| Line 38: |
Line 38: |
| | |[[CBS]] | | |[[CBS]] |
| | | | | | |
| − | |In this American adaptation by [[liberal]] TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband. Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well-received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref> | + | |In this American adaptation by [[liberal]] TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband. Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref> |
| | |- | | |- |
| | |''Anderson Cooper 360°'' | | |''Anderson Cooper 360°'' |
| − | |2003-present | + | |2003–present |
| | |[[CNN]] | | |[[CNN]] |
| | | | | | |
| Line 62: |
Line 62: |
| | |Netflix | | |Netflix |
| | |TV-G | | |TV-G |
| − | |This remake of the 1990 TV show of the same name (adapted from a book series written by Ann M. Martin) features a transgender child in the first episode, promoting transgenderism and gender confusion as well. When this transgender child - who is a boy who identifies as a girl - is taken to a hospital, "she" is correctly called a boy by the doctor, prompting one of the main characters to villify the doctor for "robbing her of her identity". | + | |This remake of the 1990 TV show of the same name (adapted from a book series written by Ann M. Martin) features a transgender child in the first episode, promoting transgenderism and gender confusion as well. When this transgender child - who is a boy who identifies as a girl - is taken to a hospital, "she" is correctly called a boy by the doctor, prompting one of the main characters to vilify the doctor for "robbing her of her identity". |
| | |- | | |- |
| | |''Barney and Friends'' | | |''Barney and Friends'' |
| Line 76: |
Line 76: |
| | |Based on the DC Comics superheroine of the same name, this latest entry to the DC Comics-based shared fictional universe dubbed the ''Arrowverse'' on the CW has gone even further to the Left than previous adaptations, including ''Supergirl''. Title superheroine Kate Kane, who takes up Bruce Wayne/Batman's job after he inexplicably disappears from Gotham City, is an "out" lesbian: the first episode reveals she was discharged from a military academy for entering an affair with a woman named Sophie. It is noted for being exceedingly feministic and pushing [[social justice]] to an immense level, and the pilot even has a cameo from far-left MSNBC correspondent [[Rachel Maddow]]. It has been criticized as being composed exclusively of themes of social justice.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/06/lesbian-batwoman-fights-social-justice-and-not-much-else</ref> | | |Based on the DC Comics superheroine of the same name, this latest entry to the DC Comics-based shared fictional universe dubbed the ''Arrowverse'' on the CW has gone even further to the Left than previous adaptations, including ''Supergirl''. Title superheroine Kate Kane, who takes up Bruce Wayne/Batman's job after he inexplicably disappears from Gotham City, is an "out" lesbian: the first episode reveals she was discharged from a military academy for entering an affair with a woman named Sophie. It is noted for being exceedingly feministic and pushing [[social justice]] to an immense level, and the pilot even has a cameo from far-left MSNBC correspondent [[Rachel Maddow]]. It has been criticized as being composed exclusively of themes of social justice.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/06/lesbian-batwoman-fights-social-justice-and-not-much-else</ref> |
| | | | |
| − | Ratings eventually plummeted from its pilot episode ratings of 1.86 million viewers by the second episode,<ref>https://tvline.com/2019/10/14/batwoman-ratings-season-1-episode-2/</ref> which is suspected to be the result of the star Ruby Rose insulting critics of the series by assuming they are all "old white men".<ref>https://metro.co.uk/2019/09/25/ruby-rose-lashes-online-haters-batwoman-casting-10804760/</ref> In the third episode, arc villain Tommy Elliot appears as an obvious caricature of [[Donald Trump]], even to the point of declaring his intention to "make Gotham safe again."<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/20/make-gotham-safe-again-batwoman-introduces-trump-villain</ref> As of the 17th episode "A Narrow Escape", ratings for ''Batwoman'' fell to a then-record low of 630,000 viewers; despite the low ratings and viewership (which would have led to its cancellation on any of the Big Four networks), however, the CW chose to spite the show's critics by renewing it for a second season in January 2020. The show was later hit by the announcement of the exit of Ruby Rose from the show in May 2020. Ratings for the show have fallen even further since then, as the second season episode "Do Not Resuscitate" (aired on February 28, 2021) recorded a new record low of just 460,000 viewers, less than a quarter of what the pilot episode registered. | + | Ratings eventually plummeted from its pilot episode ratings of 1.86 million viewers by the second episode,<ref>https://tvline.com/2019/10/14/batwoman-ratings-season-1-episode-2/</ref> which is suspected to be the result of the star Ruby Rose insulting critics of the series by assuming they are all "old white men".<ref>https://metro.co.uk/2019/09/25/ruby-rose-lashes-online-haters-batwoman-casting-10804760/</ref> In the third episode, arc villain Tommy Elliot appears as an obvious caricature of [[Donald Trump]], even to the point of declaring his intention to "make Gotham safe again."<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/20/make-gotham-safe-again-batwoman-introduces-trump-villain</ref> As of the 17th episode "A Narrow Escape", ratings for ''Batwoman'' fell to a then-record low of 630,000 viewers; despite the low ratings and viewership (which would have led to its cancellation on any of the Big Four networks), however, the CW chose to spite the show's critics by renewing it for a second season in January 2020. The show was later hit by the announcement of the exit of Ruby Rose from the show in May 2020. Ratings for the show have fallen even further since then, as the second-season episode "Do Not Resuscitate" (aired on February 28, 2021) recorded a new record low of just 460,000 viewers, less than a quarter of what the pilot episode registered. |
| | |- | | |- |
| | |''Becoming Us'' | | |''Becoming Us'' |
| Line 91: |
Line 91: |
| | |- | | |- |
| | |''Bill Nye Saves the World'' | | |''Bill Nye Saves the World'' |
| − | |2017-present | + | |2017–present |
| | |[[Netflix]] | | |[[Netflix]] |
| | |TV-14 | | |TV-14 |
| Line 108: |
Line 108: |
| | |This sitcom follows the lives of an upper middle class African American family in Los Angeles, California. The plots of most episodes usually push liberal ideologies such as gun control, vaccinations, and even abortion. In trying to subvert black racial stereotypes, it only furthers the stereotypes it claims to be against. Worst of all, the season 3 episode "Lemons" exists only to attack [[Donald Trump]]. | | |This sitcom follows the lives of an upper middle class African American family in Los Angeles, California. The plots of most episodes usually push liberal ideologies such as gun control, vaccinations, and even abortion. In trying to subvert black racial stereotypes, it only furthers the stereotypes it claims to be against. Worst of all, the season 3 episode "Lemons" exists only to attack [[Donald Trump]]. |
| | | | |
| − | The series has two spinoffs, the college-oriented ''Grown-ish'' and the 1980s-set prequel ''Mixed-ish'', both of which push racial stereotypes in equal measure. Likewise, ''Mixed-ish'' inevitably praises Communism, the [[hippie]] lifestyle, hedonism, slacking, and freeloading while inevitably attacking Ronald Reagan, capitalism, gun rights, and conservatism in general<ref>[https://www.newsbusters.org/blogs/culture/sadi-martin/2019/09/24/mixed-ish-mixed New '80s Comedy 'Mixed-ish' Mixed-Up on Communism, Reagan] at NewsBusters</ref>. | + | The series has two spinoffs, the college-oriented ''Grown-ish'' and the 1980s-set prequel ''Mixed-ish'', both of which push racial stereotypes in equal measure. Likewise, ''Mixed-ish'' inevitably praises Communism, the [[hippie]] lifestyle, hedonism, slacking, and freeloading while inevitably attacking Ronald Reagan, capitalism, gun rights, and conservatism in general.<ref>[https://www.newsbusters.org/blogs/culture/sadi-martin/2019/09/24/mixed-ish-mixed New '80s Comedy 'Mixed-ish' Mixed-Up on Communism, Reagan] at NewsBusters</ref> |
| | |- | | |- |
| | |''The Boys'' | | |''The Boys'' |
| Line 114: |
Line 114: |
| | |[[Amazon]] | | |[[Amazon]] |
| | |TV-MA | | |TV-MA |
