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| | ==Plot== | | ==Plot== |
| − | Kim Novak plays Judy Barton, a vivacious young shop clerk who is approached by businessman Gavin Elster ([[Tom Helmore]]) with a startling proposition: Elster, who has by marriage acquired a sizeable fortune in the shipping industry, intends to kill his wife. Judy happens to resemble Madeleine Elster — the wife — and Elster offers to pay Judy a large sum of money if she will consent to impersonate Madeleine in order to provide Elster with an alibi. Judy accepts.
| + | The film begins with "Scottie" Ferguson, a [[police|police detective]] chasing a criminal across a city rooftop. During this chase, a fellow officer falls to his death, and Ferguson finds that his feat of heights has increased to a problem with vertigo. He has to retire from his police work as a result of his disability. |
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| − | We are then introduced to "Scottie" Ferguson (Stewart), a retired [[police|police detective]] friend of Gavin Elster. Elster asks Scottie to spy on his wife Madeleine (who is really Judy in disguise), telling him that she has been acting strangely and he suspects she may be suicidal. Scottie trails Judy to an [[museum|art museum]], where he watches her as for three hours she stares intently at a portrait of Carlotta Valdes, a Spanish matron who has been dead for more than two centuries. Then she goes and buys flowers and puts them on Carlotta's grave.
| + | A former college friend of his, Gavin Elster, hires Scottie to spy on his wife Madeleine, telling him that she has been acting strangely and he suspects she may be suicidal. Scottie trails Judy to an [[museum|art museum]], where he watches her as for three hours she stares intently at a portrait of Carlotta Valdes, a Spanish matron who has been dead for more than two centuries. Then she goes and buys flowers and puts them on Carlotta's grave. |
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| − | In this and other ways, Judy gradually builds up a character before Scottie's eyes. He learns that "Madeleine" is depressed; that she is obsessed with a dead Spanish woman; and that she has only one suit, which is gray. After a few days of observation, Judy takes a daring risk: she leads Scottie to a ledge below the [[Golden Gate Bridge]] (a familiar backdrop in Hitchcock's films) and, without a look backward, jumps over the edge as if she were committing [[suicide]]. Scottie races to save her, and in this way she meets Scottie face to face.
| + | Scottie determines that Madeleine is depressed; that she is obsessed with a dead Spanish woman; and that she has only one suit, which is gray. After a few days of observation, Madeline travels to a ledge below the [[Golden Gate Bridge]] (a familiar backdrop in Hitchcock's films) and jumps over the edge. Scottie follows her in, and saves her. He brings her back to his apartment to recuperate, they speak, and she returns home. |
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| − | The two see each other many times after that, and gradually fall in love. But Gavin Elster's designs cannot be postponed forever; he is also facing the enormous risk that Scottie might one day see the ''real'' Madeleine Elster by chance in the street, and learn that he has been [[deceit|deceived]]. So he prevails upon Judy to lead Scottie up the winding stair of the old mission bell tower, and when Judy gets to the top, Scottie panting up the steps a flight below, Elster is there with his wife's body. Elster flings the body over the edge of the roof as Judy screams, drawing Scottie's attention to the falling body dressed in Judy/Madeleine's familiar gray suit. At this point Scottie is overcome by sudden vertigo (the fear of heights) and blacks out. | + | The two see each other many times after that, and gradually fall in love. Scottie and Madeline work together on Madeline's mysterious fixation on Carlotta. In an effort to solve their mystery, they travel to Mission San Juan Bautista. Madeline runs away to a bell tower, and Scottie attempts to follow, but is delayed by his difficulty with vertigo. He reaches the top in time to see Madeline's body on the roof. Scottie faints. |
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| − | At the inquest, Scottie testifies that he saw Madeleine fall to her death. Gavin Elster is awarded his wife's property, and soon flees to [[Europe]], never to be seen again. Scottie mopes about for a month or two, until one day by chance he spots Judy working her old job. He immediately recognizes her as the fake "Madeleine", and pursues her relentlessly until she agrees to go to dinner with him "somewhere out of town." | + | At the inquest, Scottie testifies that he saw Madeleine fall to her death. Gavin Elster is awarded his wife's property, and leaves for [[Europe]]. |
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| − | Scottie drives with Judy back to the old mission bell tower, where he has hidden Madeleine's gray suit. He forces her into it and pushes her ahead of him to the tower, ordering her to climb. This time, Elster is not waiting at the top, and so there is only an old nun to witness as Judy plummets for a second time to her death. | + | Scottie mopes about for a month or two, until one day he spots a woman who looks exactly like Madeline. Her name is Judy. Judy explains her past as being a normal girl from Kansas. After Scottie leaves, Judy writes a letter to him, explaining that she was hired to impersonate Madeline, and an effort to allow Gavin Elster to murder his wife. Judy destroys the letter as she finishes writing it. |
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| | + | Scottie pursues Judy, and they cultivate a relationship. Scottie makes recurring efforts to transform Judy into Madeline, by forcing her to wear the same clothes, to arrange her hair and makeup to resemble his deceased love. Judy seems to be uncomfortable with this, but ultimately concedes to his requests. |
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| | + | Scottie notices that Judy has a specific piece of jewelry that Madeline wore, and puts together what has happened. |
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| | + | Scottie takes Judy back to the old mission bell tower, wanting to re-enact Madeline's death. They argue, and eventually Judy confesses to loving Scottie. A nun appears in a nearby door, startling Judy, who stumbles backwards, falling to her death. |
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| | [[Category:Thrillers]] | | [[Category:Thrillers]] |