Changes

Propaganda has now become the favorite method of [[politics]]. Both politicians and the commentators that support them routinely engage in it. This has contributed, especially in the [[United States]] but also in other democratic republics throughout the world, to a coarsening of civil discourse and, some say, a severe weakening of civility.

Propaganda has now become the favorite method of [[politics]]. Both politicians and the commentators that support them routinely engage in it. This has contributed, especially in the [[United States]] but also in other democratic republics throughout the world, to a coarsening of civil discourse and, some say, a severe weakening of civility.

In addition to civility, the idea of truth suffers from the habitual use of propaganda. Current-events organs that willfully publish propagandistic content not only contribute to the problem, but also demean themselves. In one famous example, a [[television]] broadcast network circulated for weeks certain memoranda, the contents of which were damaging to the incumbent President of the [[United States]] ([[George W. Bush]]), though those who obtained those memoranda knew, or ought to have known, that they were forgeries.

In addition to civility, the idea of truth suffers from the habitual use of propaganda. Current-events organs that willfully publish propagandistic content not only contribute to the problem, but also demean themselves. In one famous example ([[Rathergate]]), a [[television]] broadcast network circulated for weeks certain memoranda, the contents of which were damaging to the incumbent President of the [[United States]] ([[George W. Bush]]), though those who obtained those memoranda knew, or ought to have known, that they were forgeries.

[[Theater]] has been an instrument of propaganda since before such things as current-events organs existed. Significantly, however, whenever theater has lent itself to propaganda, it has always demeaned itself. Even [[William Shakespeare]] was not immune to this. His play ''[[The Merchant of Venice]]'' is, as any objective observer must attest, a piece of [[Anti-Semitism|anti-Semitic]] propaganda of a very crude sort. Critics have historically decried it as one of the least becoming of Shakespeare's works.

[[Theater]] has been an instrument of propaganda since before such things as current-events organs existed. Significantly, however, whenever theater has lent itself to propaganda, it has always demeaned itself. Even [[William Shakespeare]] was not immune to this. His play ''[[The Merchant of Venice]]'' is, as any objective observer must attest, a piece of [[Anti-Semitism|anti-Semitic]] propaganda of a very crude sort. Critics have historically decried it as one of the least becoming of Shakespeare's works.