Changes

|Nickelodeon

|Nickelodeon

|TV-PG

|TV-PG

|The sequel to the hit Nickelodeon series ''[[Avatar: The Last Airbender]]'' stars the Avatar after Aang - Korra - going to Republic City to learn airbending from Aang and Katara's son, Tenzin. During the series, Korra goes through personal trials while dealing with newer enemies including the Equalists (terrorists seeking to eradicate bending). Liberals have pushed it on children since it features an early, if not ''the'' first, homosexual protagonist in children's television (with a comic sequel trilogy called ''Turf Wars'' focusing more on Korra and Asami's same-sex relationship than the story) and strongly advocates feminism; the creators of the series - Michael DiMartino and Bryan Konietzko - have even accused fans not for Korra and Asami's same-sex relationship as "seeing only through rose-tinted lenses" (accusing them of "homophobia"). Season 2 has also shown the police force as either incompetent or stubbornly unreasonable with the exception of Mako, who works hard to solve the case going on concerning terrorism. An open borders policy is even suggested when Korra leaves the spirit portals open and declares that humans and spirits must live together, ignoring the dangers that spirits had inflicted upon humans.

|The sequel to the hit Nickelodeon series ''[[Avatar: The Last Airbender]]'' stars the Avatar after Aang - Korra - going to Republic City to learn airbending from Aang and Katara's son, Tenzin. During the series, Korra goes through personal trials while dealing with newer enemies, including the Equalists (terrorists seeking to eradicate bending). Liberals have pushed it on children since it features an early, if not ''the'' first, homosexual protagonist in children's television (with a comic sequel trilogy called ''Turf Wars'' focusing more on Korra and Asami's same-sex relationship than the story) and strongly advocates feminism; the creators of the series - Michael DiMartino and Bryan Konietzko - have even accused fans not for Korra and Asami's same-sex relationship as "seeing only through rose-tinted lenses" (accusing them of "homophobia"). Season 2 has also shown the police force as either incompetent or stubbornly unreasonable except for Mako, who works hard to solve the case going on concerning terrorism. An open borders policy is even suggested when Korra leaves the spirit portals open and declares that humans and spirits must live together, ignoring the dangers that spirits had inflicted upon humans.

Environmentalism and even misanthropy are seen as positive in the two-parter origin story "Beginnings", where Wan (the very first Avatar) lives with dangerous spirits that have killed or horribly disfigured people and prevents hunters finding food for their fellow villagers from catching a cat deer, doubling as a hint of condemnation against [[hunting]]. He is also a Jacobin [[Robin Hood]]-like thief who remorselessly steals from rich people and tries leading a revolt and is seen in the right. The "Beginnings" two-parter also blames mankind for the tension between humans and spirits when it was the spirits that killed or mutated humans to the point of driving them to live on lion turtles. In spite of the clear danger that the spirits pose and how little they regard mankind, the narrative of the show expects the humans to learn a lesson about respecting spirits, showing none of the equality that the show's predecessor had shown well; ''Avatar: The Last Airbender'' did explain that the Avatar's role is to be the balance between people and spirits.

Environmentalism and even misanthropy are seen as positive in the two-parter origin story "Beginnings", where Wan (the very first Avatar) lives with dangerous spirits that have killed or disfigured people and prevents hunters from finding food for their fellow villagers from catching a cat deer, doubling as a hint of condemnation against [[hunting]]. He is also a Jacobin [[Robin Hood]]-like thief who remorselessly steals from rich people, tries leading a revolt, and is seen in the right. The "Beginnings" two-parter also blames mankind for the tension between humans and spirits when it was the spirits that killed or mutated humans to the point of driving them to live on lion turtles. Despite the clear danger that the spirits pose and how little they regard mankind, the narrative of the show expects the humans to learn a lesson about respecting spirits, showing none of the equality that the show's predecessor had shown well; ''Avatar: The Last Airbender'' did explain that the Avatar's role is to be the balance between people and spirits.

