Changes

|NR

|NR

|HBO trilogy focusing on minority science fiction. The main claim to fame was an adaptation of ''[[The Space Traders]]'', a race-baiting short story that was written by the infamous race-baiting leftist professor Derrick Bell.

|HBO trilogy focusing on minority science fiction. The main claim to fame was an adaptation of ''[[The Space Traders]]'', a race-baiting short story that was written by the infamous race-baiting leftist professor Derrick Bell.

|-

|-

|''Cuck''

|''Cuck''

|''Cuties''

|''Cuties''

|2020

|2020

|This depraved French movie shamelessly sexualizes pre-pubescent girls and has them dancing and twerking in sexually suggestive ways that no respectable '''adult woman''' would be seen doing. When asked if they supported [[pedophilia]], producers at Netflix responded that they respected all religions, as if they really believed that pedophilia is actually a religion.

|This depraved French movie shamelessly sexualizes pre-pubescent girls and has them dancing in sexually suggestive ways that no respectable '''adult woman''' would be seen doing. When asked if they supported pedophilia, producers at Netflix responded that they respected all religions, as if they really believed that pedophilia is actually a religion.

|-

|-

|''Dallas Buyers Club''

|''Dallas Buyers Club''

|R

|R

|Alien invaders are shown sympathetically, but the military, corporations, and humans in general are not.

|Alien invaders are shown sympathetically, but the military, corporations, and humans in general are not.

|$115,646,235  

|$115,646,235

|-

|-

|''Don’t Breathe''

|''Don’t Breathe''

|2022

|2022

|NR

|NR

|This movie directed and produced by feminist and misandrist Olivia Wilde. The movie demonize patriarchy and especially White men. The movie low approval rating from [[Rotten Tomatoes]] and didnt receive earnings as producers expect.

|This movie directed and produced by feminist and misandrist Olivia Wilde. The movie demonize patriarchy and especially white men. The movie received low approval rating from even from notoriously biased [[Rotten Tomatoes]] and didn't receive earnings as producers expect.

|35$ Million

|35$ Million

|-

|-

|2006

|2006

|R

|R

|Despite its title and that fact that Bruce Willis is in it, the film is attacks fast food and capitalism while pushing [[environmentalism]], veganism, [[illegal immigration]], and extramarital sex.

|Despite Bruce Willis is in it, the film attacks capitalism in general while pushing [[environmentalism]], veganism, [[illegal immigration]], and extramarital sex.

|$1,005,539

|$1,005,539

|-  

|-  

|

|

|-

|-

|''Ghostbusters'' (2016 remake)

|''Ghostbusters'' (2016 reboot)

|2016

|2016

|PG-13

|PG-13

|1998

|1998

|PG-13

|PG-13

|Liberal and homosexual director Roland Emmerich turns Godzilla into a girl and enforces the idea military does more damage than Godzilla. The film even fails to address the original message of the original 1954 Japanese film (the first ''Godzilla'' was created in response to fears of the aftermath of the atomic bombings of Hiroshima and Nagasaki at the end of World War II), with the resulting film likewise being hated by Godzilla fans and by Toho Films, to the extent that the "Godzilla" in this film when later appearing in the mainline films was given a separate identity to the mainstream Godzilla and beaten easily. Liberals also panned the film, in particular a running gag which had the Mayor of New York doing a "thumbs up and thumbs down" vote in an unsubtle jab at Siskel and Ebert.

|Liberal and homosexual director Roland Emmerich turns Godzilla into a girl and enforces the idea that military does more damage than Godzilla. The film even fails to address the original message of the original 1954 Japanese film (the first ''Godzilla'' was created in response to fears of the aftermath of the atomic bombings of Hiroshima and Nagasaki at the end of World War II), with the resulting film likewise being hated by Godzilla fans and by Toho Films, to the extent that the "Godzilla" in this film when later appearing in the mainline films was given a separate identity to the mainstream Godzilla and beaten easily. Liberals also panned the film, in particular a running gag which had the Mayor of New York doing a "thumbs up and thumbs down" vote in an unsubtle jab at Siskel and Ebert.

|$136,314,294

|$136,314,294

|-

|-

|2018

|2018

|R (should be NC-17)

|R (should be NC-17)

|According to director Lars von Trier, this ultra-violent and sadistic serial killer film is meant to be seen as an analogy for [[Donald Trump]] (or as von Trier insultingly refers to him "Homo Trumpus") and his administration. This is a gruesome and vicious movie that glamorizes the murder of women and children - calling it a form of art. It relies heavily on Satanic imagery and Nazi iconography purely to shock and offend. Even most liberals were turned off by this movie!

|According to director Lars von Trier, this ultra-violent and sadistic serial killer film is meant to be seen as an analogy for [[Donald Trump]] (or as von Trier insultingly refers to him "Homo Trumpus") and his administration. This is a gruesome and vicious movie that glamorizes the murder of women and children - calling it a form of art. It relies heavily on Satanic imagery and Nazi iconography purely to shock and offend. Even most liberals were turned off by this movie.

|-

|-

|''Howl''

|''Howl''

|2019

|2019

|PG

|PG

|This both race and gender swapped live-action remake of the timeless animated classic with the same name shows the Democrat Jim Crow South of the early 1900s as a delusional and misleading multiethnic and multicultural paradise, with also totally legal interracial marriages. Compared to the animated counterparts, the animal characters are soulless and unbearable if not even creepy to watch when they talk. Jim Dear, white here like in the source material, is legally married to Darling but here changed to a black American woman and with a black-mixed son. Even Aunt Sarah is changed to black in this live-action version. The neighbor dog and dear Lady's friend Jock is female here, while the antagonistic and mischievous Aunt Sarah's iconic female Siamese cats Si & Am are now changed to be two male Devon Rex cats called Devon & Rex and with a totally different and quite less memorable musical number. The rat, "Herman", is still the main villain and antagonist, but far less intimidating and scary-looking than the animated counterpart, and despite his musical theme is memorable, the same cannot be said for the final fight scene if compared to the animated version.

|This both race and gender swapped live-action remake of the timeless animated classic with the same name shows the Democrat Jim Crow South of the early 1900s as a delusional and misleading multiethnic and multicultural paradise, with also totally legal interracial marriages. Compared to the animated counterparts, the animal characters are soulless, inexpressive and unbearable if not even creepy to watch when they talk. Jim Dear, white here like in the source material, is legally married to Darling but here changed to a black American woman and with a black-mixed son. Even Aunt Sarah is changed to black in this live-action version. The neighbor dog and dear Lady's friend Jock is female here, while the antagonistic and mischievous Aunt Sarah's iconic female Siamese cats Si & Am are now changed to be two male Devon Rex cats called Devon & Rex and with a totally different and quite less memorable musical number. The rat, "Herman", is still the main villain and antagonist, but far less intimidating and scary-looking than the animated counterpart, and despite his musical theme is memorable, the same cannot be said for the final fight scene if compared to the animated version.

|-

|-

|''[[The Laramie Project]]''

|''[[The Laramie Project]]''