| − | |In this adaptation of the WildStorm/Dynamite Entertainment comic of the same name, various superheroes created for the series, which are normally regarded as symbols of American patriotism, are instead shown to use their powers to achieve malevolent ends. The super-powered vigilantes in question, whose activity this show's title characters monitor, plagiarize various Marvel and DC superheroes like Steve Rogers/Captain America, Diana Prince/Wonder Woman, and Barry Allen/Flash. They generally tended to mock conservative values and politicians, though ironically, it got into trouble by its liberal viewer base in its second season finale after it implied that liberal politicians, including a stand-in for [[Alexandria Ocasio-Cortez]], are also capable of being evil.<ref>https://newsbusters.org/blogs/culture/lindsay-kornick/2020/10/12/triggered-liberal-tv-critics-jarred-and-upset-aoc</ref> | + | |In this adaptation of the WildStorm/Dynamite Entertainment comic of the same name, various superheroes created for the series, which are normally regarded as symbols of American patriotism, are instead shown to use their powers to achieve malevolent ends. The super-powered vigilantes in question, whose activity this show's title characters monitor, plagiarize various Marvel and DC superheroes like Steve Rogers/Captain America, Diana Prince/Wonder Woman, and Barry Allen/Flash. They generally tended to mock conservative values and politicians, though ironically, it got into trouble by its liberal viewer base in its second-season finale after it implied that liberal politicians, including a stand-in for [[Alexandria Ocasio-Cortez]], are also capable of being evil.<ref>https://newsbusters.org/blogs/culture/lindsay-kornick/2020/10/12/triggered-liberal-tv-critics-jarred-and-upset-aoc</ref> |
| | |- | | |- |
| | |''Brave New Girls'' | | |''Brave New Girls'' |
| Line 168: |
Line 168: |
| | |[[The WB]] | | |[[The WB]] |
| | |TV 14 | | |TV 14 |
| − | |Don't let the premise of it dealing with teens growing up in a suburban neighborhood fool you. The pilot episode's script was infamously controversial for including several racey and risque sex-related plotlines. During the second and third seasons, it advocates homosexuality as series regular Jack McPhee "comes out" as gay and, in the third season finale "True Love", engaged in the first on-screen same-sex male kiss on live action television with his "boyfriend" Angus (which had apparently been forced into the episode by producer [[Greg Berlanti]], threatening executives to quit if they didn't cave to his demand). The 1998-1999 season even was ranked #1 on the top worst shows of that season on Parents TV largely because of its excessive references to gratuitous pre-marital sex, pornography, and condoms, and at least one reference to masturbation, plus its promotion of teen homosexuality, and to add insult to injury, the show was aimed at a young viewership via the 8:00 PM timeslot as well as having younger protagonists.<ref>https://web.archive.org/web/20080430140836/https://www.parentstv.org/ptc/publications/reports/top10bestandworst/98top/main.asp</ref> | + | |Don't let the premise of it dealing with teens growing up in a suburban neighborhood fool you. The pilot episode's script was infamously controversial for including several racey and risque sex-related plotlines. During the second and third seasons, it advocates homosexuality as series regular Jack McPhee "comes out" as gay and, in the third-season finale "True Love", engaged in the first on-screen same-sex male kiss on live action television with his "boyfriend" Angus (which had apparently been forced into the episode by producer [[Greg Berlanti]], threatening executives to quit if they didn't cave to his demand). The 1998–1999 season even was ranked #1 on the top worst shows of that season on Parents TV largely because of its excessive references to gratuitous pre-marital sex, pornography, and condoms, and at least one reference to masturbation, plus its promotion of teen homosexuality, and to add insult to injury, the show was aimed at a young viewership via the 8:00 PM timeslot as well as having younger protagonists.<ref>https://web.archive.org/web/20080430140836/https://www.parentstv.org/ptc/publications/reports/top10bestandworst/98top/main.asp</ref> |
| | |- | | |- |
| | |''Degrassi'' | | |''Degrassi'' |
| Line 189: |
Line 189: |
| | |- | | |- |
| | |''Dummy'' | | |''Dummy'' |
| − | |2020-present | + | |2020–present |
| | |[[Quibi]] | | |[[Quibi]] |
| | |TV-MA | | |TV-MA |
| Line 225: |
Line 225: |
| | |- | | |- |
| | |''Good Witch'' | | |''Good Witch'' |
| − | |2015-present | + | |2015–present |
| | |Hallmark Channel | | |Hallmark Channel |
| | |TV-PG | | |TV-PG |
| Line 237: |
Line 237: |
| | |- | | |- |
| | |''Hardball with Chris Matthews'' | | |''Hardball with Chris Matthews'' |
| − | |1994-1996; 1997-1999; 1999- (changed stations at 1996 and 1999) | + | |1994-1996; 1997–1999; 1999- (changed stations at 1996 and 1999) |
| | |Originally America's Talking, later [[CNBC]], later MSNBC | | |Originally America's Talking, later [[CNBC]], later MSNBC |
| | | | | | |
| Line 246: |
Line 246: |
| | |Showtime | | |Showtime |
| | |TV-MA | | |TV-MA |
| − | |The series initially attempts to portray some conflict with whether a returning POW Marine was a hero or a newly-brainwashed terrorist, but by the third season it not only determines him a terrorist, but makes him the hero.<ref>https://pjmedia.com/blog/did-homeland-nuke-the-fridge</ref> It also was anti-American as a result, creating paranoia about America as a result, which leftist critics complimented the show due to "moral ambiguity" (which is really code for "denounce America as a nation.).<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref> | + | |The series initially attempts to portray some conflict with whether a returning POW Marine was a hero or a newly brainwashed terrorist, but by the third season it not only determines him a terrorist, but makes him the hero.<ref>https://pjmedia.com/blog/did-homeland-nuke-the-fridge</ref> It also was anti-American as a result, creating paranoia about America as a result, which leftist critics complimented the show due to "moral ambiguity" (which is really code for "denounce America as a nation.).<ref name="townhall.com">https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref> |
| | |- | | |- |
| | |''House of the Dragon'' | | |''House of the Dragon'' |
| Line 279: |
Line 279: |
| | |- | | |- |
| | |''I Am Jazz'' | | |''I Am Jazz'' |
| − | |2015-present | + | |2015–present |
| | |TLC | | |TLC |
| | | | | | |
| − | |Another reality series exploiting gender confusion, this one focuses on a teenage boy (real name: Jaron Bloshinsky<ref>[https://gendertrender.wordpress.com/tag/jaron-bloshinsky/ Gender, Patriarchy, and All That Jazz : Mary Lou Singleton] (Warning: Contains feminist rhetoric and nonsense)</ref>) who claims to be a "transgender girl" using the name "Jazz Jennings" and has been enabled in that delusion by his parents since the age of five. Like ''I Am Cait'', its ratings plummeted after its debut episode for similar reasons and have remained low, even after the show began its third season on June 27, 2017. The third season premiere focused on Bloshinsky's plan to further enable his gender confusion by surgically mutilating himself as soon as possible, while his grandparents resorted to bigotry by calling anyone who opposed gender confusion "rednecks".<ref>[https://www.newsbusters.org/blogs/culture/karen-townsend/2017/06/28/tlcs-transgender-teen-pansexual-and-ready-bottom-surgery TLC’s Trans Teen Show: 'Redneck Component' of Society Won't Accept Transgenders] at NewsBusters</ref> | + | |Another reality series exploiting gender confusion, this one focuses on a teenage boy (real name: Jaron Bloshinsky<ref>[https://gendertrender.wordpress.com/tag/jaron-bloshinsky/ Gender, Patriarchy, and All That Jazz : Mary Lou Singleton] (Warning: Contains feminist rhetoric and nonsense)</ref>) who claims to be a "transgender girl" using the name "Jazz Jennings" and has been enabled in that delusion by his parents since the age of five. Like ''I Am Cait'', its ratings plummeted after its debut episode for similar reasons and have remained low, even after the show began its third season on June 27, 2017. The third-season premiere focused on Bloshinsky's plan to further enable his gender confusion by surgically mutilating himself as soon as possible, while his grandparents resorted to bigotry by calling anyone who opposed gender confusion "rednecks".<ref>[https://www.newsbusters.org/blogs/culture/karen-townsend/2017/06/28/tlcs-transgender-teen-pansexual-and-ready-bottom-surgery TLC’s Trans Teen Show: 'Redneck Component' of Society Won't Accept Transgenders] at NewsBusters</ref> |
| | |- | | |- |
| | |''Impastor'' | | |''Impastor'' |
| Line 303: |
Line 303: |
| | |- | | |- |
| | |''It's Always Sunny In Philadelphia'' | | |''It's Always Sunny In Philadelphia'' |
| − | |2005-Present | + | |2005–Present |
| | |FX/FXX | | |FX/FXX |
| | |TV-MA | | |TV-MA |
| Line 327: |
Line 327: |
| | |- | | |- |
| | |''[[Last Week Tonight with John Oliver]]'' | | |''[[Last Week Tonight with John Oliver]]'' |
| − | |2014-present | + | |2014–present |
| | |HBO | | |HBO |
| | | | | | |
| Line 364: |
Line 364: |
| | |''Lucifer'' | | |''Lucifer'' |
| | |2016-2021 | | |2016-2021 |
| − | |FOX (seasons 1-3)<br>Netflix (seasons 4-6) | + | |FOX (seasons 1–3)<br>Netflix (seasons 4–6) |
| | |TV-14 | | |TV-14 |
