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Shakespeare was a devout [[Christian]], as proven by what he wrote in his will: "I commend my soul into the hands of God, my Creator, hoping and assuredly believing, through the only merits of [[Jesus Christ]], my Saviour, to be made partaker of life everlasting."<ref>[http://www.bardweb.net/will.html Shakespeare's Last and Testament]</ref>  Yet his work is also loved by people who are not religious, who consider it "the secular [[canon]], or even the secular [[scripture]]."<ref>[http://www.time.com/time/magazine/article/0,9171,981571-2,00.html#ixzz13lnUzy40 Hurrah for Dead White Males! - TIME]</ref>
 
Shakespeare was a devout [[Christian]], as proven by what he wrote in his will: "I commend my soul into the hands of God, my Creator, hoping and assuredly believing, through the only merits of [[Jesus Christ]], my Saviour, to be made partaker of life everlasting."<ref>[http://www.bardweb.net/will.html Shakespeare's Last and Testament]</ref>  Yet his work is also loved by people who are not religious, who consider it "the secular [[canon]], or even the secular [[scripture]]."<ref>[http://www.time.com/time/magazine/article/0,9171,981571-2,00.html#ixzz13lnUzy40 Hurrah for Dead White Males! - TIME]</ref>
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Shakespeare was a [[conservative]] then, and even more so by today's standards. His play ''[[The Taming of the Shrew]]'' is anti-[[feminist]] and censored from some schools today for that reason.  Major conservative themes in his works include the sacred nature of the family in [[King Lear]], the recognition of God in his plays and personal life, the existence of necessary war in ''[[The Famous Life of King Henry V]]'', and the exposed injustice of taxation in [[Coriolanus]]. Not surprisingly, modern [[liberal]] literary critics often ignore these themes because of their place on the modern political spectrum.  Shakespeare's hilarious jokes were often at the expense of the [[liberal]] base, such as his following quip for utopia by Dick the Butcher in Shakespeare's ''Henry VI'': "The first thing we do, let's kill all the lawyers."<ref>Part II, act IV, Scene II, Line 73.</ref>  Shakespeare was [[politically incorrect]].
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Shakespeare was a [[conservative]] then, and even more so by today's standards. His play ''[[The Taming of the Shrew]]'' is anti-[[feminist]] and censored from some schools today for that reason.  Major conservative themes in his works include the sacred nature of the family in [[King Lear]], the recognition of God in his plays and personal life, the existence of necessary war in ''[[The Famous Life of King Henry V]]'', and the exposed injustice of taxation in [[Coriolanus]]. Not surprisingly, modern [[liberal]] literary critics often ignore these themes because of their place on the modern political spectrum.  Shakespeare's hilarious jokes were often at the expense of the [[liberal]] base, such as his following quip by Dick the Butcher in Shakespeare's ''Henry VI'': "The first thing we do, let's kill all the lawyers."<ref>Part II, act IV, Scene II, Line 73.</ref>  Shakespeare was [[politically incorrect]].
    
His sonnets hint that Shakespeare was aware of same-sex attractions. Many refer to a "Fair Lord" or "Fair Youth," who scholars assume is the same person as "Mr W.H.", to whom the sonnets are dedicated. Further evidence includes the fact that there are very few exclusive female pronouns in these sonnets. In particular, sonnet 20 asks whether the narrator, presumably a man, has fallen in love with was originally a woman turned into a man by nature, which implies that [[homosexuality]] is an aberrant form of [[sexuality]].   
 
His sonnets hint that Shakespeare was aware of same-sex attractions. Many refer to a "Fair Lord" or "Fair Youth," who scholars assume is the same person as "Mr W.H.", to whom the sonnets are dedicated. Further evidence includes the fact that there are very few exclusive female pronouns in these sonnets. In particular, sonnet 20 asks whether the narrator, presumably a man, has fallen in love with was originally a woman turned into a man by nature, which implies that [[homosexuality]] is an aberrant form of [[sexuality]].   
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