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The book is set up to be a thriller. Robert Langdon, a [Harverd] “symbologist” (a fictitious field of study), is summoned to help solve a murder committed at the [Louvre]. Langdon and Sophie Neveu, a cryptographer with the French police, are left with a trail of clues to unravel, and with the help of resident scholar Sir Leigh Teabing, crack the codes to uncover groundbreaking secrets.

The book is set up to be a thriller. Robert Langdon, a Harvard “symbologist” (a fictitious field of study), is summoned to help solve a murder committed at the [Louvre]. Langdon and Sophie Neveu, a cryptographer with the French police, are left with a trail of clues to unravel, and with the help of resident scholar Sir Leigh Teabing, crack the codes to uncover groundbreaking secrets.

The first astounding thing Langdon discovers is "the truth" about the biblical figure [[Mary Magdalene]]. In the novel Mary Magdalene was a Jewish woman from the tribe of Benjamin and [[Jesus]]’ single most important disciple—in fact she was more than his disciple, she was his lover and wife, and the mother of their child, Sarah.  She was Jesus’ female counterpart, if not entirely “equal” to him, she was pretty close, and meant to be worshipped as a goddess.

The first astounding thing Langdon discovers is "the truth" about the biblical figure [[Mary Magdalene]]. In the novel Mary Magdalene was a Jewish woman from the tribe of Benjamin and [[Jesus]]’ single most important disciple—in fact she was more than his disciple, she was his lover and wife, and the mother of their child, Sarah.  She was Jesus’ female counterpart, if not entirely “equal” to him, she was pretty close, and meant to be worshipped as a goddess.