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| | It has become an icon of stable family life in a [[nuclear family]] (comprising only the parents and their children) and moral decision-making in a world of small human foibles and no great issues. | | It has become an icon of stable family life in a [[nuclear family]] (comprising only the parents and their children) and moral decision-making in a world of small human foibles and no great issues. |
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| − | The plot revolved around the life of Theodore "Beaver" Cleaver (played by Jerry Mathers), a curious and frequently naïve pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s. His teen-age brother, Wally, was played by Tony Dow, his father, Ward, by Hugh Beaumont, and his mother, June, by Barbara Billingsley. Eddie Haskell was the two-faced teenage conniver who turns choirboy whenever he is in the presence of adults. Joe Connelly (1918-2003), a television writer was the main creator; his 8-year-old son was the inspiration for Beaver, and his 14-year-old son was the model for Wally. The producer was [[Harry S. Ackerman]]. | + | The plot revolved around the life of Theodore "Beaver" Cleaver (played by Jerry Mathers), a curious and frequently naïve pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s. His teen-age brother, Wally, was played by Tony Dow, his father, Ward, by Hugh Beaumont, and his mother, June, by Barbara Billingsley. Eddie Haskell, portrayed by Ken Osmond (1943-2020), was the two-faced teenage conniver who turns choirboy whenever he is in the presence of adults. Television writer Joe Connelly (1918-2003) was the main creator; his 8-year-old son was the inspiration for Beaver, and his 14-year-old son was the model for Wally. The producer was [[Harry S. Ackerman]]. |
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| | In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''[[The Adventures of Ozzie and Harriet]],'' ''[[The Donna Reed Show]]'' and ''[[Father Knows Best]]'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class. | | In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''[[The Adventures of Ozzie and Harriet]],'' ''[[The Donna Reed Show]]'' and ''[[Father Knows Best]]'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class. |
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| | ==Further reading== | | ==Further reading== |
| − | * Kassel, Michael B. "Mass Culture, History and Memory and the Image of the American Family," PdD dissertation, Michigan State U. 2005 65(9): 3537-A. DA3146050 613p. | + | * Kassel, Michael B. "Mass Culture, History and Memory and the Image of the American Family," PdD dissertation, Michigan State U. 2005 65(9): 3537-A. DA3146050 613p. |
| | * Mathers, Jerry. ''And Jerry Mathers as "The Beaver,"'' (1998), memoir. | | * Mathers, Jerry. ''And Jerry Mathers as "The Beaver,"'' (1998), memoir. |
| − | * Shaffer, Jeffrey. "Epic Beaver Cleaver", ''Christian Science Monitor'', May 28, 1999, Vol. 91, Issue 128 | + | * Shaffer, Jeffrey. "Epic Beaver Cleaver", ''Christian Science Monitor,'' May 28, 1999, Vol. 91, Issue 128 |
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| | ====References==== | | ====References==== |
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| | ==See also== | | ==See also== |
| | *''[[The Donna Reed Show]]'' | | *''[[The Donna Reed Show]]'' |
| | + | ''[[Peck's Bad Girl]]'' |
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| | [[Category:Television]] | | [[Category:Television]] |
| | [[Category:Television Shows]] | | [[Category:Television Shows]] |