Mapplethorpe's photographs invariably included detailed explorations of [[flowers]], [[homosexual]] erotica, and [[Patti Smith]], with whom he lived early in his career. His work is often viewed as a continuation of the image-focused exhibits of fellow artist [[Andy Warhol]], as well as exploration in the study of composition and grayscale utilization pioneered by [[Diane Arbus]] and [[Paul Outerbridge]].<ref name="Morr">Morrinsoe, Patricia. ''Mapplethorpe: A Biography''. New York: Random House</ref> While not particularly technically adept, Mapplethorpe had a keen instinctual eye for that which he was photographing; “I never liked photography,” he said of his work, “Not for the sake of photography. I like the object. I like the photographs when you hold them in your hand.”<ref>Mapplethorpe Foundation Website</ref> | Mapplethorpe's photographs invariably included detailed explorations of [[flowers]], [[homosexual]] erotica, and [[Patti Smith]], with whom he lived early in his career. His work is often viewed as a continuation of the image-focused exhibits of fellow artist [[Andy Warhol]], as well as exploration in the study of composition and grayscale utilization pioneered by [[Diane Arbus]] and [[Paul Outerbridge]].<ref name="Morr">Morrinsoe, Patricia. ''Mapplethorpe: A Biography''. New York: Random House</ref> While not particularly technically adept, Mapplethorpe had a keen instinctual eye for that which he was photographing; “I never liked photography,” he said of his work, “Not for the sake of photography. I like the object. I like the photographs when you hold them in your hand.”<ref>Mapplethorpe Foundation Website</ref> |