The traditional stage is far less well attended than it once was. It, too, has reverted to its perhaps original form, and often is a venue for experiments in forms of acting that severely test a viewer's capacity for ''suspension of disbelief'', a conscious act often critical to a viewer's appreciation of theater in any medium. | The traditional stage is far less well attended than it once was. It, too, has reverted to its perhaps original form, and often is a venue for experiments in forms of acting that severely test a viewer's capacity for ''suspension of disbelief'', a conscious act often critical to a viewer's appreciation of theater in any medium. |