Changes

|2012

|2012

|R

|R

| Based on the comic strip ''Judge Dredd''. Anti-drug war film where the villains are drug dealers and addicts who are portrayed as very sadistic individuals, the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.

| Based on the comic strip ''Judge Dredd''. Anti-drug war film where the villains are drug dealers and addicts who are portrayed as very sadistic individuals, and the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.

|$13,414,714   

|$13,414,714   

|-

|-

|2017

|2017

|PG-13

|PG-13

|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.  

|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, this film tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.  

|$188 million   

|$188 million   

|-

|-

|2003

|2003

|PG

|PG

|Like the TV show it was based on, the movie had pro-family values. The movie also had a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was a [[Reality TV]] host who tricked the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted with the Reality TV genre.

|Like the TV show it is based on, the movie has pro-family values. The movie also has a massive condemnation towards [[Hollywood values]], as the main antagonist of the film is a [[Reality TV]] host who tricks the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom are actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, which is largely depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how disgusted she is with the Reality TV genre.

|N/A (TV movie)

|N/A (TV movie)

|-

|-

|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.

|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.

|$10,178,331

|$10,178,331

|-

|-

|''Fat Kid Rules the World''

|''Fat Kid Rules the World''

|1997

|1997

|PG-13

|PG-13

|Pro-family and pro-fatherhood, as Billy Crystal and Robin Williams team up to find a runaway boy, each believes to be the father of.

|Pro-family and pro-fatherhood, as Billy Crystal and Robin Williams team up to find a runaway boy whom each believes to be the father of.

|$28,681,080

|$28,681,080

|-

|-

|1986

|1986

|PG-13

|PG-13

|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.

|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco. The main character is also faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, but it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.

|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>

|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>

|-

|-

|1999

|1999

|R

|R

|Fight club is considered to be a "conservative classic" for audiences mature enough to handle the violence and language. It argues against the idea that society can alter or control our basic human nature. One of the characters rants against consumerism which lead liberals to believe it is anti-capitalist moral, but don't be fooled. In reality it's pro self governance and anti-consumerism moral. We can't fill our happiness with buying things. It's pro-masculinity and warns society of the dangers of trying to suppress masculinity and promotes assertiveness and strength in men's minds and bodies.  

|Fight club is considered to be a "conservative classic" for audiences mature enough to handle the violence and language. It argues against the idea that society can alter or control our basic human nature. One of the characters rants against consumerism which has led liberals to believe it is anti-capitalist moral, but don't be fooled. In reality, it's pro-self-governance and anti-consumerism moral. We can't fill our happiness with buying things. It's pro-masculinity and warns society of the dangers of trying to suppress masculinity and promotes assertiveness and strength in men's minds and bodies.  

The story is about a nameless first person character (Edward Norton) who is stuck in an unwanted job and life, who attends support groups to deal with his insomnia and depressed emotional state. He runes into a female romantic interest around the same time he begins associating with "Tyler" (Brad Pitt) where he gets embroiled in an underground fight club and soap making scheme.  

The story is about a nameless first person character (Edward Norton) who is stuck in an unwanted job and life, who attends support groups to deal with his insomnia and depressed emotional state. He runes into a female romantic interest around the same time he begins associating with "Tyler" (Brad Pitt) where he gets embroiled in an underground fight club and soap making scheme.  

|37,000,000

|37,000,000

|1986

|1986

|PG

|PG

|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.

|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie. But when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family members stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and lock him in an isolated room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.

|$18,564,613

|$18,564,613

|-

|-

|2012

|2012

|R

|R

|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.

|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive [[leftist]] government. Based on the Cristeros War of the 1920s.

|$5,608,651

|$5,608,651

|-

|-

|2019

|2019

|PG-13

|PG-13

|One of the best films of 2019 was also one of its most conservative. A classic example of a "guy movie", this fact based racing drama has a pro-family and pro-America message. It also portrays capitalism in a positive light.

|One of the best and most conservative films of 2019. A classic example of a "guy movie", this fact based racing drama has a pro-family and pro-America message. It also portrays capitalism in a positive light.

|$225,483,204

|$225,483,204

|-  

|-  

|1949

|1949

|UR

|UR

|Gary Cooper and Patricia Neal starring in Ayn Rand's classic story of the right of the individual to produce on their own terms.

|Gary Cooper and Patricia Neal star in Ayn Rand's classic story of the right of the individual to produce on their own terms.

|Unknown

|Unknown

|-

|-

|2009

|2009

|PG

|PG

|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.

|Sapient animals use technology for good, but their help is shut down by the government agents (clearly shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.

|$119,436,770

|$119,436,770

|-

|-

|1990

|1990

|PG-13

|PG-13

|Even though the film has liberal actress Whoopi Goldberg as a psychic medium the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.   

|Even though the film has liberal actress Whoopi Goldberg as a psychic medium, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case; when he does, he convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being carried away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.   

|$217,631,306

|$217,631,306

|-

|-

|1984

|1984

|PG

|PG

|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: "I don’t know about that. I’ve worked in the private sector. They expect results!"  A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie.  The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.

|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads, "I don’t know about that. I’ve worked in the private sector. They expect results!"  A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie.  The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.

|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>

|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>

|-

|-

|2000

|2000

|R

|R

|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.

|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hans Zimmer’s soaring soundtrack. In essence, this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.

|$457.6 million

|$457.6 million

|-

|-

|1985

|1985

|PG-13

|PG-13

|The adventures of teenagers trying to find a long-lost treasure, before the criminals do.  

|Centers around the adventures of teenagers trying to find a long-lost treasure before the criminals do.  

|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>

|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>

|-

|-

|1963

|1963

|UR

|UR

|Based on the true story about Allied PoWs who staged a daring escape from a Nazi prisoner-of-war camp during World War II.

|Based on the true story about Allied Powers who staged a daring escape from a Nazi prisoner-of-war camp during World War II.

|

|

|-

|-

|2017

|2017

|PG

|PG

|Based on the true story of  P. T. Barnum this musical celebrates the [[American Dream]], as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity. Finally the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>

|Based on the true story of  P. T. Barnum, this musical celebrates the [[American Dream]] as he helped build and create his own circus. Besides that, there are various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition, it also promotes the idea of treating everyone with respect and dignity. Finally, the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>

|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>

|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>

|-

|-