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'''Science fiction''' is a form of [[literature]] that includes some form of speculation as to a possible [[science|scientific]] discovery, invention, or project that has not yet come to pass at the time of writing. Alternatively, it may explore the implications of a kind of a sentient being, society or civilization that is significantly different than any with which we are familiar. Such a project is usually, but not always, intended as a metaphor for an unsettling social change, or a vehicle to introduce a discussion of such change. A speculative project may, but does not necessarily, violate the laws of nature as most scientists understand them. A speculative discovery may be either a new scientific law, or a revision of an existing law, or of an object, substance, environment, or even an entire [[civilization]] previously unknown to man.

'''Science fiction''' is a form of [[literature]] that includes some form of speculation as to a possible [[science|scientific]] discovery, invention, or project that has not yet come to pass at the time of writing. Such a project is usually, but not always, intended as a metaphor for an unsettling social change, or a vehicle to introduce a discussion of such change. A speculative project may, but does not necessarily, violate the laws of nature as most scientists understand them. A speculative discovery may be either a new scientific law, or a revision of an existing law, or of an object, substance, environment, or even an entire [[civilization]] previously unknown to man.

 

Alternatively, it may explore the implications of a ''kind'' of sentient being, society or civilization that is significantly different from any with which we are familiar at the time of writing. Such a kind would be a radical departure from anything that remotely resembles a human being, or the societies or civilizations that human beings have built.

== History of Science Fiction ==

== History of Science Fiction ==

Modern science fiction as most people understand it today began in 1818 with the novel ''[[Frankenstein, or the Modern Prometheus]]'' by [[Mary Shelley]], with various works by [[Nathaniel Hawthorne]] and [[Edgar Allen Poe]], and with the novel ''[[The Strange Case of Doctor Jekyll and Mister Hyde]]'' by [[Robert Louis Stevenson]]. These works mainly were warnings to a brash mankind that some avenues of scientific investigation would be better left unexplored. The projects resulting from them, however much good they might promise, inevitably bring harm upon the investigator, those closest to him, and any number of innocent bystanders. This applies even to [[Jules Verne]] and his works (such as ''[[Twenty Thousand Leagues Under the Sea]]'' and ''[[From the Earth to the Moon]]''), because the heroes in them almost always come to sad ends. Many of these works are also explorations of human psychology, or of philosophical questions regarding what man is. Stevenson's work, for example, investigates the problem of good and evil, and of the conflict between these forces within an individual.

Modern science fiction as most people understand it today began in 1818 with the novel ''[[Frankenstein, or the Modern Prometheus]]'' by [[Mary Shelley]], with various works by [[Nathaniel Hawthorne]] and [[Edgar Allen Poe]], and with the novel ''[[The Strange Case of Doctor Jekyll and Mister Hyde]]'' by [[Robert Louis Stevenson]]. These works mainly were warnings to a brash mankind that some avenues of scientific investigation would be better left unexplored. The projects resulting from them, however much good they might promise, inevitably bring harm upon the investigator, those closest to him, and any number of innocent bystanders. This applies even to [[Jules Verne]] and his works (such as ''[[Twenty Thousand Leagues Under the Sea]]'' and ''[[From the Earth to the Moon]]''), because the heroes in them almost always come to sad ends.

Toward the end of the nineteenth century, [[Herbert George Wells]] and [[Edgar Rice Burroughs]] sounded similar dark themes in their work. But their warnings were less about someone investigating something he shouldn't and more about possible dire futures for human civilization and the planet itself. Wells' ''[[The Time Machine]]'' is the best illustration of this concept. Wells also was among the first to speculate on [[Extraterrestrial life|extraterrestrial]] attacks upon the [[earth]], with his classis ''[[The War of the Worlds]]'' (1898).

Many of these works are also explorations of human psychology, or of philosophical questions regarding what man is. Stevenson's ''Jekyll and Hyde'', for example, investigates the problem of good and evil, and of the conflict between these forces within an individual.

