Changes

This was long attributed to Twain; according to Keyes, quotation sleuths traced it to an unsigned editorial in the Hartford Courant and decided it was most likely by Charles Dudley Warner, but there are reasons to believe it may really be Twain's remark after all.<ref>Keyes, Ralph (1992), ''Nice Guys Finish Seventh: False Phrases, Spurious Sayings, and Familiar Misquotations,'' p 194-5. Keyes notes that the quotation, as printed in the ''Courant,'' actually opened with the words "A well known American writer once said," and that a 1923 memoir by a journalist who had known Twain mentioned "never having seen in print Mark's saying about the weather...."</ref>.

This was long attributed to Twain; according to Keyes, quotation sleuths traced it to an unsigned editorial in the Hartford Courant and decided it was most likely by Charles Dudley Warner, but there are reasons to believe it may really be Twain's remark after all.<ref>Keyes, Ralph (1992), ''Nice Guys Finish Seventh: False Phrases, Spurious Sayings, and Familiar Misquotations,'' p 194-5. Keyes notes that the quotation, as printed in the ''Courant,'' actually opened with the words "A well known American writer once said," and that a 1923 memoir by a journalist who had known Twain mentioned "never having seen in print Mark's saying about the weather...."</ref>.

==A "hymn to liberty"==

==A "Hymn to Liberty"==

[[George Orwell]] said that "all that is best in [Twain]'s work centers about the Mississippi river and the wild mining towns of the West."<ref>Orwell, George (1943), "Mark Twain&mdash;The Licensed Jester;" ''The Collected Essays, Journalism and Letters of George Orwell,'' volume 2, pp. 325. Spelling brought into conformance with American usage.</ref> He specifically mentions ''Tom Sawyer,'' ''Huckleberry Finn,'' and ''Life on the Mississippi.''  

[[George Orwell]] said that "all that is best in [Twain]'s work centers about the Mississippi river and the wild mining towns of the West."<ref>Orwell, George (1943), "Mark Twain&mdash;The Licensed Jester;" ''The Collected Essays, Journalism and Letters of George Orwell,'' volume 2, pp. 325. Spelling brought into conformance with American usage.</ref> He specifically mentions ''Tom Sawyer,'' ''Huckleberry Finn,'' and ''Life on the Mississippi.''  

Orwell, who later would write ''Nineteen Eighty-Four,'' was writing during the Second World War, when individual freedom in Europe and England were at a low point. Orwell says that these books are set in

Orwell, who later would write ''Nineteen Eighty-Four,'' was writing during the Second World War, when individual freedom in Europe and England were at a low point. Orwell says that these books are set in "the golden age of America, the period when the great plains were opened up, when wealth and opportunity seemed limitless, and human beings felt free, indeed ''were'' free, as they had never been before and may not be again for centuries." He considered the books "ragbag[s] of anecdotes, scenic descriptions and social history both serious and burlesque" but Orwell also felt that they had a central theme:

:the golden age of America, the period when the great plains were opened up, when wealth and opportunity seemed limitless, and human beings felt free, indeed ''were'' free, as they had never been before and may not be again for centuries.

"This is how human beings behave when they are not frightened of the sack (being fired). Orwell says Twain did not ''mean'' to write "a hymn to liberty," but did so simply by reporting what he saw. He feels that Twain's colorful characters were able to develop their "strange and sometimes sinister individuality because of the lack of any outside pressure: If you disliked your job you simply hit your boss in the eye and moved further west.... The "log cabin to White House" myth was true while the free land lasted. In a way, it was for this that the Paris mob had stormed the Bastille, and when one reads Mark Twain, [[Bret Harte]], and [[Walt Whitman|Whitman]] it is hard to feel that their effort was wasted.<ref>ibid., p. 326</ref>

He called these books "ragbag[s] of anecdotes, scenic descriptions and social history both serious and burleque." But Orwell felt that they had a central theme:

:This is how human beings behave when they are not frightened of the sack.<ref>I.e. being fired from their job. To "get the sack" is a British colloquialism, similar to the U. S. "to get the ax."</ref>

Orwell says Twain did not ''mean'' to write "a hymn to liberty," but did so simply by reporting what he saw. He feels that Twain's colorful characters were able to develop their "strange and sometimes sinister individuality because of the lack of any outside pressure:

:If you disliked your job you simply hit your boss in the eye and moved further west.... The "log cabin to White House" myth was true while the free land lasted. In a way, it was for this that the Paris mob had stormed the Bastille, and when one reads Mark Twain, [[Bret Harte]], and [[Walt Whitman|Whitman]] it is hard to feel that their effort was wasted.<ref>ibid., p. 326</ref>

==Religion==

==Religion==