| − | |A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored]. | + | |A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Powers’ promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Powers’ crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored]. In the third film, Fat [censored] eventually loses tons of weight. |
| − | |Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie. | + | |Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie. It became a source of dozens of internet memes. |
| | |A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable. | | |A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable. |
| − | |The film is pro-family, pro-police, anti-Communist and pro-American, where the villain gets back to his fictional Communist country. However, some people say God and Jesus’ names in vain and a Black blind woman named Alicia Masters (originally white but was racebended for Marxism) believes that God is a woman. A deleted scene which was put back in the extended cut showed how Johnny Storm’s problematic behavior backfires. There were a few stripping off scenes from [[Jessica Alba]]’s character even though she is against it. It is held in a higher regard than the 2015 reboot for keeping the adventurous and comedic tone intact. | + | |The film is pro-family, pro-police, anti-Communist and pro-American, where the villain gets back to his fictional Communist country. However, some people say God and Jesus’ names in vain and a Black blind woman named Alicia Masters (originally white but was racebended for Marxism) believes that God is a woman. A deleted scene which was put back in the extended cut showed how Johnny Storm’s problematic womanizing behavior backfires. Doctor Doom was changed from a dictator to a Capitalist, which Marvel fans and Stan Lee didn’t like. There were a few stripping off scenes from [[Jessica Alba]]’s character even though she is against it. It is held in a higher regard than the 2015 reboot for keeping the adventurous and comedic tone intact. |
| − | |A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro. | + | |A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. It does promote the second amendment. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro. |