable quality and ''Blood On The Tracks'' (1975) is his last album from his classic period to be highly regarded by rock critics.

His first four studio albums<ref>''Bob Dylan'' (1962); ''The Freewheelin' Bob Dylan'' (1963); ''The Times They Are a-Changin''' (1964); and ''Another Side of Bob Dylan'' (1964)</ref> established Dylan as a major voice within the developing protest counterculture of the early Sixties. It was ''Bringing It All Back Home'' (1965), however, that propelled him to international fame and stardom. To howls of protest from his devoted "folkie" fans, Dylan "plugged in" and the album's glorious fusion of electric guitars, driving rock rhythms and his unique lyrical style<ref>By turns surreal, poetic, visionary and political.</ref> set a benchmark to which all other artists aspired. He arguably never scaled these heights again, especially in terms of producing an album of such consistent quality and musical completeness. His next three albums<ref>''Highway 61 Revisited'' (1965); ''Blonde on Blonde'' (1966); and ''John Wesley Harding'' (1967)</ref> are rightly highly regarded, but after these his output became of increasingly variable quality and ''Blood On The Tracks'' (1975) is his last album from his classic period to be highly regarded by rock critics.

* ... he was busy writing songs extolling the virtues of simple love, family and contentment while staying at home (he didn't tour from '66 to '74) and raking in the royalties.  This was quite a change from the earlier, angrier Dylan. [http://www.faqs.org/faqs/music/american-pie/]

* ... he was busy writing songs extolling the virtues of simple love, family and contentment while staying at home (he didn't tour from '66 to '74) and raking in the royalties.  This was quite a change from the earlier, angrier Dylan. [http://www.faqs.org/faqs/music/american-pie/]