| | |No, you're not reading that wrong. Hollywood green-lighted a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise, because the show is based on graphic novels by atheist British author and graphic-comic artist/novelist Neil Gaiman, who is in an [[open marriage]] with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. The show was originally canceled by FOX in May 2018 due to low ratings, but was revived by streaming service Netflix a year later. On September 10, 2021, the series finally ended, surprisingly, after six seasons. | | |No, you're not reading that wrong. Hollywood green-lighted a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise, because the show is based on graphic novels by atheist British author and graphic-comic artist/novelist Neil Gaiman, who is in an [[open marriage]] with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. The show was originally canceled by FOX in May 2018 due to low ratings, but was revived by streaming service Netflix a year later. On September 10, 2021, the series finally ended, surprisingly, after six seasons. |
| Line 375: |
Line 375: |
| | |- | | |- |
| | |''The Marvelous Mrs. Maisel'' | | |''The Marvelous Mrs. Maisel'' |
| − | |2017- present | + | |2017–present |
| | |Amazon | | |Amazon |
| | | | | | |
| Line 410: |
Line 410: |
| | |Pushes far-left viewpoints with the main character Murphy Brown, who became a single mother after giving a birth to a baby out of wedlock in later seasons. Was rather infamous for a spat on family values with then-Vice President Dan Quayle in 1992 in response to the latter's denouncement of the character mocking fatherhood.<ref name="forerunner">[http://forerunner.com/forerunner/X0406_Quayles_Murphy_Brown.html Excerpts from Dan Quayle's speech], at Forerunner.com</ref><ref>{{cite news|title= THE 1992 CAMPAIGN: Murphy Brown; Get Ready, America: Murphy Responds |work= New York Times|date=September 4, 1992|url=https://www.nytimes.com/1992/09/04/us/the-1992-campaign-murphy-brown-get-ready-america-murphy-responds.html?scp=10&sq=murphy%20brown&st=cse|accessdate=August 10, 2010 | first=Andrew | last=Rosenthal}}</ref><ref>{{cite news|title= Back Talk From 'Murphy Brown' to Dan Quayle|work= New York Times|date=July 20, 1992 |url=https://www.nytimes.com/1992/07/20/arts/back-talk-from-murphy-brown-to-dan-quayle.html |accessdate=August 10, 2010 | first=Bill | last=Carter}}</ref><ref>{{cite news|title= Dan Quayle vs. Murphy Brown|work= New York Times|date=June 1, 1992|url=http://www.time.com/time/magazine/article/0,9171,975627,00.html|accessdate=August 15, 2010}}</ref><ref>http://www.tv.com/e!s-101/reasons-the-90s-ruled-101---81/episode/315325/summary.html</ref> Got a revival in 2018, with the star, Candice Bergen, and the show's creator, Diane English, making clear they revived it specifically to attack Donald Trump for winning the 2016 elections.<ref>https://www.newsbusters.org/blogs/nb/scott-whitlock/2018/09/26/murphy-brown-2016-if-hillary-had-won-we-would-be-dancing-streets</ref><ref>https://www.newsbusters.org/blogs/culture/jacob-comello/2018/09/26/murphy-brown-revival-specifically-made-provoke-trump</ref> One episode of the reboot even had Hillary Clinton have a guest appearance as a prospective secretary, with the writers barely even trying to disguise her name.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/09/28/original-nasty-woman-murphy-brown-reboot</ref> | | |Pushes far-left viewpoints with the main character Murphy Brown, who became a single mother after giving a birth to a baby out of wedlock in later seasons. Was rather infamous for a spat on family values with then-Vice President Dan Quayle in 1992 in response to the latter's denouncement of the character mocking fatherhood.<ref name="forerunner">[http://forerunner.com/forerunner/X0406_Quayles_Murphy_Brown.html Excerpts from Dan Quayle's speech], at Forerunner.com</ref><ref>{{cite news|title= THE 1992 CAMPAIGN: Murphy Brown; Get Ready, America: Murphy Responds |work= New York Times|date=September 4, 1992|url=https://www.nytimes.com/1992/09/04/us/the-1992-campaign-murphy-brown-get-ready-america-murphy-responds.html?scp=10&sq=murphy%20brown&st=cse|accessdate=August 10, 2010 | first=Andrew | last=Rosenthal}}</ref><ref>{{cite news|title= Back Talk From 'Murphy Brown' to Dan Quayle|work= New York Times|date=July 20, 1992 |url=https://www.nytimes.com/1992/07/20/arts/back-talk-from-murphy-brown-to-dan-quayle.html |accessdate=August 10, 2010 | first=Bill | last=Carter}}</ref><ref>{{cite news|title= Dan Quayle vs. Murphy Brown|work= New York Times|date=June 1, 1992|url=http://www.time.com/time/magazine/article/0,9171,975627,00.html|accessdate=August 15, 2010}}</ref><ref>http://www.tv.com/e!s-101/reasons-the-90s-ruled-101---81/episode/315325/summary.html</ref> Got a revival in 2018, with the star, Candice Bergen, and the show's creator, Diane English, making clear they revived it specifically to attack Donald Trump for winning the 2016 elections.<ref>https://www.newsbusters.org/blogs/nb/scott-whitlock/2018/09/26/murphy-brown-2016-if-hillary-had-won-we-would-be-dancing-streets</ref><ref>https://www.newsbusters.org/blogs/culture/jacob-comello/2018/09/26/murphy-brown-revival-specifically-made-provoke-trump</ref> One episode of the reboot even had Hillary Clinton have a guest appearance as a prospective secretary, with the writers barely even trying to disguise her name.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/09/28/original-nasty-woman-murphy-brown-reboot</ref> |
| | | | |
| − | Predictably, the season premiere was a bust on ratings, only gathering at best 1.1 million viewers on its first night and was beaten out by the revival of the Greatest Conservative TV Show ''Last Man Standing'' on FOX.<ref>https://www.newsbusters.org/blogs/culture/annie-piper/2018/09/28/last-man-standing-celebrates-return-thanks-loyal-kick-ss-fans</ref> Another episode mocks Steve Bannon and denounces white conservative men as "dinosaurs", the clear implication being that they are to die out soon - despite the fact that Murphy, who hypocritically called Ed Shannon (the Steve Bannon character) a "dinosaur", is over two decades older than Shannon is and is herself white.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/10/19/murphy-brown-conservative-white-male-you-and-your-friends</ref> On November 28, 2018, it was announced that the ''Murphy Brown'' revival had been cancelled due to low ratings, although in a face-saving announcement, CBS initially claimed that the revival, which did not get past its initial 13 episodes, was to have been a "closed-ended order" from the beginning, while series creator Diane English claimed that the show was "not cancelled".<ref>[https://www.breitbart.com/entertainment/2018/11/28/report-anti-trump-murphy-brown-reboot-cancelled-after-one-season/ Report: Anti-Trump ''Murphy Brown'' Reboot Cancelled After One Season] at Breitbart News Network</ref> CBS eventually announced on May 10, 2019 that the cancellation of ''Murphy Brown'' had been made official.<ref>[https://tvline.com/2019/05/10/murphy-brown-cancelled-cbs-revival-candice-bergen/ ''Murphy Brown'' Cancelled at CBS] at TVLine</ref> | + | Predictably, the season premiere was a bust on ratings, only gathering at best 1.1 million viewers on its first night and was beaten out by the revival of the Greatest Conservative TV Show ''Last Man Standing'' on FOX.<ref>https://www.newsbusters.org/blogs/culture/annie-piper/2018/09/28/last-man-standing-celebrates-return-thanks-loyal-kick-ss-fans</ref> Another episode mocks Steve Bannon and denounces white conservative men as "dinosaurs", the clear implication being that they are to die out soon - despite the fact that Murphy, who hypocritically called Ed Shannon (the Steve Bannon character) a "dinosaur", is over two decades older than Shannon is and is herself white.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/10/19/murphy-brown-conservative-white-male-you-and-your-friends</ref> On November 28, 2018, it was announced that the ''Murphy Brown'' revival had been cancelled due to low ratings, although in a face-saving announcement, CBS initially claimed that the revival, which did not get past its initial 13 episodes, was to have been a "closed-ended order" from the beginning, while series creator Diane English claimed that the show was "not cancelled".<ref>[https://www.breitbart.com/entertainment/2018/11/28/report-anti-trump-murphy-brown-reboot-cancelled-after-one-season/ Report: Anti-Trump ''Murphy Brown'' Reboot Cancelled After One Season] at Breitbart News Network</ref> CBS eventually announced on May 10, 2019, that the cancellation of ''Murphy Brown'' had been made official.<ref>[https://tvline.com/2019/05/10/murphy-brown-cancelled-cbs-revival-candice-bergen/ ''Murphy Brown'' Cancelled at CBS] at TVLine</ref> |
| | |- | | |- |
| | |''My Next Guest Needs No Introduction with David Letterman'' | | |''My Next Guest Needs No Introduction with David Letterman'' |
| Line 446: |
Line 446: |
| | |Freeform | | |Freeform |
| | | | | | |
