Shelley was anti-religious and a skeptic his whole life and promoted a poetic program where--like [[William Blake|Blake]]--the individual imagination is the sole authority on matters of truth. His play ''Prometheus Unbound'' explores his interest in a renewed imagination/creative life in the story of Prometheus. In critic Harold Bloom's reading, the plays characters Prometheus, Asia, Jupiter and Demogorgon bear resemblances to the psychic constructs of other writers including Blake, [[William Butler Yeats|Yeats]] and [[Sigmund Freud|Freud]]. <ref>(Harold Bloom, The Visionary Company: A Reading of English Romantic Poetry, Cornell University, New York 1971, p. 90-91)</ref> | Shelley was anti-religious and a skeptic his whole life and promoted a poetic program where--like [[William Blake|Blake]]--the individual imagination is the sole authority on matters of truth. His play ''Prometheus Unbound'' explores his interest in a renewed imagination/creative life in the story of Prometheus. In critic Harold Bloom's reading, the plays characters Prometheus, Asia, Jupiter and Demogorgon bear resemblances to the psychic constructs of other writers including Blake, [[William Butler Yeats|Yeats]] and [[Sigmund Freud|Freud]]. <ref>(Harold Bloom, The Visionary Company: A Reading of English Romantic Poetry, Cornell University, New York 1971, p. 90-91)</ref> |