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| | List of works: | | List of works: |
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| − | OPERAS: Hamburg: Almira, Nero (lost) (both 1705), Florindo e Dafne (lost) (1707); Florence: Rodrigo (1707); Venice: Agrippina (1709); London: Rinaldo (1711, rev. 1731), Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734); Teseo (1712); Silla (1714); Amadigi di Gaula (1715); Radamisto (1720, rev. 1720, 1721, 1728); Muzio Scevola, Floridante (both 1721); Ottone (1722); Flavio (1723); Giulio Cesare in Egitto (1723-4); Tamerlano (1724, rev. 1731); Rodelinda, regina de'Longobardi (1725); Scipione, Alessandro (both 1726); Admeto, Riccardo I (both 1727); Siroe, Tolomeo (both 1728); Lotario (1729); Partenope (1729-30, rev. 1730, 1736); Poro (1731); Ezio, Sosarme (both 1732); Orlando (1733); Arianna (1734); Ariodante, Alcina (both 1735); Atalanta (1736); Arminio, Giustino, Berenice (all 1737); Faramondo, Serse (both 1738); Imeneo (1738-40); Deidamia (1740). | + | [[Opera|OPERAS]]: |
| | + | * Hamburg: Almira, Nero (lost) (both 1705) |
| | + | * Florindo e Dafne (lost) (1707) |
| | + | * Florence: Rodrigo (1707) |
| | + | * Venice: Agrippina (1709) |
| | + | * London: Rinaldo (1711, rev. 1731) |
| | + | * Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734) |
| | + | * Teseo (1712) |
| | + | * Silla (1714) |
| | + | * Amadigi di Gaula (1715) |
| | + | * Radamisto (1720, rev. 1720, 1721, 1728) |
| | + | * Muzio Scevola, Floridante (both 1721) |
| | + | * Ottone (1722) |
| | + | * Flavio (1723) |
| | + | * Giulio Cesare in Egitto (1723-4) |
| | + | * Tamerlano (1724, rev. 1731) |
| | + | * Rodelinda, regina de'Longobardi (1725) |
| | + | * Scipione, Alessandro (both 1726) |
| | + | * Admeto, Riccardo I (both 1727) |
| | + | * Siroe, Tolomeo (both 1728) |
| | + | * Lotario (1729) |
| | + | * Partenope (1729-30, rev. 1730, 1736) |
| | + | * Poro (1731) |
| | + | * Ezio, Sosarme (both 1732) |
| | + | * Orlando (1733) |
| | + | * Arianna (1734) |
| | + | * Ariodante, Alcina (both 1735) |
| | + | * Atalanta (1736) |
| | + | * Arminio, Giustino, Berenice (all 1737) |
| | + | * Faramondo, Serse (both 1738) |
| | + | * Imeneo (1738-40) |
| | + | * Deidamia (1740) |
| | | | |
| − | ORCH.: Water [[Music]] (c.1717); [[Music]] for Royal Fireworks (1749).
| + | [[Orchestra|ORCHESTRA]]: |
| | + | * Water [[Music]] (c.1717) |
| | + | * [[Music]] for Royal Fireworks (1749) |
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| − | DRAMATIC ORATORIOS: [[Rome]]: La Resurrezione, Trionfo del Tempo (1708); Naples: Aci, Galatea e Polifemo (1709); Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716); London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732); Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743); Deborah (1733); Athalia (1733); Alexander's Feast (1736); Israel in Egypt (1738); Saul, Ode for St Cecilia's Day (1739); L'Allegro, il Pensieroso ed il Moderato (1740); Messiah (1741); Samson (1741-2); Joseph and his Brethren, Semele (1743); Belshazzar, Hercules (1744); Occasional Oratorio, Judas Maccabaeus (1746); Alexander Balus, Joshua (1747); Solomon, Susanna (1748); Theodora, Alceste (1749); Choice of Hercules (1750); Jephtha (1751); Triumph of Time and Truth (1757). | + | DRAMATIC ORATORIOS: |
| | + | * [[Rome]]: La Resurrezione, Trionfo del Tempo (1708) |
| | + | * Naples: Aci, Galatea e Polifemo (1709) |
| | + | * Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716) |
| | + | * London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732) |
| | + | * Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743) |
| | + | * Deborah (1733) |
| | + | * Athalia (1733) |
