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Line 15: − − Klee was also a violinist; at age seven, he started playing music. ''Klee died, painfully, at age 61 of the rare skin hardening disease, Scleroderma.'' [[Ibidem]]
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True Orientalist from the earliest years of his artistic life, Paul Klee profoundly altered his color palette, compositional approach to space, graphic symbolism, and dexterous architectural translation of three dimensions into two; a fundamental visual iconography that would persist and metamorphose, perpetually reinventing itself throughout his prolific, but tragically abbreviated career. [http://www.asianart.com/articles/klee/index.html]
True Orientalist from the earliest years of his artistic life, Paul Klee profoundly altered his color palette, compositional approach to space, graphic symbolism, and dexterous architectural translation of three dimensions into two; a fundamental visual iconography that would persist and metamorphose, perpetually reinventing itself throughout his prolific, but tragically abbreviated career. [http://www.asianart.com/articles/klee/index.html]
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Klee was also a violinist; at age seven, he started playing music. ''Klee died, painfully, at age 61 of the rare skin hardening disease, Scleroderma.'' [[Ibidem]]
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Klee's studies in the related fields of natural history, comparative anatomy and anthropology had brought Klee to the belief that nature was characterized by the permutation and movement of fundamental units of construction. He wanted to achieve an equivalent way of working in painting. In addition to his interest in the natural world. Klee also turned to theories of both color and music. As he worked on the basis of units of construction taken from nature, Klee tried to create linear improvisations which he likened to the melody of the work. Klee evolved a system of color organization in which all the colors of the spectrum were conceived of as moving around a central axis dominated by the three pigmentary colors - red, yellow and blue. [http://www.artchive.com/artchive/K/klee/parnassu.jpg.html]
Klee's studies in the related fields of natural history, comparative anatomy and anthropology had brought Klee to the belief that nature was characterized by the permutation and movement of fundamental units of construction. He wanted to achieve an equivalent way of working in painting. In addition to his interest in the natural world. Klee also turned to theories of both color and music. As he worked on the basis of units of construction taken from nature, Klee tried to create linear improvisations which he likened to the melody of the work. Klee evolved a system of color organization in which all the colors of the spectrum were conceived of as moving around a central axis dominated by the three pigmentary colors - red, yellow and blue. [http://www.artchive.com/artchive/K/klee/parnassu.jpg.html]
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== See also ==
== See also ==