| − | |Don't let the title fool you, this reboot of the 1994-2000 series of the same name promotes illegal immigration and condemns deportation.<ref>https://www.hollywoodreporter.com/dailyedition/2018-09-07/1140743?dailyEditionParagraph=1140474</ref><ref>https://www.breitbart.com/big-hollywood/2018/09/10/party-of-five-reboot-with-immigrant-family/</ref> The show's attempt to push left-wing social justice issues did not go over well with viewers and it was cancelled in April 2020 after a single season of ten episodes, with the final episode drawing only 143,000 viewers. | + | |Don't let the title fool you, this reboot of the 1994–2000 series of the same name promotes illegal immigration and condemns deportation.<ref>https://www.hollywoodreporter.com/dailyedition/2018-09-07/1140743?dailyEditionParagraph=1140474</ref><ref>https://www.breitbart.com/big-hollywood/2018/09/10/party-of-five-reboot-with-immigrant-family/</ref> The show's attempt to push left-wing social justice issues did not go over well with viewers and it was cancelled in April 2020 after a single season of ten episodes, with the final episode drawing only 143,000 viewers. |
| | |- | | |- |
| | |''Piers Morgan Tonight''/''Piers Morgan Live'' | | |''Piers Morgan Tonight''/''Piers Morgan Live'' |
| Line 464: |
Line 464: |
| | |ABC | | |ABC |
| | | | | | |
| − | |Although the first season dealt with stopping terrorists and to a certain degree government corruption being depicted in a negative light and was overall politically neutral, the second season, similar to ''Supergirl'' below, went far-left for the second season. Season 2 makes the U.S. President a woman in a clear attempt at shilling for Hillary Clinton for the presidency; and the final few episodes of the season feature the president succeeding her as a dictator intent on merging the CIA and the FBI, and operating from Russia, in a clear spitting upon Donald Trump's presidency and an [[allusion]] to the false claims of Russian collusion in the 2016 election. This plotline proved to be very popular among the liberal critics who praised what they perceived as "moral ambiguity."<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref> | + | |Although the first season dealt with stopping terrorists and to a certain degree government corruption being depicted in a negative light and was overall politically neutral, the second season, similar to ''Supergirl'' below, went far-left for the second season. Season 2 makes the U.S. president a woman in a clear attempt at shilling for Hillary Clinton for the presidency; and the final few episodes of the season feature the president succeeding her as a dictator intent on merging the CIA and the FBI, and operating from Russia, in a clear spitting upon Donald Trump's presidency and an [[allusion]] to the false claims of Russian collusion in the 2016 election. This plotline proved to be very popular among the liberal critics who praised what they perceived as "moral ambiguity."<ref name="townhall.com"/> |
| | |- | | |- |
| | |''The Real Housewives of Beverly Hills'' | | |''The Real Housewives of Beverly Hills'' |
| − | |2010-present | + | |2010–present |
| | |BRAVO | | |BRAVO |
| | | | | | |
| Line 476: |
Line 476: |
| | |ABC | | |ABC |
| | |TV PG | | |TV PG |
| − | |This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager named Kenny who "comes out" as homosexual to his Irish American Catholic family. To add insult to injury, Kenny's younger sister Shannon is actively questioning her faith, while their father Pat is secretly contemplating divorce. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, [[heterophobia|heterophobic]] and [[misogyny|misogynistic]]<ref>[https://www.newsbusters.org/blogs/nb/kristine-marsh/2017/03/09/dan-savage-i-f-ing-hate-melania-trump Dan Savage: ‘I ******* Hate' 'Ugly on the Inside' Melania Trump] at NewsBusters</ref> bigot [[Dan Savage]], its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017. | + | |This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager named Kenny who "comes out" as homosexual to his Irish American Catholic family. To add insult to injury, Kenny's younger sister Shannon is actively questioning her faith, while their father Pat is secretly contemplating divorce. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, [[heterophobia|heterophobic]] and [[misogyny|misogynistic]]<ref name="newsbusters.org">[https://www.newsbusters.org/blogs/nb/kristine-marsh/2017/03/09/dan-savage-i-f-ing-hate-melania-trump Dan Savage: ‘I ******* Hate' 'Ugly on the Inside' Melania Trump] at NewsBusters</ref> bigot [[Dan Savage]], its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017. |
| | |- | | |- |
| | |''[[Real Time|Real Time with Bill Maher]]'' | | |''[[Real Time|Real Time with Bill Maher]]'' |
| − | |2003-present | + | |2003–present |
| | |[[HBO]] | | |[[HBO]] |
| | |TV MA | | |TV MA |
| Line 509: |
Line 509: |
| | |- | | |- |
| | |''RuPaul's Drag Race'' | | |''RuPaul's Drag Race'' |
| − | |2009-present | + | |2009–present |
| | |Logo TV | | |Logo TV |
| | | | | | |
| Line 536: |
Line 536: |
| | |Disney+ | | |Disney+ |
| | | | | | |
| − | |Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash caused her cousin Bruce Banner’s blood to mix with hers (different than the original origin), she turns into a She-Hulk. Unlike Banner, she can turn from She-Hulk to Jennifer back and forth. There’s a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She’s also an adulteress and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock A.K.A. Daredevil into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks. Unsurprisingly, the show was cancelled after one season. | + | |Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash caused her cousin Bruce Banner's blood to mix with hers (different than the original origin), she turns into a She-Hulk. Unlike Banner, she can turn from She-Hulk to Jennifer back and forth. There's a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She's also an adulteress and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock A.K.A. Daredevil into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks. Unsurprisingly, the show was cancelled after one season. |
| | |- | | |- |
| | |''Siskel & Ebert at the Movies'' | | |''Siskel & Ebert at the Movies'' |
| Line 569: |
Line 569: |
| | |- | | |- |
| | |''Succession'' | | |''Succession'' |
| − | |2018-present | + | |2018–present |
| | |HBO | | |HBO |
| | |MA | | |MA |
| Line 626: |
Line 626: |
| | |[[CBS]] | | |[[CBS]] |
| | | | | | |
| − | |Seasons 1-8: Lead character Charlie Harper (Charlie Sheen) is an [[alcoholism|alcoholic]] jingle writer whose series of casual sexual relationships is admired and envied by others, while his younger brother Alan, a tightly-wound chiropractor who is more moral and hard-working by comparison, is more prone to misfortune. There is a lack of positive female role models, and Charlie has an antagonistic and dysfunctional relationship with his narcissistic, emotionally toxic mother, which is passed off as humorous. | + | |Seasons 1-8: Lead character Charlie Harper (Charlie Sheen) is an [[alcoholism|alcoholic]] jingle writer whose series of casual sexual relationships is admired and envied by others, while his younger brother Alan, a tightly wound chiropractor who is more moral and hard-working by comparison, is more prone to misfortune. There is a lack of positive female role models, and Charlie has an antagonistic and dysfunctional relationship with his narcissistic, emotionally toxic mother, which is passed off as humorous. |
| | | | |
| | Seasons 9-12: After saying goodbye to the late Charlie (a response to Sheen's dismissal from further appearances following his real-world bout with alcoholism, drug abuse, and adultery), Alan meets and takes in tech company billionaire Walden Schmidt, whose divorce from his wife is presented positively. In one episode, Alan's ex-wife Judith is implied to have undergone a lesbian one-night stand. In another episode, Alan's son Jake comments about getting a sexually transmitted disease as if it were a badge of honor. | | Seasons 9-12: After saying goodbye to the late Charlie (a response to Sheen's dismissal from further appearances following his real-world bout with alcoholism, drug abuse, and adultery), Alan meets and takes in tech company billionaire Walden Schmidt, whose divorce from his wife is presented positively. In one episode, Alan's ex-wife Judith is implied to have undergone a lesbian one-night stand. In another episode, Alan's son Jake comments about getting a sexually transmitted disease as if it were a badge of honor. |
| Line 633: |
Line 633: |
| | |- | | |- |
| | |''Van Helsing'' | | |''Van Helsing'' |
| − | |2016-present | + | |2016–present |
| | |SyFy | | |SyFy |
| | |TV-14 | | |TV-14 |
| Line 666: |
Line 666: |
| | |ABC | | |ABC |
| | |TV-14 | | |TV-14 |
