| − | His great château at [[Versailles]] integrated gardens, interior design, and the iconography of the paintings to express a royal plan to visually represent the power of the absolute monarchy personified by Louis. The Galerie des Glaces (Hall of Mirrors) at Versailles became the most prestigious section of the royal residence. Under the king's close supervision, [[Charles Le Brun]] (1619–90) finalized a political thematic decoration program for the hall in 1679 that retraces the important accomplishments of Louis's reign, ranging from his ascension to the throne to the War of Devolution (1667–68). Decorative arches place emphasis on the significant events of the war in Holland. The decorations, intended to demonstrate the king's grandeur, omit the defeats that his French army suffered and cover up the reality of the resulting Pyrrhic victory and the consequent responses of France's adversaries, which left Louis XIV's kingdom isolated. | + | His great château at [[Versailles]] integrated gardens, interior design, and the iconography of the paintings to express a royal plan to visually represent the power of the absolute monarchy personified by Louis. The Galerie des Glaces (Hall of Mirrors) at Versailles became the most prestigious section of the royal residence. Under the king's close supervision, Charles Le Brun (1619–90) finalized a political thematic decoration program for the hall in 1679 that retraces the important accomplishments of Louis's reign, ranging from his ascension to the throne to the War of Devolution (1667–68). Decorative arches place emphasis on the significant events of the war in Holland. The decorations, intended to demonstrate the king's grandeur, omit the defeats that his French army suffered and cover up the reality of the resulting Pyrrhic victory and the consequent responses of France's adversaries, which left Louis XIV's kingdom isolated. |