The '''oboe d’amore''' is the alto member of the oboe family – although when the [[Cor Anglais]] is included as a fully paid up member of the family, which it often is, then the oboe d’amore can be considered as the mezzo to the oboe’s soprano and the cor anglais’ contralto (alto). It was common in baroque music - J. S. Bach used it extensively in his cantatas and particularly in the “''St Mathew Passion''”. Bach’s Harpsichord Concerto, BWV1055, is thought to have been originally for oboe d’amore. In modern times Richard Strauss gave it a part in his “''Symphonia Domestica''” and it has a turn in the ubiquitous “''Bolero''” of Ravel. | The '''oboe d’amore''' is the alto member of the oboe family – although when the [[Cor Anglais]] is included as a fully paid up member of the family, which it often is, then the oboe d’amore can be considered as the mezzo to the oboe’s soprano and the cor anglais’ contralto (alto). It was common in baroque music - J. S. Bach used it extensively in his cantatas and particularly in the “''St Mathew Passion''”. Bach’s Harpsichord Concerto, BWV1055, is thought to have been originally for oboe d’amore. In modern times Richard Strauss gave it a part in his “''Symphonia Domestica''” and it has a turn in the ubiquitous “''Bolero''” of Ravel. |