| − | |This docudrama miniseries glorifies both the homosexual agenda and its history, starting from the 1969 Stonewall riot. Liberal actors Whoopi Goldberg, Rosie O'Donnell, Rob Reiner, and homosexual David Hyde Pierce all star. Historical revisionism is laden throughout<ref>[https://www.newsbusters.org/blogs/culture/alexa-moutevelis-coombs/2017/02/28/abcs-gay-propaganda-we-will-rise-falls-flat ABC Gay Series 'Rise': 'Get Rid of All the Heterosexuals'] at NewsBusters</ref>, including demonizing and deliberate mischaracterization of past conservatives who opposed homosexuality, as well as making the homosexuals and the gender-confused look like "victims" when, in reality, they were and still are the aggressors<ref name="When We Rise">[https://www.newsbusters.org/blogs/culture/karen-townsend/2017/03/03/when-we-rise-hates-republican-presidents-shows-love-hillary 'When We Rise' Hates on Republican Presidents, Shows Love to Hillary] at NewsBusters</ref>) and whitewashing of the history of the LGBT movement (particularly [[Homosexuality and health|what happens to those who practice homosexuality and engage in homosexual sex]]) as seen through the far-Left viewpoint of the miniseries' producers, all in an attempt to pander to a specifically targeted audience.<ref>[https://www.youtube.com/watch?v=NynBiB73E8I "When We Rise" - a dumb leftist dystopian fantasy] at the Rebel Media YouTube channel</ref> | + | |This docudrama miniseries glorifies both the homosexual agenda and its history, starting from the 1969 Stonewall riot. Liberal actors Whoopi Goldberg, Rosie O'Donnell, Rob Reiner, and homosexual David Hyde Pierce all star. Historical revisionism is laden throughout,<ref>[https://www.newsbusters.org/blogs/culture/alexa-moutevelis-coombs/2017/02/28/abcs-gay-propaganda-we-will-rise-falls-flat ABC Gay Series 'Rise': 'Get Rid of All the Heterosexuals'] at NewsBusters</ref> including demonizing and deliberate mischaracterization of past conservatives who opposed homosexuality, as well as making the homosexuals and the gender-confused look like "victims" when, in reality, they were and still are the aggressors<ref name="When We Rise">[https://www.newsbusters.org/blogs/culture/karen-townsend/2017/03/03/when-we-rise-hates-republican-presidents-shows-love-hillary 'When We Rise' Hates on Republican Presidents, Shows Love to Hillary] at NewsBusters</ref>) and whitewashing of the history of the LGBT movement (particularly [[Homosexuality and health|what happens to those who practice homosexuality and engage in homosexual sex]]) as seen through the far-Left viewpoint of the miniseries' producers, all in an attempt to pander to a specifically targeted audience.<ref>[https://www.youtube.com/watch?v=NynBiB73E8I "When We Rise" - a dumb leftist dystopian fantasy] at the Rebel Media YouTube channel</ref> |
| | | | |
| | The miniseries claims the homosexual agenda began as an offshoot of the [[Civil Rights Movement]], but nonwhite Americans would consider this claim offensive due to the agenda's attempt to compare sexual preference to skin color (a person's skin color is a trait from birth, but homosexuality is not) as well as a cheap attempt by the LGBT movement to hitch their wagon onto legitimate civil rights for nonwhite Americans. As expected, liberal media reviewers heaped unwarranted praise on the miniseries, while the conservative website [[NewsBusters]] was far more critical of it, calling out the miniseries, its producers, and writer-creator Dustin Lance Black for their revisionism and lies.<ref name="When We Rise"/> Not surprisingly, few TV viewers were willing to watch the miniseries because of its pushing of the homosexual agenda, liberal ideology, historical revisionism, and whitewashing, making it the lowest-rated program to air on the Big Four broadcast networks each night it aired, putting ABC in fourth place behind CBS, NBC, and FOX while barely tying with the CW.<ref name="Rise Failure"/><ref>[http://www.dailywire.com/news/14020/backlash-gay-and-transgender-tv-die-ratings-john-nolte BACKLASH: Gay and Transgender TV Die In the Ratings] at ''The Daily Wire''</ref> | | The miniseries claims the homosexual agenda began as an offshoot of the [[Civil Rights Movement]], but nonwhite Americans would consider this claim offensive due to the agenda's attempt to compare sexual preference to skin color (a person's skin color is a trait from birth, but homosexuality is not) as well as a cheap attempt by the LGBT movement to hitch their wagon onto legitimate civil rights for nonwhite Americans. As expected, liberal media reviewers heaped unwarranted praise on the miniseries, while the conservative website [[NewsBusters]] was far more critical of it, calling out the miniseries, its producers, and writer-creator Dustin Lance Black for their revisionism and lies.<ref name="When We Rise"/> Not surprisingly, few TV viewers were willing to watch the miniseries because of its pushing of the homosexual agenda, liberal ideology, historical revisionism, and whitewashing, making it the lowest-rated program to air on the Big Four broadcast networks each night it aired, putting ABC in fourth place behind CBS, NBC, and FOX while barely tying with the CW.<ref name="Rise Failure"/><ref>[http://www.dailywire.com/news/14020/backlash-gay-and-transgender-tv-die-ratings-john-nolte BACKLASH: Gay and Transgender TV Die In the Ratings] at ''The Daily Wire''</ref> |
| Line 676: |
Line 676: |
| | |This sitcom stars a homosexual lawyer, Will Truman, and a straight interior designer, Grace Adler, who share an apartment in New York City. It attempts to normalize homosexuality in society and uses Will's lifestyle to pander to a targeted LGBT audience. The third main character, Jack McFarland, is a sporadically employed actor and a flamboyant, promiscuous homosexual whose life revolves around homosexuality almost every waking moment and attempting to get sexually involved with every man he comes across. Finally, the fourth main character, Karen Walker, is an amoral socialite whose existence plays up to and makes light of [[alcoholism]] and prescription [[drug abuse]]. | | |This sitcom stars a homosexual lawyer, Will Truman, and a straight interior designer, Grace Adler, who share an apartment in New York City. It attempts to normalize homosexuality in society and uses Will's lifestyle to pander to a targeted LGBT audience. The third main character, Jack McFarland, is a sporadically employed actor and a flamboyant, promiscuous homosexual whose life revolves around homosexuality almost every waking moment and attempting to get sexually involved with every man he comes across. Finally, the fourth main character, Karen Walker, is an amoral socialite whose existence plays up to and makes light of [[alcoholism]] and prescription [[drug abuse]]. |
| | | | |
| − | Despite its subject matter, the series became a surprise hit for NBC as part of its Thursday night "Must See TV" lineup, drawing an average of over 17 million viewers at its peak during its third and fourth seasons, before its ratings fell in later seasons. One seventh-season episode, "From Queer to Eternity", drew a record low viewership of just 5.8 million as viewers began tiring of the show. It ended production in 2006 after eight seasons, and its reruns, which entered syndication in the fall of 2002, largely vanished from broadcast syndication in 2008, retreating to cable thereafter. It was revived by NBC for an abbreviated ninth season on September 28, 2017, during which time the network claimed it had already renewed the series for a tenth season. However, its return episode, "11 Years Later", dove straight into politics as it made pathetic jokes about conservatives, attacked Donald Trump, and took a cheap shot poke at Ronald Reagan's later struggle with Alzheimer's disease<ref>[https://www.newsbusters.org/blogs/culture/amelia-hamilton/2017/09/28/will-grace-embarrasses-itself-trump-reagan-jokes 'Will & Grace' Embarrasses Itself With Pathetic Trump Jokes, Abhorrent Shot at Reagan's Alzheimer's] at NewsBusters</ref>, causing it to garner only 10.18 million viewers for its return. Later episodes in the revival steadily lost viewership; its February 20, 2020 episode "Accidentally on Porpoise" fell to just 1.95 million viewers, making it the lowest-rated episode in the show's history. The ''Will & Grace'' revival did not last as long as it did in its original run, as it was announced on July 25, 2019 that its 11th season (which ended on April 23, 2020) would be its last. | + | Despite its subject matter, the series became a surprise hit for NBC as part of its Thursday night "Must See TV" lineup, drawing an average of over 17 million viewers at its peak during its third and fourth seasons, before its ratings fell in later seasons. One seventh-season episode, "From Queer to Eternity", drew a record low viewership of just 5.8 million as viewers began tiring of the show. It ended production in 2006 after eight seasons, and its reruns, which entered syndication in the fall of 2002, largely vanished from broadcast syndication in 2008, retreating to cable thereafter. It was revived by NBC for an abbreviated ninth season on September 28, 2017, during which time the network claimed it had already renewed the series for a tenth season. However, its return episode, "11 Years Later", dove straight into politics as it made pathetic jokes about conservatives, attacked Donald Trump, and took a cheap shot poke at Ronald Reagan's later struggle with Alzheimer's disease,<ref>[https://www.newsbusters.org/blogs/culture/amelia-hamilton/2017/09/28/will-grace-embarrasses-itself-trump-reagan-jokes 'Will & Grace' Embarrasses Itself With Pathetic Trump Jokes, Abhorrent Shot at Reagan's Alzheimer's] at NewsBusters</ref> causing it to garner only 10.18 million viewers for its return. Later episodes in the revival steadily lost viewership; its February 20, 2020 episode "Accidentally on Porpoise" fell to just 1.95 million viewers, making it the lowest-rated episode in the show's history. The ''Will & Grace'' revival did not last as long as it did in its original run, as it was announced on July 25, 2019, that its 11th season (which ended on April 23, 2020) would be its last. |