The twentieth century saw science fiction become far less serious in its purpose. The works of [[Hugo Gernsback]] and others were intended merely to entertain and amuse--in other words, to help the reader escape an unpleasant reality. But reality would soon reimpose itself on the imaginations of science-fiction writers. The nuclear attack on the [[Japan|Japanese]] cities of [[Hiroshima]] and [[Nagasaki]] inspired many writers to create [[monster|monsters]] ([[Godzilla]], [[Rodan]], ''etc.'') of tremendous size and destructive power comparable to the power of [[nuclear weapon]]s, and other writers to speculate anew on the harms that can result from playing fast and loose with dangerous new forces--in this case, [[Atoms|atomic]] [[radiation]]. The deepening mutual scorn in which the [[United States of America]] and the [[Union of Soviet Socialist Republics]] held one another, originally inspired works featuring [[Extraterrestrial life|extraterrestrial]] expeditionary forces coming to the earth to make war upon humanity (or occasionally to catch humanity in the crossfire). Later writers, editors, and producers, like [[Gene Roddenberry]] (of [[Star Trek]] fame), would speculate that humanity would expand on new voyages of discovery, only to end up fighting with enemies that looked and behaved very similarly to whatever power was foreign to the writer's nation-state of origin. This era would also see the writing of the ''[[Dune (novel series)|Dune]]'' series of novels by [[Frank Herbert]], in which humanity would expand throughout a vast region of the universe, only to divide into interstellar and trans-galactic versions of the civilizations then extant in the 1960's, and even have conflicts over natural resources that closely mirror the struggle for control of such resources, chiefly [[petroleum]], today.

 

The twentieth century saw science fiction become far less serious in its purpose. The works of [[Hugo Gernsback]] and others were intended merely to entertain and amuse--in other words, to help the reader escape an unpleasant reality. But reality would soon reimpose itself on the imaginations of science-fiction writers. The nuclear attack on the [[Japan|Japanese]] cities of [[Hiroshima]] and [[Nagasaki]] inspired many writers to create [[monster|monsters]] ([[Godzilla]], [[Rodan]], ''etc.'') of tremendous size and destructive power comparable to the power of [[nuclear weapon]]s. Other writers speculated anew on the harms that can result from playing fast and loose with dangerous new forces--in this case, [[Atoms|atomic]] [[radiation]]. The deepening mutual scorn in which the [[United States of America]] and the [[Union of Soviet Socialist Republics]] held one another, originally inspired works featuring [[Extraterrestrial life|extraterrestrial]] expeditionary forces coming to the earth to make war upon humanity (or occasionally to catch humanity in the crossfire). Later writers, editors, and producers, like [[Gene Roddenberry]] (of [[Star Trek]] fame), would speculate that humanity would expand on new voyages of discovery, only to end up fighting with enemies that looked and behaved very similarly to whatever power was foreign to the writer's nation-state of origin. This era would also see the writing of the ''[[Dune (novel series)|Dune]]'' series of novels by [[Frank Herbert]], in which humanity would expand throughout a vast region of the universe, only to divide into interstellar and trans-galactic versions of the civilizations then extant in the 1960's, and even have conflicts over natural resources that closely mirror the struggle for control of such resources, chiefly [[petroleum]], today.

Eventually, however, this theme would give way to hopeful tales of [[God-substitute]]s promising to solve all humanity's problems, if humanity's leaders were smart enough not to provoke such people to war. However, [[George Lucas]], borrowing heavily from Frank Herbert's concepts for ''Dune'', would create a story arc (''[[Star Wars]]'') set in a far-distant [[galaxy]] that, as he now reveals, is a metaphor for his perception of the War in [[Vietnam]] and the role (which in Lucas' view is ''not'' flattering) of the [[United States of America]] in the civilized world today. In the process, Lucas combined the technological prowess shown by producer [[Stanley Kubrick]] in ''[[2001: A Space Odyssey]]'' with the production values and sensibilities of the science-fiction [[B movie]]s of the 1950's and 1960's to create the special-effects-laden "blockbuster" formula that dominates [[motion picture]]s today.

Eventually, however, this theme would give way to hopeful tales of [[God-substitute]]s promising to solve all humanity's problems, if humanity's leaders were smart enough not to provoke such people to war. However, [[George Lucas]], borrowing heavily from Frank Herbert's concepts for ''Dune'', would create a story arc (''[[Star Wars]]'') set in a far-distant [[galaxy]] that, as he now reveals, is a metaphor for his perception of the War in [[Vietnam]] and the role (which in Lucas' view is ''not'' flattering) of the [[United States of America]] in the civilized world today. In the process, Lucas combined the technological prowess shown by producer [[Stanley Kubrick]] in ''[[2001: A Space Odyssey]]'' with the production values and sensibilities of the science-fiction [[B movie]]s of the 1950's and 1960's to create the special-effects-laden "blockbuster" formula that dominates [[motion picture]]s today.

== Related references ==

== Related references ==

[http://www.nvcc.edu/home/ataormina/scifi/history/default.htm Science Fiction History]

[http://www.nvcc.edu/home/ataormina/scifi/history/default.htm Science Fiction History]

[[Category:Literature]]

[[Category:Literature]]

[[Category:Science fiction]]

[[Category:Science fiction]]