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The '''violin''' is the smallest and highest pitched [[String Instruments|stringed instrument]] used in [[western orchestra|western orchestras]]. It has four strings, pitched G-D-A-E (from lowest to highest), which is an arrangement of the Circle of Fifths. The 'A' is pitched to Concert A at 440 Hz. Typically, a bow is drawn across the strings to produce a sound on the instrument (''arco''), and a wide variety of bowing techniques can provide unique sounds, such as the bouncing ''spicatto'' or the broad ''legato''. The strings may also be plucked, similar to a [[mandolin]] or [[guitar]] (''pizzicatto''), but only by the flesh of the finger (not with the aid of a plectrum).
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The '''violin''' is the smallest and highest pitched [[String Instruments|stringed instrument]] used in [[western orchestra|western orchestras]]. It has four strings, pitched G-D-A-E (from lowest to highest), which is an arrangement of the Circle of Fifths. The 'A' is pitched to Concert A at 440 Hz. Typically, a bow (''arco'') is drawn across the strings to produce a sound on the instrument, and a wide variety of bowing techniques can provide unique sounds, such as the bouncing ''spiccato'' or the broad ''legato''. The strings may also be plucked, similar to a [[mandolin]] or [[guitar]] (''pizzicato''), but only by the flesh of the finger (not with the aid of a plectrum).
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An orchestra will typically contain two violin sections - a First and Second. In [[North America]], the First Violins are situated at the front of the orchestra, immediately to the [[conductor]]'s left. The Second Violin section will be located adjacent to the Firsts. While there is no specific purpose for each section, the First Violin section will generally be given the [[melody]] in a musical work, and will generally play in a higher [[octave]] than the Seconds. The Seconds will either double the melody in a lower register, [[harmony|harmonize]] the melody, or contribute an [[effect]] to layer the orchestral sound.  
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An orchestra will typically contain two violin sections - a First and Second. Today the First Violins are usually situated at the front of the orchestra, immediately to the [[conductor]]'s left. The Second Violin section will be located adjacent to the Firsts. While there is no specific purpose for each section, the First Violin section will generally be given the [[melody]] in a musical work, and will generally play in a higher [[octave]] than the Seconds. The Seconds will either double the melody in a lower register, [[harmony|harmonize]] the melody, or contribute an effect to layer the orchestral sound.  
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The instrument developed in the mid 1500s, in what is now called Italy.  The most famous makers of violins include G.P. Maggini (1580-1632), the Amati family of Cremona, the Guarnari family of Venice, Antonio Stradivari, and Jacob Stainer of the Austrian Tyrol. Almost all new violins are made to follow the patterns of these old masters, although some adaptations have been made to support the metal strings and higher pitches of modern performance.
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The instrument developed in the mid 1500s in Italy.  The most famous makers of violins include G.P. Maggini (1580-1632), the Amati family of Cremona, the Guarneri del Gesù family of Venice, Jacob Stainer of the Austrian Tyrol and, above all, Antonio Stradivari. The violins by those makers are very highly regarded and still used by the greatest players. Almost all new violins are made to follow the patterns of these old masters, although some adaptations have been made to support the metal strings and higher pitches of modern performance.
Famous violinists include Nicolo Paganini, Joseph Joachim, Jascha Heifetz, Sir Yehudi Menuhin, Itzhak Perlman, Isaac Stern, Joshua Bell, and Nigel Kennedy.
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Famous violinists include Niccolò Paganini, Joseph Joachim, Jascha Heifetz, Sir Yehudi Menuhin, Itzhak Perlman, Isaac Stern, Joshua Bell, Nigel Kennedy and Igor Oistrakh.
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The violin is also used in folk and popular music and is traditionally called a [[fiddle]]. It is just as valid a name as "violin;" in fact both words have a common origin: both derived from the Latin ''vitula,'' by separate paths.<ref>[http://www.cello.org/Newsletter/Articles/celloetymology.htm The Etymology of the Words Violin and Cello]</ref> Because it is often used to accompany dance, it gained the nickname 'the devil's instrument'. In fact, the violin has always been used for both sacred and secular music.  It has spread throughout the world and everywhere it goes it is adapted to the local musical styles.
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The violin is also used in folk and popular music and is traditionally called a [[fiddle]]. It is just as valid a name as "violin"; in fact both words have a common origin: both derived from the Latin ''vitula,'' by separate paths.<ref>[http://www.cello.org/Newsletter/Articles/celloetymology.htm The Etymology of the Words Violin and Cello]</ref> Because it is often used to accompany dance, it gained the nickname 'the devil's instrument'. In fact, the violin has always been used for both sacred and secular music.  It has spread throughout the world and everywhere it goes it is adapted to the local musical styles.
    
Before the widespread use of synthetic materials, violins used strings made of a fibrous material called ''catgut''. Catgut is derived from the intestines of sheep - not cats, as implied by the name. In modern times, most violinists prefer metal strings, typically a nickel core wrapped with an alloy to prevent corrosion and to achieve a desired tension; it's also not uncommon for a violinist to use a gold-plated or gold-cored E-string to provide a richer tone in the highest registers of the instrument. A small group of violinists, particularly those involved with recreating and reviving traditional [[Baroque]] sounds, will opt to play with the older catgut strings.
 
Before the widespread use of synthetic materials, violins used strings made of a fibrous material called ''catgut''. Catgut is derived from the intestines of sheep - not cats, as implied by the name. In modern times, most violinists prefer metal strings, typically a nickel core wrapped with an alloy to prevent corrosion and to achieve a desired tension; it's also not uncommon for a violinist to use a gold-plated or gold-cored E-string to provide a richer tone in the highest registers of the instrument. A small group of violinists, particularly those involved with recreating and reviving traditional [[Baroque]] sounds, will opt to play with the older catgut strings.
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