Changes

|1961

|1961

|G

|G

|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family positively in the form of Pongo and Perdita stopping at nothing until they rescue their puppies; they also adopt the other eighty-four puppies Cruella had bought to turn into fur coats, which shows family by adoption in a positive light. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them all get home. A live-action remake was released in 1996.

|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family positively in the form of Pongo and Perdita stopping at nothing until they rescue their puppies; they also adopt the other eighty-four puppies Cruella had bought to turn into fur coats, which shows family by adoption in a positive light. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them all get home. A live-action remake was released in 1996, as well as a more liberal prequel about Cruella De Vil.

|$153 million

|$153 million

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|-   

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.

|$27.1 million

|$27.1 million

|-

|-

|2000

|2000

|PG

|PG

|A clan of lemurs living on a tropical island finds an egg and raises a baby dinosaur from that egg: an ''Iguanodon'' named Aladar. When their island home is destroyed by a meteor shower years later, Aladar and four remaining lemurs join a herd of migrating dinosaurs on their way to their nesting grounds, all while predators lurk behind them. The movie portrays family - both by blood and adoption - very well, shown when the lemurs adopt and raise Aladar while he protects them in return. Even Kron - the herd's stubborn leader - and his sister Neera share a bond; Kron never acts harsh towards Neera, and Neera tries (but unfortunately fails) to save Kron from a ''Carnotaurus''. Aladar is also shown to be against [[Social Darwinism]], opposing Kron's strict belief that the old and weak should be left behind and helping the oldest dinosaurs in the herd keep up; his beliefs are also what gets Neera to like him, after watching him helping Eema the elderly ''Styracosaurus'' and two orphaned ''Iguanodons'' get some water. Redemption is also positively shown when Bruton - second-in-command to Kron - sacrifices himself to save the stragglers of the herd by bringing the cave down onto himself and a predator.

|A clan of lemurs living on a tropical island finds an egg and raises a baby dinosaur from that egg: an ''Iguanodon'' named Aladar. When their island home is destroyed by a meteor shower years later, Aladar and four remaining lemurs join a herd of migrating dinosaurs on their way to their nesting grounds, all while predators lurk behind them. The movie portrays family - both by blood and adoption - very well, shown when the lemurs adopt and raise Aladar while he protects them in return. Even Kron - the herd's stubborn leader - and his sister Neera share a bond; Kron never acts harsh towards Neera, and Neera tries (but unfortunately fails) to save Kron from a ''Carnotaurus''. Aladar is also shown to be against [[Social Darwinism]], opposing Kron's strict belief that the old and weak should be left behind and helping the oldest dinosaurs in the herd keep up; his beliefs are also what gets Neera to like him, after watching him helping Eema the elderly ''Styracosaurus'' and two orphaned ''Iguanodons'' get some water. A novelization of the movie also has Aladar and Kron's ideals combine to "Standing together makes everyone strong". Redemption is also positively shown when Bruton - second-in-command to Kron - sacrifices himself to save the stragglers of the herd by bringing the cave down onto himself and a predator.

|$137,748,063

|$137,748,063

|-

|-

|1995

|1995

|G

|G

|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son.

|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son. A sequel called ''An Extremely Goofy Movie'' was released in 2000 with the same family values as the first movie.

|$35.3 million

|$35.3 million

|-

|-

|2010

|2010

|PG

|PG

|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist. The movie introduces two sequels in 2014 and 2019.

|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist. The movie introduces two sequels in 2014 and 2019, as well as several TV series that take place between the movies (one even takes place in the present day starring the descendants of Hiccup and Toothless).

|$217,581,231

|$217,581,231

|-     

|-     

|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.

|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.

A CGI/live-action remake was released in April 2016, directed by Jon Favreau.

A CGI/live-action remake was released in April 2016, directed by Jon Favreau. It created a plot different from the 1967 film but still retained some charm from the original, as well as including material from the classic Kipling novel.

|$205.8 million

|$205.8 million

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