| | |- | | |- |
| | |''Witches of East End'' | | |''Witches of East End'' |
| Line 730: |
Line 730: |
| | |[[PBS]] | | |[[PBS]] |
| | |TV-Y (should be TV-PG as of May 2019) | | |TV-Y (should be TV-PG as of May 2019) |
| − | |This popular children's series, based on the eponymous books by Marc Brown and set in a world of anthropomorphic animals, follows the daily life of the titular aardvark, his family, and his friends. It managed to be apolitical for almost 23 years before Arthur's third- and fourth-grade teacher, Mr. Ratburn, was rewritten as homosexual and "married" to a man in the season 22 episode "Mr. Ratburn and the Special Someone", likely in a desperate bid to revive public interest in a program past its prime. Local TV stations in Alabama and Arkansas banned the episode for that reason. In a particularly distasteful example of a children's franchise's creator putting his personal political views above whether the content is actually appropriate for the intended age bracket, Marc Brown condemned both states for banning the episode.<ref>https://people.com/tv/alabama-pulls-arthur-gay-wedding-episode-marc-brown-responds/?xid=socialflow_twitter_peoplemag&utm_medium=social&utm_source=twitter.com&utm_campaign=peoplemagazine</ref> In another shallow attempt to keep this age-old series culturally relevant, the Web-exclusive episode titled "Arthur on Racism: Talk, Listen, And Act", which was published in August of 2020, encourages its target age bracket to support the violent and culturally [[Marxism|Marxist]] [[Black Lives Matter]] movement and guilt them into thinking they are "racist" for not doing so.<ref>https://www.oneangrygamer.net/2020/08/arthur-on-pbs-indoctrinates-kids-with-blm-propaganda/114291/</ref> This all eventually came to a head by February 2022, as the show ended up cancelled as of that date.<ref>https://www.breitbart.com/entertainment/2022/01/25/pbs-kids-officially-ending-arthur-after-pushing-woke-blm-lgbtq-propaganda/</ref> | + | |This popular children's series, based on the eponymous books by Marc Brown and set in a world of anthropomorphic animals, follows the daily life of the titular aardvark, his family, and his friends. It managed to be apolitical for almost 23 years before Arthur's third- and fourth-grade teacher, Mr. Ratburn, was rewritten as homosexual and "married" to a man in the season 22 episode "Mr. Ratburn and the Special Someone", likely in a desperate bid to revive public interest in a program past its prime. Local TV stations in Alabama and Arkansas banned the episode for that reason. In a particularly distasteful example of a children's franchise's creator putting his personal political views above whether the content is actually appropriate for the intended age bracket, Marc Brown condemned both states for banning the episode.<ref>https://people.com/tv/alabama-pulls-arthur-gay-wedding-episode-marc-brown-responds/?xid=socialflow_twitter_peoplemag&utm_medium=social&utm_source=twitter.com&utm_campaign=peoplemagazine</ref> In another shallow attempt to keep this age-old series culturally relevant, the Web-exclusive episode titled "Arthur on Racism: Talk, Listen, And Act", which was published in August 2020, encourages its target age bracket to support the violent and culturally [[Marxism|Marxist]] [[Black Lives Matter]] movement and guilt them into thinking they are "racist" for not doing so.<ref>https://www.oneangrygamer.net/2020/08/arthur-on-pbs-indoctrinates-kids-with-blm-propaganda/114291/</ref> This all eventually came to a head by February 2022, as the show ended up cancelled as of that date.<ref>https://www.breitbart.com/entertainment/2022/01/25/pbs-kids-officially-ending-arthur-after-pushing-woke-blm-lgbtq-propaganda/</ref> |
| | |- | | |- |
| | |''[[Avatar: The Last Airbender]]'' | | |''[[Avatar: The Last Airbender]]'' |
| Line 838: |
Line 838: |
| | |Warner Brothers | | |Warner Brothers |
| | |TV-PG | | |TV-PG |
| − | |This spin-off of ''Batman: The Animated Series'' has a feminist and lesbian subtext. By the third and final season, Detective Samuel Reesedale is revealed to be a gender confused man who believes he is a woman. Batgirl does refer to Reesedale by his biological gender a few times, though. The villain, Dora Smithy, is a [[misandry|misandrist]] who used her sister’s husband's (Mr. Freeze) technology to make men disappear. This, however, is an appropriate trait for a villain. Misandrists are usually depicted as heroic and rightful characters in "modern" liberal media and productions. | + | |This spin-off of ''Batman: The Animated Series'' has a feminist and lesbian subtext. By the third and final season, Detective Samuel Reesedale is revealed to be a gender confused man who believes he is a woman. Batgirl does refer to Reesedale by his biological gender a few times, though. The villain, Dora Smithy, is a [[misandry|misandrist]] who used her sister's husband's (Mr. Freeze) technology to make men disappear. This, however, is an appropriate trait for a villain. Misandrists are usually depicted as heroic and rightful characters in "modern" liberal media and productions. |
| | |- | | |- |
| | |''The Grim Adventures of Billy and Mandy'' | | |''The Grim Adventures of Billy and Mandy'' |
| Line 903: |
Line 903: |
| | |- | | |- |
| | |''[[The Loud House]]'' | | |''[[The Loud House]]'' |
| − | |2016- Present | + | |2016–Present |
| | |Nickelodeon | | |Nickelodeon |
| | |TV-Y7 | | |TV-Y7 |
| Line 909: |
Line 909: |
| | |- | | |- |
| | |''Love, Death & Robots'' | | |''Love, Death & Robots'' |
| − | |2019-Present | + | |2019–Present |
| | |Netflix | | |Netflix |
| | |TV-MA | | |TV-MA |
| Line 915: |
Line 915: |
| | |- | | |- |
| | |''Magical Girl Friendship Squad'' | | |''Magical Girl Friendship Squad'' |
| − | |2020-present | + | |2020–present |
| | |[[Syfy]] | | |[[Syfy]] |
| | |TV-MA | | |TV-MA |
| Line 935: |
Line 935: |
| | |- | | |- |
| | |''Mr. Pickles'' | | |''Mr. Pickles'' |
| − | |2013 (pilot) 2014-2019 | + | |2013 (pilot) 2014–2019 |
| | |Adult Swim | | |Adult Swim |
| | |TV-MA | | |TV-MA |
| Line 953: |
Line 953: |
| | |- | | |- |
| | | ''[[Neon Genesis: Evangelion]]'' | | | ''[[Neon Genesis: Evangelion]]'' |
| − | | 1995-1996 | + | | 1995–1996 |
| | | TV Tokyo | | | TV Tokyo |
| | | TV-MA | | | TV-MA |
| − | | This sexually graphic TV show shows very poor family values as Gendo Ikari abandons his son Shinji, and when he’s 14, he lives with an alcoholic woman who works for NERV. | + | | This sexually graphic TV show shows very poor family values as Gendo Ikari abandons his son Shinji, and when he's 14, he lives with an alcoholic woman who works for NERV. |
| | |- | | |- |
| | |''The Nutshack'' | | |''The Nutshack'' |
| Line 1,045: |
Line 1,045: |
| | The quasi-[[Thanksgiving]]-themed episode "Gem Harvest" guest stars Andy DeMayo, Greg's cousin and a professional biplane pilot with openly conservative viewpoints who may be an expy of Archie Bunker from ''All in the Family'' since both are middle-aged conservative men with short tempers and strong [[New York City|New York]] accents. Andy's initially unsympathetic portrayal as well as the episode airing shortly after the [[2016 presidential election]] drew widespread criticism from fans, including, ironically, opponents of [[Donald Trump]], who argued that such political undertones were in poor taste. | | The quasi-[[Thanksgiving]]-themed episode "Gem Harvest" guest stars Andy DeMayo, Greg's cousin and a professional biplane pilot with openly conservative viewpoints who may be an expy of Archie Bunker from ''All in the Family'' since both are middle-aged conservative men with short tempers and strong [[New York City|New York]] accents. Andy's initially unsympathetic portrayal as well as the episode airing shortly after the [[2016 presidential election]] drew widespread criticism from fans, including, ironically, opponents of [[Donald Trump]], who argued that such political undertones were in poor taste. |
| | | | |
| − | While the series' fan base does not constitute a large percentage of the world's population, it is among the most vocally aggressive. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon. | + | While the series' fan base does not constitute a large percentage of the world's population, it is among the most vocally aggressive. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show's characters, none of which is official canon. |
| | | | |
| | Similarly, some countries have the decency to censor or alter lesbian scenes and dialogue explicitly when they import specific episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are. | | Similarly, some countries have the decency to censor or alter lesbian scenes and dialogue explicitly when they import specific episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are. |
