Changes

Jump to navigation Jump to search
Allegri Story
Line 4: Line 4:     
Mozart had [[harpsichord]] lessons at three, composed at four, and by the time he was seven played the harpsichord, [[organ]], and the [[violin]]. He wrote two sets of sonatas for the harpsichord and the violin, which were published in [[France]] when he was seven. Mozart also composed two symphonies in [[England]] when he was eight, an ''opera buffa'' at eleven, ''la finta semplice'' for [[Joseph II]] of Austria, and ''opera seria'' at fourteen, ''Mitridate, re di Ponto''. During Mozart's short life he wrote more than forty symphonies, twenty-two operas, twenty-three string quartets, twenty-five concertos for the piano and orchestra, and thirty-five sonatas for violin and piano. There are over six hundred and twenty-six known works.
 
Mozart had [[harpsichord]] lessons at three, composed at four, and by the time he was seven played the harpsichord, [[organ]], and the [[violin]]. He wrote two sets of sonatas for the harpsichord and the violin, which were published in [[France]] when he was seven. Mozart also composed two symphonies in [[England]] when he was eight, an ''opera buffa'' at eleven, ''la finta semplice'' for [[Joseph II]] of Austria, and ''opera seria'' at fourteen, ''Mitridate, re di Ponto''. During Mozart's short life he wrote more than forty symphonies, twenty-two operas, twenty-three string quartets, twenty-five concertos for the piano and orchestra, and thirty-five sonatas for violin and piano. There are over six hundred and twenty-six known works.
 +
 +
There are many stories concerning Mozart's life, but one of the most remarkable concerns a visit made to the Sistine Chapel, during which he heard a performance of Miserere by Gregorio Allegri. The fourteen-year-old Mozart first heard the piece during the Wednesday service. Later that day, he wrote it down entirely from memory, and returned to the Chapel that that week to make minor corrections. This was the first time that a manuscript of the work had been made public, as transcription of the music was punishable by excommunication <ref>The story may or may not be accurate, but it is referred to in the Mozart family letters http://en.allexperts.com/e/m/mi/miserere_(allegri).htm </ref>.
    
Mozart is often thought of as simply transcribing music sent to him by God, but this view obscures the amount of work he put in on honing his craft. He spent hours in practice at the keyboard, and studying and copying out the music of others. He wrote in a letter to his father, "People make a great mistake who think that my art has come easily to me. Nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not studied over and over." <ref>http://www.christianitytoday.com/bc/2006/006/9.14.html</ref>
 
Mozart is often thought of as simply transcribing music sent to him by God, but this view obscures the amount of work he put in on honing his craft. He spent hours in practice at the keyboard, and studying and copying out the music of others. He wrote in a letter to his father, "People make a great mistake who think that my art has come easily to me. Nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not studied over and over." <ref>http://www.christianitytoday.com/bc/2006/006/9.14.html</ref>
3

edits

Navigation menu