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Line 110: + + − Hazareesingh (2004) explores how Napoleon's image and memory is best understood as playing a key role in collective political defiance of the Bourbon restoration monarchy in 1815-30. People from all walks of life and all areas of France, particularly Napoleonic veterans, drew on the Napoleonic legacy and its connections with the ideals of the 1789 revolution. They spread rumors of Napoleon's return from St. Helena; many talked openly of Napoleon as the great inspiration for French patriotism and for individual and collective liberties. A pro-Napoleon political mobilization appeared in open displays of the tricolor and rosettes, as well as celebrations of anniversaries of Napoleon's triumphs. Royal celebrations were disrupted by raucous laughter and buffoonery as the many supporters of Napoleon worked, without any central coordination, to destabilize the Bourbon regime.<ref>See Hazareesingh (2004) </ref> − [[Image:Napoleon's Tomb.jpg|thumb|The tomb of Napoleon at Les Invalides, in Paris.]] + + + +
→Propaganda and memory
The memory of Napoleon in Poland is highly favorable, for his support for independence and opposition to Russia, his legal code, the abolition of serfdom, and the introduction of modern middle class bureaucracies.<ref> Andrzej Nieuwazny, "Napoleon and Polish identity." ''History Today'', May 1998 v48 n5 pp. 50-55</ref>
The memory of Napoleon in Poland is highly favorable, for his support for independence and opposition to Russia, his legal code, the abolition of serfdom, and the introduction of modern middle class bureaucracies.<ref> Andrzej Nieuwazny, "Napoleon and Polish identity." ''History Today'', May 1998 v48 n5 pp. 50-55</ref>
[[Image:Napoleon's Tomb.jpg|thumb|left|280px|The tomb of Napoleon at Les Invalides, in Paris.]]
Hazareesingh (2004) explores how Napoleon's image and memory is best understood as playing a key role in collective political defiance of the Bourbon restoration monarchy in 1815-30. People from all walks of life and all areas of France, particularly Napoleonic veterans, drew on the Napoleonic legacy and its connections with the ideals of the 1789 revolution. They spread rumors of Napoleon's return from St. Helena; many talked openly of Napoleon as the great inspiration for French patriotism and for individual and collective liberties. A pro-Napoleon political mobilization appeared in open displays of the tricolor and rosettes, as well as celebrations of anniversaries of Napoleon's triumphs. Royal celebrations were disrupted by raucous laughter and buffoonery as the many supporters of Napoleon worked, without any central coordination, to destabilize the Bourbon regime.<ref>See Hazareesingh (2004) </ref>
Datta (2005) shows that following the collapse of militaristic Boulangism in the late 1880s, the Napoleonic legend was divorced from party politics and revived in popular culture. Concentrating on plays and novels from the period 1893-1913, Datta examines how writers and critics of the "Belle Epoque" exploited the Napoleonic legend for diverse political and cultural ends. Reduced to a minor character, the new fictional Napoleon was not a world historical figure but an intimate one fashioned by each individual's needs and consumed as popular entertainment. In their attempts to represent the emperor as a figure of national unity, proponents and detractors of the Third Republic used the legend as a vehicle for exploring anxieties about gender and fears about the processes of democratization that accompanied this new era of mass politics and culture.<ref>Venita Datta, "'L'appel Au Soldat': Visions of the Napoleonic Legend in Popular Culture of the Belle Epoque." ''French Historical Studies'' 2005 28(1): 1-30. Issn: 0016-1071 Fulltext: in Ebsco </ref>
Datta (2005) shows that following the collapse of militaristic Boulangism in the late 1880s, the Napoleonic legend was divorced from party politics and revived in popular culture. Concentrating on plays and novels from the period 1893-1913, Datta examines how writers and critics of the "Belle Epoque" exploited the Napoleonic legend for diverse political and cultural ends. Reduced to a minor character, the new fictional Napoleon was not a world historical figure but an intimate one fashioned by each individual's needs and consumed as popular entertainment. In their attempts to represent the emperor as a figure of national unity, proponents and detractors of the Third Republic used the legend as a vehicle for exploring anxieties about gender and fears about the processes of democratization that accompanied this new era of mass politics and culture.<ref>Venita Datta, "'L'appel Au Soldat': Visions of the Napoleonic Legend in Popular Culture of the Belle Epoque." ''French Historical Studies'' 2005 28(1): 1-30. Issn: 0016-1071 Fulltext: in Ebsco </ref>
<blockquote>
''After being defeated by the British in 1815, the French Emperor was exiled to St. Helena--an island in the South Atlantic Ocean. Six years later, at the age of 52, Bonaparte whispered his last words, "Head of Army!"'' <ref>[http://www.livescience.com/history/070116_napoleon_bonaparte.html Mystery of Napoleon's Death Said Solved] </ref>
</blockquote>
== See also ==
== See also ==