| Line 1,063: |
Line 1,063: |
| | |An adult spin-off/"prequel" of the classic 1969 cartoon ''Scooby Doo'', ''Velma'' ends up being a lot more mean-spirited and [[woke]]. The titular character - who in past incarnations had been both intelligent and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian American as a narcissistic self-insert of her voice actress and series co-creator Mindy Kaling and for woke points (the 2020 animated film ''Scoob'' did have Velma be switched to Latina, but not at the expense of the character or story like ''Velma'' did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man who only goes by his given first name and is a much more unsubtle stoner with an unrequited romantic interest in Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two corrupt lesbian cops who deal drugs; a kiss between them somehow gets Velma out of a panic attack, a subject in which many people feel that the more family-friendly film ''Puss in Boots: The Last Wish'' managed much better. Scooby-Doo doesn't even appear in this show, despite ''Velma'' being inspired by ''Scooby Doo'', because the writers believe he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while ranting about the patriarchy as well). A disturbing moment occurs when Velma, who is supposed to be under 16, pole-dances in front of her father at a strip club to get his attention. | | |An adult spin-off/"prequel" of the classic 1969 cartoon ''Scooby Doo'', ''Velma'' ends up being a lot more mean-spirited and [[woke]]. The titular character - who in past incarnations had been both intelligent and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian American as a narcissistic self-insert of her voice actress and series co-creator Mindy Kaling and for woke points (the 2020 animated film ''Scoob'' did have Velma be switched to Latina, but not at the expense of the character or story like ''Velma'' did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man who only goes by his given first name and is a much more unsubtle stoner with an unrequited romantic interest in Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two corrupt lesbian cops who deal drugs; a kiss between them somehow gets Velma out of a panic attack, a subject in which many people feel that the more family-friendly film ''Puss in Boots: The Last Wish'' managed much better. Scooby-Doo doesn't even appear in this show, despite ''Velma'' being inspired by ''Scooby Doo'', because the writers believe he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while ranting about the patriarchy as well). A disturbing moment occurs when Velma, who is supposed to be under 16, pole-dances in front of her father at a strip club to get his attention. |
| | | | |
| − | ''Velma'' has united the right and most of the left against the show, resulting in a lower score on Rotten Tomatoes (starting at 50% and dropping to 40% as of February of 2024), while the audience score was even lower, at only 6%. Only the very far-Left defends the show because of "representation". To the delight of many, however, ''Velma'' has been canceled after two seasons. | + | ''Velma'' has united the right and most of the left against the show, resulting in a lower score on Rotten Tomatoes (starting at 50% and dropping to 40% as of February 2024), while the audience score was even lower, at only 6%. Only the very far-Left defends the show because of "representation". To the delight of many, however, ''Velma'' has been canceled after two seasons. |
| | |- | | |- |
| | |''Voltron: Legendary Defender'' | | |''Voltron: Legendary Defender'' |
| Line 1,098: |
Line 1,098: |
| | |Showtime | | |Showtime |
| | |TV-MA | | |TV-MA |
| − | |A race grifting documentary series that pulls out every tired old "racism" canard that's been debunked a thousand times. It currently sits at a 1.0 on IMDB.<ref>https://www.imdb.com/title/tt17220204/</ref> In an effort to hide the negative reception, Showtime disabled the comments on its YouTube trailer. | + | |A race grifting documentary series that pulls out every tired old "racism" canard that's been debunked a thousand times. It currently sits at a 1.0 on IMDb.<ref>https://www.imdb.com/title/tt17220204/</ref> In an effort to hide the negative reception, Showtime disabled the comments on its YouTube trailer. |
| | |- | | |- |
| | |''The Future Is Wild'' | | |''The Future Is Wild'' |
| Line 1,174: |
Line 1,174: |
| | |- | | |- |
| | |''[[Black Jesus]]'' | | |''[[Black Jesus]]'' |
| − | |2014-present | + | |2014–present |
| | |Adult Swim | | |Adult Swim |
| | |TV-MA | | |TV-MA |
| Line 1,186: |
Line 1,186: |
| | |- | | |- |
| | |''The Handmaid's Tale'' | | |''The Handmaid's Tale'' |
| − | |2017-present | + | |2017–present |
| | |Hulu | | |Hulu |
| | |TV-MA | | |TV-MA |
| Line 1,204: |
Line 1,204: |
| | |- | | |- |
| | |''[[Real Time|Real Time with Bill Maher]]'' | | |''[[Real Time|Real Time with Bill Maher]]'' |
| − | |2003-present | + | |2003–present |
| | |[[HBO]] | | |[[HBO]] |
| | |TV MA | | |TV MA |
| Line 1,226: |
Line 1,226: |
| | |- | | |- |
| | |''Brooklyn Nine-Nine'' | | |''Brooklyn Nine-Nine'' |
| − | |2013-Present | + | |2013–Present |
| | |Fox | | |Fox |
| | |TV-14 | | |TV-14 |
| Line 1,245: |
Line 1,245: |
| | |CBS | | |CBS |
| | | | | | |
| − | |Although created by liberal producer Dick Wolf and largely retreading the same left-wing themes that his prior shows ''Law & Order'' and ''Law & Order: SVU'' pushed (such as the first episode focusing on a white supremacist plot,<ref>https://www.newsbusters.org/blogs/culture/rebecca-downs/2018/09/26/fbi-dick-wolfs-new-show-premieres-old-liberal-terrorist-trope</ref> an episode called "Prey" repeating a false statistic about how sexual violence against females occurs 1/5th of the time four times,<ref name="New Dick Wolf Show Pushes 1/5 Women Rape myth, repeating it 4 times">https://www.newsbusters.org/blogs/culture/rebecca-downs/2018/10/10/new-dick-wolf-show-pushes-1-5-women-rape-myth-repeating-it-4</ref> and an episode called "Scorched Earth" infamously trying to promote a more feminist view on things while condemning males<ref>https://www.newsbusters.org/blogs/culture/rebecca-downs/2019/02/27/fbis-killer-misogyny-episode-laments-wall-streets-so-much</ref>), it also, similar to its predecessors, try to promote the law, and some episodes have a more conservative bent to them (such as the episode "A New Dawn", where it not only promotes free speech on college campuses, but also depicts the leftist elements of current college campuses in a very negative light as the one behind the murder of a guest speaker at the college was a far-left professor who taught revolution at his classes, as well as Green Birds, which dealt with an Islamic terrorist, and the aforementioned episode "Prey", aside from having an implicit condemnation on abortion due to a raid uncovering a chair that was clearly meant for abortificants against the sex trafficked females, but also has a slight condemnation on media-induced hysteria via Jubal Valentine's quip about how, despite dogs being more likely to attack humans than sharks, they have "shark week"<ref name="New Dick Wolf Show Pushes 1/5 Women Rape myth, repeating it 4 times" />.) | + | |Although created by liberal producer Dick Wolf and largely retreading the same left-wing themes that his prior shows ''Law & Order'' and ''Law & Order: SVU'' pushed (such as the first episode focusing on a white supremacist plot,<ref>https://www.newsbusters.org/blogs/culture/rebecca-downs/2018/09/26/fbi-dick-wolfs-new-show-premieres-old-liberal-terrorist-trope</ref> an episode called "Prey" repeating a false statistic about how sexual violence against females occurs 1/5th of the time four times,<ref name="New Dick Wolf Show Pushes 1/5 Women Rape myth, repeating it 4 times">https://www.newsbusters.org/blogs/culture/rebecca-downs/2018/10/10/new-dick-wolf-show-pushes-1-5-women-rape-myth-repeating-it-4</ref> and an episode called "Scorched Earth" infamously trying to promote a more feminist view on things while condemning males<ref>https://www.newsbusters.org/blogs/culture/rebecca-downs/2019/02/27/fbis-killer-misogyny-episode-laments-wall-streets-so-much</ref>), it also, similar to its predecessors, try to promote the law, and some episodes have a more conservative bent to them (such as the episode "A New Dawn", where it not only promotes free speech on college campuses, but also depicts the leftist elements of current college campuses in a very negative light as the one behind the murder of a guest speaker at the college was a far-left professor who taught revolution at his classes, as well as Green Birds, which dealt with an Islamic terrorist, and the aforementioned episode "Prey", aside from having an implicit condemnation on abortion due to a raid uncovering a chair that was clearly meant for abortificants against the sex trafficked females, but also has a slight condemnation on media-induced hysteria via Jubal Valentine's quip about how, despite dogs being more likely to attack humans than sharks, they have "shark week".<ref name="New Dick Wolf Show Pushes 1/5 Women Rape myth, repeating it 4 times" />) |