| | + | * Alexander's Feast (1736) |
| | + | * Israel in Egypt (1738) |
| | + | * Saul, Ode for St Cecilia's Day (1739) |
| | + | * L'Allegro, il Pensieroso ed il Moderato (1740) |
| | + | * Messiah (1741) |
| | + | * Samson (1741-2) |
| | + | * Joseph and his Brethren, Semele (1743) |
| | + | * Belshazzar, Hercules (1744) |
| | + | * Occasional Oratorio, Judas Maccabaeus (1746) |
| | + | * Alexander Balus, Joshua (1747) |
| | + | * Solomon, Susanna (1748) |
| | + | * Theodora, Alceste (1749) |
| | + | * Choice of Hercules (1750) |
| | + | * Jephtha (1751) |
| | + | * Triumph of Time and Truth (1757) |
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| − | CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are Silete Venti, sop., instr. (1729); La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708); and O numi eterni (La Lucrezia), sop., continuo (1709). | + | CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are: |
| | + | * Silete Venti, sop., instr. (1729) |
| | + | * La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708) |
| | + | * O numi eterni (La Lucrezia), sop., continuo (1709) |
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| − | CHURCH MUSIC: Gloria Patri (1707); Utrecht Te Deum and Jubilate (1712-13); Dettingen Te Deum (1743); 11 Chandos Anthems (1717-18); 4 Coronation Anthems (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest); The Ways of Zion do Mourn, funeral anthem for Queen Caroline (1737). | + | CHURCH MUSIC: |
| | + | * Gloria Patri (1707) |
| | + | * Utrecht Te Deum and Jubilate (1712-13) |
| | + | * Dettingen Te Deum (1743) |
| | + | * 11 Chandos Anthems (1717-18) |
| | + | * 4 Coronation Anthems (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest) |
| | + | * The Ways of Zion do Mourn, funeral anthem for Queen Caroline (1737) |
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| − | VOCAL: Birthday Ode for Queen Anne (1713); 9 German Arias (1729). | + | VOCAL: |
| | + | * Birthday Ode for Queen Anne (1713) |
| | + | * 9 German Arias (1729) |
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| − | INSTRUMENTAL AND CHAMBER MUSIC: 6 Concerti Grossi, str., ww., continuo, Op.3 (1734); 12 Concerti Grossi, str., optional wind, Op.6 (1739); 5 Concerti, orch. (1741); 6 organ concerti, Op.4 (1738); 6 organ concerti, Op.7 (1760); 6 organ concerti (1740); 15 chamber sonatas (fls., recorders), Op.1 (1724); 3 concerti a due cori; 2 ob. sonatas; 12 fl. sonatas; 6 trio sonatas; 9 trio sonatas, Op.2 (1722-33); 7 trio sonatas, Op.5 (1739); va. da gamba sonata; 8 suites de pièces, hpd. (1720); 8 suites de pièces (1733, these incl. the well-known Chaconne in G); 6 Fugues (1736). See also Harmonious Blacksmith. | + | INSTRUMENTAL AND CHAMBER MUSIC: |
| | + | * 6 Concerti Grossi, str., ww., continuo, Op.3 (1734) |
| | + | * 12 Concerti Grossi, str., optional wind, Op.6 (1739) |
| | + | * 5 Concerti, orch. (1741) |
| | + | * 6 organ concerti, Op.4 (1738) |
| | + | * 6 organ concerti, Op.7 (1760) |
| | + | * 6 organ concerti (1740) |
| | + | * 15 chamber sonatas (fls., recorders), Op.1 (1724) |
| | + | * 3 concerti a due cori |
| | + | * 2 ob. sonatas |
| | + | * 12 fl. sonatas |
| | + | * 6 trio sonatas |
| | + | * 9 trio sonatas, Op.2 (1722-33) |
| | + | * 7 trio sonatas, Op.5 (1739) |
| | + | * va. da gamba sonata |
| | + | * 8 suites de pièces, hpd. (1720) |
| | + | * 8 suites de pièces (1733, these incl. the well-known Chaconne in G) |
| | + | * 6 Fugues (1736) See also Harmonious Blacksmith |
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| | + | {{DEFAULTSORT:Handel, George Frideric}} |
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| | [[Category:Musicians]] | | [[Category:Musicians]] |