| − | '''William Blake''' (1757-1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. The best-known are the lyrical ''Songs of Innocence'' (1789) and ''Songs of Experience'' (1794) and his comments on established [[religion]], ''The Marriage of Heaven and Hell'' and ''The Everlasting Gospel''. His best-known work are the opening lines to his poem ''Milton," which were set to music by Parry, ironically titled "Jerusalem," and is one of the most popular English hymns. | + | '''William Blake''' (1757-1827) was a [[British]] [[poet]], painter, visionary mystic, and engraver, who illustrated and printed his own books. The best-known are the lyrical ''Songs of Innocence'' (1789) and ''Songs of Experience'' (1794) and his comments on established [[religion]], ''The Marriage of Heaven and Hell'' and ''The Everlasting Gospel''. His best-known work is the opening lines to his poem ''Milton'', which were set to music by Parry, ironically titled "Jerusalem," and is one of the most popular English hymns. |
| − | He also wrote and illustrated several long epic poems of his own invented mythology. These are some of the most strikingly original works in English literature and art. His work was so different from that of most poets of his time that it was mainly ignored during his lifetime. | + | He also wrote and illustrated several long epic poems of his own invented [[mythology]]. These are some of the most strikingly original works in English literature and art. His work was so different from that of most poets of his time that it was mainly ignored during his lifetime. |
| | Blake belonged to no particular poetic movement, but is now often felt to be one of the earliest and greatest figures of the Romantic movement which flourished in the first half of the nineteenth century. He proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. He joined for a time the Swedenborgian Church of the New Jerusalem in London and considered Newtonian science to be a limitation on the human imagination. Misunderstanding shadowed his career as a writer and artist and it was left to later generations to recognize his importance. | | Blake belonged to no particular poetic movement, but is now often felt to be one of the earliest and greatest figures of the Romantic movement which flourished in the first half of the nineteenth century. He proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. He joined for a time the Swedenborgian Church of the New Jerusalem in London and considered Newtonian science to be a limitation on the human imagination. Misunderstanding shadowed his career as a writer and artist and it was left to later generations to recognize his importance. |