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Original uncensored article with consent of original author.
'''Isobel Baillie''' (9 March, 1895, [[Hawick]], [[Scottish Borders]] -
24 September, 1983 – [[Manchester]], [[England]]) was a [[Scotland|Scottish]] [[soprano]], popular in [[opera]], [[oratorio]] and [[lieder]].
Her favourite work was [[George Frederick Handel]]'s [[Messiah (Handel)|Messiah]]; she sang in it over a thousand times, from the age of 15.
In 1921 she was invited to appear with the [[Hallé Orchestra]], and she made her first, highly successful, London appearance in 1923.
Widely praised for the purity and clarity of her tone, she was in demand for choral works; apart from the Messiah, she was noted in [[Joseph Haydn]]'s [[The Creation]], [[Felix Mendelssohn]]'s [[Elijah]], and [[Johannes Brahms]]'s [[German Requiem]]. In 1933 she became the first British performer to sing in the [[Hollywood Bowl]] in [[California]] when [[Arturo Toscanini]] chose her to sing Brahms's Requiem. Her performances of [[Gluck]]'s ''[[Orfeo ed Euridice|Orpheus]]'' (always in English, so not ''Orfeo ed Euridice'') and [[Charles Gounod]]'s ''[[Faust (opera)|Faust]]'' were very popular.
However, her forte was British music, including [[Ralph Vaughan Williams]]' ''[[Serenade to Music]]'' (of which she was one of the original singers) and [[Edward Elgar]]'s ''[[The Kingdom (Elgar)|The Kingdom]]''.
She taught at the [[Royal College of Music]] (1955-1957, 1961-1964), [[Cornell University]] (1960-1) and the [[Manchester School of Music]] (from 1970). She gave a few lessons to [[Kathleen Ferrier]], and often sang with her.
In 1951 she was made a Commander of the [[Order of the British Empire]]; in 1978 she was made a Dame Commander of that order.
She said that the best advice she had ever been given was "never sing louder than lovely", and she made that the title of her autobiography.
[[Category:biographies]]
24 September, 1983 – [[Manchester]], [[England]]) was a [[Scotland|Scottish]] [[soprano]], popular in [[opera]], [[oratorio]] and [[lieder]].
Her favourite work was [[George Frederick Handel]]'s [[Messiah (Handel)|Messiah]]; she sang in it over a thousand times, from the age of 15.
In 1921 she was invited to appear with the [[Hallé Orchestra]], and she made her first, highly successful, London appearance in 1923.
Widely praised for the purity and clarity of her tone, she was in demand for choral works; apart from the Messiah, she was noted in [[Joseph Haydn]]'s [[The Creation]], [[Felix Mendelssohn]]'s [[Elijah]], and [[Johannes Brahms]]'s [[German Requiem]]. In 1933 she became the first British performer to sing in the [[Hollywood Bowl]] in [[California]] when [[Arturo Toscanini]] chose her to sing Brahms's Requiem. Her performances of [[Gluck]]'s ''[[Orfeo ed Euridice|Orpheus]]'' (always in English, so not ''Orfeo ed Euridice'') and [[Charles Gounod]]'s ''[[Faust (opera)|Faust]]'' were very popular.
However, her forte was British music, including [[Ralph Vaughan Williams]]' ''[[Serenade to Music]]'' (of which she was one of the original singers) and [[Edward Elgar]]'s ''[[The Kingdom (Elgar)|The Kingdom]]''.
She taught at the [[Royal College of Music]] (1955-1957, 1961-1964), [[Cornell University]] (1960-1) and the [[Manchester School of Music]] (from 1970). She gave a few lessons to [[Kathleen Ferrier]], and often sang with her.
In 1951 she was made a Commander of the [[Order of the British Empire]]; in 1978 she was made a Dame Commander of that order.
She said that the best advice she had ever been given was "never sing louder than lovely", and she made that the title of her autobiography.
[[Category:biographies]]