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Mario Lanza was born '''Alfredo Arnold Cocozza''' on January 31, 1921 to Antonio (Tony) Cocozza and Maria Cocozza (née Lanza) in [[Philadelphia|South Philadelphia]]. Tony, who was a [[World War I]] veteran receiving full disability benefits from the government due to injuries sustained in the war, and Freddie, which is what young Mario was called by friends and family, often listened to the records of tenors [[Beniamino Gigli]], [[Tito Schipa]], [[Giovanni Zenatello]], and especially [[Enrico Caruso]]. Maria, who gave up her dreams of becoming an opera star to raise her son, was thrilled when Freddie began to talk of perusing a career singing in the opera. Maria took Freddie to an audition with Irene Williams, a former opera singer and then voice teacher. Williams was impressed with Freddie's voice and agreed to be his teacher. Under Williams, young Freddie worked hard to learn how to read music and develop the foundations of a solid vocal technique.

Mario Lanza was born '''Alfredo Arnold Cocozza''' on January 31, 1921 to Antonio (Tony) Cocozza and Maria Cocozza (née Lanza) in [[Philadelphia|South Philadelphia]]. Tony, who was a [[World War I]] veteran receiving full disability benefits from the government due to injuries sustained in the war, and Freddie, which is what young Mario was called by friends and family, often listened to the records of tenors [[Beniamino Gigli]], [[Tito Schipa]], [[Giovanni Zenatello]], and especially [[Enrico Caruso]]. Maria, who gave up her dreams of becoming an opera star to raise her son, was thrilled when Freddie began to talk of perusing a career singing in the opera. Maria took Freddie to an audition with Irene Williams, a former opera singer and then voice teacher. Williams was impressed with Freddie's voice and agreed to be his teacher. Under Williams, young Freddie worked hard to learn how to read music and develop the foundations of a solid vocal technique.

In 1941, the twenty year old tenor was given an audition before the world famous Russian conductor [[Serge Koussevitsky]]. Koussevitsky was impressed with Cocozza's rendition of "Vesti la giubba" and immediately offered him a scholarship to attend the [[Tanglewood Festival]] in [[Massachusetts]] where he would receive training from conductors [[Boris Goldovsky]] and [[Leonard Bernstein]]. It was at Tanglewood where Cocozza first used masculine version of his mother’s name, Mario Lanza, as a stage name. At Tanglewood he would also make his operatic debut as Fenton in ''[[The Merry Wives of Windsor (opera)|The Merry Wives of Windsor]]''.

In 1941, the twenty year old tenor was given an audition before the world famous Russian conductor [[Serge Koussevitsky]]. Koussevitsky was impressed with Cocozza's rendition of "Vesti la giubba" and immediately offered him a scholarship to attend the [[Tanglewood Festival]] in [[Massachusetts]] where he would receive training from conductors [[Boris Goldovsky]] and [[Leonard Bernstein]]. It was at Tanglewood where Cocozza first used masculine version of his mother’s name, Mario Lanza, as a stage name. At Tanglewood he would also make his operatic debut as Fenton in ''[[Die lustigen Weiber von Windsor]]''.

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