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|''The Legend of Zelda''

|''The Legend of Zelda''

|Netflix

|Netflix

|TV-PG

|TV-PG

|This two-parter insult to the more famous and conservative ''He-Man and the Masters of the Universe'' kills off He-Man in the first episode and replaces his role of protagonist with Teela, who becomes a very negative feminist and overtly-masculine character. Family values are cruelly cast to the side when Teela banishes her father Man-At-Arms for keeping a secret that He-Man/Prince Adam told him to keep, as well as raging at the prince and blaming him for everything in front of his grieving parents. The scene also horribly casts narcissism in a positive light, with Teela turning Prince Adam's funeral around to focus on herself. Teela is also paired with a black woman in a lesbian relationship.

|This two-parter insult to the more famous and conservative ''He-Man and the Masters of the Universe'' kills off He-Man in the first episode and replaces his protagonist role with Teela, who becomes a very negative feminist and overtly-masculine character. Family values are cruelly cast to the side when Teela banishes her father Man-At-Arms for keeping a secret that He-Man/Prince Adam told him to keep, raging at the prince and blaming him for everything in front of his grieving parents. The scene also horribly casts narcissism in a positive light, with Teela turning Prince Adam's funeral around to focus on herself. Teela is also paired with a black woman in a lesbian relationship.

|-

|-

|''Mega Babies''

|''Mega Babies''

The series' fan base, while it does not make up a large percent of the world's population, is one of the most vocally aggressive in the world. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon.

The series' fan base, while it does not make up a large percent of the world's population, is one of the most vocally aggressive in the world. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon.

Similarly, some countries have the decency to censor or alter explicitly lesbian scenes and dialogue when they import certain episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are.

Similarly, some countries have the decency to censor or alter explicitly lesbian scenes and dialogue when they import specific episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are.

The only positive thing we can say is thank goodness this series is not rated TV-Y.

The only positive thing we can say is thank goodness this series is not rated TV-Y.

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|-

|''Velma''

|''Velma''

|2023

|2023-

|HBO Max

|HBO Max

|

|

|An adult spin-off/"prequel" of the classic 1969 cartoon ''Scooby Doo'', ''Velma'' ends up being a lot more mean-spirited and [[woke]]. The titular character - who in past incarnations had been both smart and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian as a narcissistic self-insert of Mindy Kaling and for woke points (the 2020 animated film ''Scoob'' did have Velma be switched to Latina, but not at the expense of the character or story like ''Velma'' did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man renamed Norville due to Norville being his first name and also being a much more unsubtle stoner who simps for Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two lesbian corrupt cops who deal drugs; a kiss between them also somehow gets Velma out of a panic attack, a subject in which many people felt that the more family-friendly film ''Puss in Boots: The Last Wish'' managed much better. Scooby doesn't even appear at all in this show in spite of ''Velma'' being inspired by ''Scooby Doo'' due to the writers believing that he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are also some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while also ranting about the patriarchy). A disturbing moment occurs when the underaged Velma (who is supposed to be under 16) pole-dances in front of her father at a strip club to get his attention.

|An adult spin-off/"prequel" of the classic 1969 cartoon ''Scooby Doo'', ''Velma'' ends up being a lot more mean-spirited and [[woke]]. The titular character - who in past incarnations had been both intelligent and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian as a narcissistic self-insert of Mindy Kaling and for woke points (the 2020 animated film ''Scoob'' did have Velma be switched to Latina, but not at the expense of the character or story like ''Velma'' did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man renamed Norville due to Norville being his first name and also being a much more unsubtle stoner who simps for Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two corrupt lesbian cops who deal drugs; a kiss between them also somehow gets Velma out of a panic attack, a subject in which many people feel that the more family-friendly film ''Puss in Boots: The Last Wish'' managed much better. Scooby doesn't even appear at all in this show in spite of ''Velma'' being inspired by ''Scooby Doo'' due to the writers believing that he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are also some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while also ranting about the patriarchy). A disturbing moment occurs when the underaged Velma (who is supposed to be under 16) pole-dances in front of her father at a strip club to get his attention.

''Velma'' has also united the right and most of the left against the show, revealing a lowering score on Rotten Tomatoes (starting at 50% and lowered down to 40 as of February, but the score from the audiences was even much lower, only 6%). Only the very far-Left defends the show because of "representation".

''Velma'' has also united the right and most of the left against the show, revealing a lowering score on Rotten Tomatoes (starting at 50% and lowered down to 40 as of February, but the score from the audiences was even much lower, only 6%). Only the very far-Left defends the show because of "representation".