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George Frideric Handel (view source)
Revision as of 13:55, October 16, 2007
, 13:55, October 16, 2007undeadend
George Frideric Handel was a Ger.-born composer and organist.
George Frideric Handel was a German-born composer and organist.
List of works:
List of works:
OPERAS: Hamburg: Almira, Nero (lost) (both 1705), Florindo e Dafne (lost) (1707); Florence: Rodrigo (1707); Venice: Agrippina (1709); London: Rinaldo (1711, rev. 1731), Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734); Teseo (1712); Silla (1714); Amadigi di Gaula (1715); Radamisto (1720, rev. 1720, 1721, 1728); Muzio Scevola, Floridante (both 1721); Ottone (1722); Flavio (1723); Giulio Cesare in Egitto (1723-4); Tamerlano (1724, rev. 1731); Rodelinda, regina de'Longobardi (1725); Scipione, Alessandro (both 1726); Admeto, Riccardo I (both 1727); Siroe, Tolomeo (both 1728); Lotario (1729); Partenope (1729-30, rev. 1730, 1736); Poro (1731); Ezio, Sosarme (both 1732); Orlando (1733); Arianna (1734); Ariodante, Alcina (both 1735); Atalanta (1736); Arminio, Giustino, Berenice (all 1737); Faramondo, Serse (both 1738); Imeneo (1738-40); Deidamia (1740).
OPERAS: Hamburg: Almira, Nero (lost) (both 1705), Florindo e Dafne (lost) (1707); Florence: Rodrigo (1707); Venice: Agrippina (1709); London: Rinaldo (1711, rev. 1731), Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734); Teseo (1712); Silla (1714); Amadigi di Gaula (1715); Radamisto (1720, rev. 1720, 1721, 1728); Muzio Scevola, Floridante (both 1721); Ottone (1722); Flavio (1723); Giulio Cesare in Egitto (1723-4); Tamerlano (1724, rev. 1731); Rodelinda, regina de'Longobardi (1725); Scipione, Alessandro (both 1726); Admeto, Riccardo I (both 1727); Siroe, Tolomeo (both 1728); Lotario (1729); Partenope (1729-30, rev. 1730, 1736); Poro (1731); Ezio, Sosarme (both 1732); Orlando (1733); Arianna (1734); Ariodante, Alcina (both 1735); Atalanta (1736); Arminio, Giustino, Berenice (all 1737); Faramondo, Serse (both 1738); Imeneo (1738-40); Deidamia (1740).
ORCH.: Water Music (c.1717); Music for Royal Fireworks (1749).
ORCH.: Water [[Music]] (c.1717); [[Music]] for Royal Fireworks (1749).
DRAMATIC ORATORIOS: Rome: La Resurrezione, Trionfo del Tempo (1708); Naples: Aci, Galatea e Polifemo (1709); Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716); London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732); Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743); Deborah (1733); Athalia (1733); Alexander's Feast (1736); Israel in Egypt (1738); Saul, Ode for St Cecilia's Day (1739); L'Allegro, il Pensieroso ed il Moderato (1740); Messiah (1741); Samson (1741-2); Joseph and his Brethren, Semele (1743); Belshazzar, Hercules (1744); Occasional Oratorio, Judas Maccabaeus (1746); Alexander Balus, Joshua (1747); Solomon, Susanna (1748); Theodora, Alceste (1749); Choice of Hercules (1750); Jephtha (1751); Triumph of Time and Truth (1757).
DRAMATIC ORATORIOS: [[Rome]]: La Resurrezione, Trionfo del Tempo (1708); Naples: Aci, Galatea e Polifemo (1709); Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716); London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732); Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743); Deborah (1733); Athalia (1733); Alexander's Feast (1736); Israel in Egypt (1738); Saul, Ode for St Cecilia's Day (1739); L'Allegro, il Pensieroso ed il Moderato (1740); Messiah (1741); Samson (1741-2); Joseph and his Brethren, Semele (1743); Belshazzar, Hercules (1744); Occasional Oratorio, Judas Maccabaeus (1746); Alexander Balus, Joshua (1747); Solomon, Susanna (1748); Theodora, Alceste (1749); Choice of Hercules (1750); Jephtha (1751); Triumph of Time and Truth (1757).
CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are Silete Venti, sop., instr. (1729); La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708); and O numi eterni (La Lucrezia), sop., continuo (1709).
CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are Silete Venti, sop., instr. (1729); La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708); and O numi eterni (La Lucrezia), sop., continuo (1709).