| | |- | | |- |
| | |''Gravity Falls'' | | |''Gravity Falls'' |
| Line 1,258: |
Line 1,258: |
| | |- | | |- |
| | |''Hazbin Hotel''/''Helluva Boss'' | | |''Hazbin Hotel''/''Helluva Boss'' |
| − | |2019-Present | + | |2019–Present |
| | |[[YouTube]] (2019), A24 (2022) (''Hazbin Hotel'')<br>YouTube (''Helluva Boss'') | | |[[YouTube]] (2019), A24 (2022) (''Hazbin Hotel'')<br>YouTube (''Helluva Boss'') |
| | |TV-MA | | |TV-MA |
| Line 1,285: |
Line 1,285: |
| | |Cartoon Network | | |Cartoon Network |
| | |TV-Y | | |TV-Y |
| − | |On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feminist (it doesn’t help that one of the working titles for the show was the more profane ''Whoop*** Girls''). | + | |On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city's various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feminist (it doesn't help that one of the working titles for the show was the more profane ''Whoop*** Girls''). |
| | | | |
| | On the other hand, since the girls were created by a scientist to be the “perfect little girls,” they could be more ''feminine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy. | | On the other hand, since the girls were created by a scientist to be the “perfect little girls,” they could be more ''feminine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy. |
| | |- | | |- |
| | |''SpongeBob SquarePants'' | | |''SpongeBob SquarePants'' |
| − | |1999-Present | + | |1999–Present |
| | |Nickelodeon | | |Nickelodeon |
| | |TV-Y | | |TV-Y |
| | |One of the most influential cartoons of the 21st century, centered on an energetic, anthropomorphic sea sponge (who more nearly resembles a kitchen sponge) and a diverse cast of his underwater friends, is decidedly one of the most politically ambiguous. | | |One of the most influential cartoons of the 21st century, centered on an energetic, anthropomorphic sea sponge (who more nearly resembles a kitchen sponge) and a diverse cast of his underwater friends, is decidedly one of the most politically ambiguous. |
| | | | |
| − | On the one hand, whether it may be considered far-fetched or not, the series seems to suggest that capitalists are inherently malign or simply obsessed with money, as the main character’s crustacean employer, the fast-food restaurateur Mr. Krabs, is inclined to put money before others’ interests, sometimes at the expense of others’ well-being. In addition, SpongeBob and his dimwitted starfish best friend Patrick Star have a habit of annoying Squidward Tentacles: a quick-tempered, cynical octopus who lives between them, behaves apathetically on his job as a cashier, and may be a copy of ''Sesame Street'' character Bert because both characters have interests that others find mundane. They tend to not face comeuppance for their childish actions against Squidward (though there are exceptions), which may teach that being annoying is “acceptable” adult behavior. Some episodes also have controversial overtones. For instance, “Rock-a-Bye Bivalve” is infamous for depicting SpongeBob and Patrick raising a baby scallop like a homosexual couple, and a handful of episodes like "The Jellyfish Hunter", "Keep Bikini Bottom Beautiful", and "SpongeBob's Last Stand" touch on themes of environmentalism. Moreover, one of the series’ worst-received episodes, “One Coarse Meal,” tries to make bullying look humorous because it centers on Mr. Krabs driving his microscopic arch-business rival Plankton to suicide by appealing to the copepod’s secret fear of whales, a fear that is not present in any other episode. SpongeBob himself even displays some flamboyant tendencies that can be seen as gay, though Stephen Hillenburg had stated that SpongeBob would reproduce asexually like normal sponges (splitting into newer sponges); 2020 has Nickelodeon disregard this information to push SpongeBob to be a "queer icon".<ref>https://www.breitbart.com/entertainment/2020/06/15/nickelodeon-celebrates-pride-month-with-queer-icon-spongebob-bisexual-and-trans-characters/</ref> | + | On the one hand, whether it may be considered far-fetched or not, the series seems to suggest that capitalists are inherently malign or simply obsessed with money, as the main character's crustacean employer, the fast-food restaurateur Mr. Krabs, is inclined to put money before others’ interests, sometimes at the expense of others’ well-being. In addition, SpongeBob and his dimwitted starfish best friend Patrick Star have a habit of annoying Squidward Tentacles: a quick-tempered, cynical octopus who lives between them, behaves apathetically on his job as a cashier, and may be a copy of ''Sesame Street'' character Bert because both characters have interests that others find mundane. They tend to not face comeuppance for their childish actions against Squidward (though there are exceptions), which may teach that being annoying is “acceptable” adult behavior. Some episodes also have controversial overtones. For instance, “Rock-a-Bye Bivalve” is infamous for depicting SpongeBob and Patrick raising a baby scallop like a homosexual couple, and a handful of episodes like "The Jellyfish Hunter", "Keep Bikini Bottom Beautiful", and "SpongeBob's Last Stand" touch on themes of environmentalism. Moreover, one of the series’ worst-received episodes, “One Coarse Meal,” tries to make bullying look humorous because it centers on Mr. Krabs driving his microscopic arch-business rival Plankton to suicide by appealing to the copepod's secret fear of whales, a fear that is not present in any other episode. SpongeBob himself even displays some flamboyant tendencies that can be seen as gay, though Stephen Hillenburg had stated that SpongeBob would reproduce asexually like normal sponges (splitting into newer sponges); 2020 has Nickelodeon disregard this information to push SpongeBob to be a "queer icon".<ref>https://www.breitbart.com/entertainment/2020/06/15/nickelodeon-celebrates-pride-month-with-queer-icon-spongebob-bisexual-and-trans-characters/</ref> |
| | | | |
| − | On the other hand, many episodes where SpongeBob works his regular job as a fry cook at the Krusty Krab teach young audiences to value hard work and persistence as SpongeBob eagerly strives to make the most of his rather ordinary job. Most episodes where Plankton appears draw a clear distinction between good and evil, showing the errors of stealing and conducting business through illegitimate means, as Plankton’s schemes to outcompete Mr. Krabs, the more competent businessman, or steal his Krabby Patty recipe always backfire. In addition, depending on the writer(s), Krabs can serve as a surrogate father figure to SpongeBob, teaching him to stay out of danger and not act as impulsively as he usually does. Lastly, the episode "SpongeBob, You're Fired!" has gained fame among conservatives for advocating self-sufficiency while lampooning the concept of the welfare state, mainly the Supplemental Nutritional Assistance Program: as Patrick tries to show SpongeBob the "fun of unemployment" by taking SpongeBob out to a free lunch with Sandy, SpongeBob quips, "Unemployment may be fun for you, but I need to get a job".<ref>https://www.breitbart.com/big-hollywood/2013/11/04/spongebob-mocks-welfare-state/</ref> | + | On the other hand, many episodes where SpongeBob works his regular job as a fry cook at the Krusty Krab teach young audiences to value hard work and persistence as SpongeBob eagerly strives to make the most of his rather ordinary job. Most episodes where Plankton appears draw a clear distinction between good and evil, showing the errors of stealing and conducting business through illegitimate means, as Plankton's schemes to outcompete Mr. Krabs, the more competent businessman, or steal his Krabby Patty recipe always backfire. In addition, depending on the writer(s), Krabs can serve as a surrogate father figure to SpongeBob, teaching him to stay out of danger and not act as impulsively as he usually does. Lastly, the episode "SpongeBob, You're Fired!" has gained fame among conservatives for advocating self-sufficiency while lampooning the concept of the welfare state, mainly the Supplemental Nutritional Assistance Program: as Patrick tries to show SpongeBob the "fun of unemployment" by taking SpongeBob out to a free lunch with Sandy, SpongeBob quips, "Unemployment may be fun for you, but I need to get a job".<ref>https://www.breitbart.com/big-hollywood/2013/11/04/spongebob-mocks-welfare-state/</ref> |
| | | | |
| | Plenty of ''SpongeBob'' video games have been released over the years, along with six movies so far. The first is the more conservative film, ''The SpongeBob SquarePants Movie'', from 2004. There are two spinoffs released - ''Kamp Koral'' and ''The Patrick Star Show'' - after Stephen Hillenburg's death in 2018, which many fans find to be in bad taste. | | Plenty of ''SpongeBob'' video games have been released over the years, along with six movies so far. The first is the more conservative film, ''The SpongeBob SquarePants Movie'', from 2004. There are two spinoffs released - ''Kamp Koral'' and ''The Patrick Star Show'' - after Stephen Hillenburg's death in 2018, which many fans find to be in bad taste. |