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New page: Romantic comedy is a form of dramatic or literary art which seeks to encourage laughter at the foibles of people's sexual attraction, typically without denigrating the act of love itself. ...
Romantic comedy is a form of dramatic or literary art which seeks to encourage laughter at the foibles of people's sexual attraction, typically without denigrating the act of love itself. This distinguishes romantic comedy from "raunchy" sexual comedy, such as the comedies of the [[ancient Greek]] playwright [[Aristophanes]] or many modern films marketed as "teen humor". The emphasis on laughter also distinguishes romantic comedy from [[romantic tragedy]], such as [[William Shakespeare]]'s [[Romeo and Juliet]], where the frailty of human understanding of sexual passion may be alluded to (as in Romeo's crush on Rosaline prior to meeting Juliet, and rapid disposal of his affection for Rosaline after meeting Juliet), but the validity and genuineness of sexual passion is accepted to ennoble the tragic result. Also, raunchy sexual comedy often serves as [[comic relief]] in romantic tragedy (as in the role of Juliet's Nurse in Shakespeare's Romeo and Juliet) but is almost never found in romantic comedy.
Frequent elements of romantic comedy are mistaken identity (as in Shakespeare's [[Comedy of Errors]]), [[cross-dressing]] (as in Shakespeare's [[Twelfth Night]]), romance between a man and a woman who seem to hate each other (as in Shakespeare's [[Much Ado About Nothing]] and [[The Taming of the Shrew]]), and the failure of someone obsessed with [[unrequited love]] to recognize their "true love" (Shakespeare's [[A Midsummer's Night's Dream]] and Twelfth Night).
A modern variation of romantic comedy is the "screwball comedy" popular in Hollywwod films of the 1930s and thereafter. Popular directors of screwball comedies include [[Frank Capra]] and [[Preston Sturges]]. Screwball comedies sometimes used the standard elements of romantic comedy, but tended to use them less explicitly. Much of the humor of the screwball comedy was based on the [[role reversal]] between the leading man and woman. In such comedies the leading man is usually passive and naive, and frequently fails to recognize the leading lady's affection for him. By contrast, the leading lady is often worldly-wise and cynical, and rediscovers herself and her decency through an acceptance of the leading man's sincerity. Typical screwball comedies include Capra's [[Mr. Deeds Goes to Town]] and [[Mr. Smith Goes to Washington]] and Sturges's [[Palm Beach Story]] and [[The Lady Eve]].
Category: Dramatic genres
Frequent elements of romantic comedy are mistaken identity (as in Shakespeare's [[Comedy of Errors]]), [[cross-dressing]] (as in Shakespeare's [[Twelfth Night]]), romance between a man and a woman who seem to hate each other (as in Shakespeare's [[Much Ado About Nothing]] and [[The Taming of the Shrew]]), and the failure of someone obsessed with [[unrequited love]] to recognize their "true love" (Shakespeare's [[A Midsummer's Night's Dream]] and Twelfth Night).
A modern variation of romantic comedy is the "screwball comedy" popular in Hollywwod films of the 1930s and thereafter. Popular directors of screwball comedies include [[Frank Capra]] and [[Preston Sturges]]. Screwball comedies sometimes used the standard elements of romantic comedy, but tended to use them less explicitly. Much of the humor of the screwball comedy was based on the [[role reversal]] between the leading man and woman. In such comedies the leading man is usually passive and naive, and frequently fails to recognize the leading lady's affection for him. By contrast, the leading lady is often worldly-wise and cynical, and rediscovers herself and her decency through an acceptance of the leading man's sincerity. Typical screwball comedies include Capra's [[Mr. Deeds Goes to Town]] and [[Mr. Smith Goes to Washington]] and Sturges's [[Palm Beach Story]] and [[The Lady Eve]].
Category: Dramatic genres